The Brooklyn Daily Eagle from Brooklyn, New York • Page 11

11 BROOKLYN EAGLE, FRIDAY, MAY 2, 1941 Orson Welles' 'Citizen Kane'k 1 L. Wtw- tmmam St i Jack Oakie Rampant Has Premiere at RICO Palace 4 In Gay Roxy Musical Sets New Styles in Movie-Making GEAT AMERICAN BROADCAST A 2Hh centurr-Pox picture directed br Archie Maro frem a screen Bier by Dnn Eiillnrrr. Edwin Blum. Robert Klllt tnd Hrlen Logan, Pretemed at tba Boo Thear, THE CAST Vlckl Adtma Ailed Pay Chuck Hadej- -Jack Oekie Kll Marlln- -John Payne Bruce Chadwttk Ceiar Romrro And lh Nicbolea Brotheri tt.t Wierr Broihrrt and the Pour Ink "pott. Music Hall Begins New Lubitsch Film Director Ernst Lubitsch, the man with the famed touch, has his hands full with 'That Uncertain Peeling," yesterday's arrival at the Radio City Music Hall.

If It weren't for "the touch," there wouldn't be "That Uncertain Feeling." And there's no uncertainty about that. "That Uncertain Feeling" Is only a marital trifle with passages of slick dialogue. But it has Mr, Lubitsch to make its characters seem little different from the characters you saw In the screen's last marital trifle. And it has the Lubitsch sense of comedy. That is enough to put It across.

'That Uncertain Peeling" rarely falls to be amusing. The wife In this marital farce has the hiccups. They come and they go. They come mostly when she is annoyed, And she is annoyed mostly when her husband pays more By HERBERT COHN "Citizen Kane," Orson Welles' Mr. Wholsit, made his bow last night on the screen of the RKO Palace Theater.

There may be questions around town today about "Citizen Kane," what he stands lor, who he is supposed to be. But there can be no question whether Orson Welles, precocious child of the Mercury Theater, bearded prankster of Hollywood Boulevard, sober producer-writer-director-star of "Citlsen Kane," Is the most brilliant newcomer the screen has had in years. He Is. In "Citizen Kane" he has made a motion picture that will go down as one of the screen's classics a film that scraps practically every hackneyed formula of motion-picture making. Prom beginning to end it Jack Oakle Is back at the Roxy stealing scenes.

Practically stealing the show, "The Great American Broadcast." doesn't matter what Oakle Is supposed to be a lantern-Jawed dictator, a song-plugger, or a tlnkerer-at-radio ln the 1919 days, as he Is at the Roxy he'll give more to his part than is written in his script. He only has to mug, or to air his Indiscriminate baritone or to clog out a few corny steps. And his directors know It. Archie Mayo Is the director of "The Oreat. American Broadcast," and he knew about Oakie.

He gave him free rein. When "The Great American Broadcast" is at its best, Oakle is running wild crooning "Give My Regards to Broadway" in his long underwear, faking the tenor part in the "Lucia" sextet or making a timid but comic kind of love to Alice Faye. That is when "The Great American Broadcast" Is at its best. But when It isn't at lis best, It is still doing pretty well, getting the radio from the headphone stage right down to the beginning of network broadcasting, making the Dempsey-Willard fight with original pictures a turning point in radio's career, and getting a promising batch of Mack Gordon-Harry Warren songs sung by Miss Faye, John Payne, the Four Inltspots and the Wiere Brothers who also trespass pleasantly on the territory of the dancing Nicholas Brothers. There Isn't much to the romance except that there are three suitors Instead of the conventional two for the hand of Miss Faye.

Oakie has AT MUSIC HALL Merle Oberon and Melvyn Douglos in "That Uncertain Feeling," the new picture at Music Hall. MaaeBBBaaaaaaY SW Pis packed solid with fresh film tech- hopes from the start, gets her toward the middle Cesar Romeros chances oom vhen Payne walks out ln a Jealoui rage, and It's all Payne, of couie, at the finish. Dramatically, It's slight. But not so slight that Oakle and Mayo can't keep It going between Miss Faye's songs, "Where You Are" and "I Take to You," the rhythmic specialties of the Ink-spots, the clever clowning of the Wiere Brothers and the agile Nicholas Jjoys. It's slight, but It makes gay entertainment.

On stage at the Roxy are Marty May, Marian Belett and the English Brothers, Ben Yost's Mili-taires and Jack. Powell, the drummer man. H. C. 7th Dr.

Kildare Film Coming te Criterion The seventh in the Kildare seriei of pictures, "The People va. Pr. Kildare," begins next Wednesday it Loew's Criterion Theater along with the final showing of "Sis Hopkins." Sta-rtng Lew Ayrcs and Lionel Barrymore. the cast Includes Loralne Day, Bon it Granville, Plana Lewis, Alma Kruger, Paul Stanton. Walter Kingsford, Nell Craig, Tom Conway and Red Skelton.

'CITIZEN KANE' A Mercury Production, produced ind directed by Orson Welles from tcrren ply by himself and Herman J. Man-klewlci. Released by RKO-Ridlo and presented al the Palace Theater. THB CAST Kane Orson Welles AT BELASCO THEATER Albert Hackett plays the role of the harrassed husband in "Mr. and Mrs.

North," the comedy murder-mystery hit. THAT UNCERTAIN FEELING' An Ernst Lubltach0ol Lesser picture, bnsed on a screen play by Donald Of den Stewart. Presented at the Radio City Music Hall. THE CAST Jill Baker Merle Oberon Larry Baker Melvyn Doutlas Sebastian Burtete Meredith something seems to have been lost along the way. It concerns grisly doings in a London boarding house.

It suffers both ln dialogue and direction, neither one making the picture reasonably clear or credible. Its one redeeming feature Is a surprise ending. Frieda Inescort and Paul Cavanagh have the leading assignments, and Heather Angel and Bruce Lester do the best that they can with the love interest. R. F.

Spy Melodrama At Brooklyn Strand Nearly everybody loven a good, rouMns; spy tale these days, the kind ln which a modern Benedict Arnold and a nest of foreign agent? get their lust come-uppence at the hands of an indomitable intelligence officer. Martin Mooney, who should know his crime and Joaeph Cotten -Dorothy Comliuore jcueman wiana Susan Alexander-Mr. Bernstein -Everett aioane Dr. Venaard Walter Parlies Thatcher Oeorte Coulourls Mrs. Kane (mother) Ainea Moorehead Emily Norton -Ruth Warrick Jumes W.

Ofttys Ray Collins Kane laae SI Bilririv flwn Aian adoworay Olive Blakeney Harry Davenport -Eve Arden 8ie Rumann Richard Caile Margie Stalllnas-Attorney Jone Sally Mr. Koike But'er der, drunk and ugly, the second wife of Kane who walked out on him and Xanadu. And then he searches out the diary of Banker Thatcher who was guardian of the young Kane and his unheeded financial adviser in later years. He talks to Bernstein, general overseer ON BROOKLYN SCREEN Bette Davis as Maggie in "The Great Lie," which starts its second week today at the Brooklyn Paramount. angles, hr.s added a new one to his i list with "Federal Fugitives" and It gets feature billing at the Brooklyn i Herben Carter Craklne Banford niques.

From start to finish It is different. Even Its credit are tacked on at the end instead of the beginning; even its cameras, shooting up from cradles sunk into the studio floor, catch angles that cameras seldom have caught before; and even its sound track, sometimes ot Kane's newspapers, and to Jede- MOTION PICTURES adding a hollow echo to its voices, I serves wittily as a symbol as few sound tracks (save Disney's per-I haps) have ever served. I There are brilliant innovations in attention to nls insurance business than he does to her. But she needs a psychoanalyst to tell her, In a left-handed way, that her hiccups come when she's annoyed because she's bored. Donald Ogden Stewart has given cunning words to the thought, Mr.

Lubitsch has given it a sly sophisticated lift, and the players Merle Oberon as the wife and Melvyn Douglas as the husbandhave played it with gusto. But next to Mr. Lubitsch, the fellow who gives most to "That Uncertain Feeling," is Burgess Meredith. Meredith is another of the psychoanalyst's patients. He promises to be good medicine for the bored wife because he has a wacky outlook on life.

He calls himself an individualist. He knows he's a genius at the piano because he satisfies even hlm-rflf when he plays alone. But put diah Leland, Kane's college friend, adviser and critic. He goes back to Susan Alexander at El Rancho Club, and finally he bribes old Kane's butler, and from each he collects a flash-back memory of some Incident In his or her life with Kane. And from this collection of flashbacks there emerges the picture of a man who had wealth and power and position, who made people think and do as he wanted them to, a man who had the world at his feet and who, anyway, failed to find happiness.

It makes no difference who was the model or models for Kane oi if there was a model at all. It nutters only that here Is a figure who represents the least-commendable things about wealth, a man who professed to champion the under Last Variety Bill At the Flatbush The Flatbush opened its last week of vaudeville for the current season yesterday, or rather Its last half-week since the bill will only remain through Sunday night. Next Tuesday the theater turns to a warm weather policy of presenting legitimate plays, so the name bands and variety acts will be absent until after Labor Day. The management has booked a good bill for variety's Swan Song. Abe Lyman and his Californlans are the headllners.

They are, of course, one of the day's outstanding bands, and need no comment. They have, however, some new arrangements, new at least to this ear, which sound particularly swell. Notable is one of "Melancholy Baby" with the boys doubling ln an excellent glee club chorus. Rose Blaine adds plenty of personality to her vocalizing with them. Featured also are Tommy Gleason and his Royal Guards.

ORSON 'Citizen Kane," Innovations that are bound to make Hollywood sit up and take stock anew, that should make American audiences sit up, too, and realize that there is something live and fresh and vital in the screen that had hardly been touched until Orson Welles, heading a company of players practically unknown to the screen, came from Broadway to touch it first. It isn't only in Its technical in its method of story-tell AN RKO RADIO PICTURE 4XK WELLES Strand this week. "Federal Fugitives" is a simple, straigt forward yarn of action and excitement. Capt. James Madison is not the scientific spy-catcher.

He relies on his wits and direct approach behind an automatic. Captain Madison is not infallible. He is even a little gullible at times and makes an occasional costly mistake. This gives him an added charm, and Mr. MooneV has included an Ingenious twist or two to his plot which keeps the picture at a suspenseful pitch.

Neil Hamilton is the redoubtable Intelligence officer. Doris Day is the lady-stooge of the traitorous lobbyist. Charles Wilson is her money-grubbing botts. The real menace, of course, Is furnished by Victor Varconl as an International agent who will stop at nothing to accomplish his nefarious schemes. He is more than sufficiently nasty to give zest to the captain's labors.

They all make it exciting and diverting melodrama. The accompanying feature. "Shadows on the Stairs," is a murder mystery and does rot fare so well by comparison. The screen play has been adapted from th; stage version by Frank Vosper and Him rn a nrArf dIaoa arA 'Hamilton Woman With Leigh, Olivier, Comes to the Met. Has Excellent Cast Co-featured With 'Free and Easy' "That Hamilton Woman," based on the affaire celebre of the days when England was maneuvering to keep Napoloeon on the continent, ias screened at Loew's Metropolitan Theater yesterday by way of pointing a modern parallel with England's present fight to keep a Tie- power-Hungry imperialist under Alexander Korda, In Hollywood now but still the King's best, press agent at heart, has surpassed himself in' making his motion picture handsome.

And he hasn't bf hered to whitewash hiRtory. Set against the magnificent back JMOTCOTTM 8M0T1IT CMMCMtt 1 I privileged but who really was base and willful and selfish. Yet, whoever may imagine himself to have been one of the models for Kane must know that he was let off leniently. For Welles, in the end, does not hate his Kane the way his Kane deserves to be hated. Welles Is sympathetic toward him.

EtERCTT SIOANI aoittcouuHiiB mui smm umn uxfott doesn't want to play well. That's his inhibition. And most everything he sees or reads or hears he doesn't like. He's fussy, but he keeps things lively and different. He must have been Lubitsch's pet, too, in "That Uncertain Feeling," for he drew most attention.

An hour-long version of Puccini's "Madame Butterfly," presented In two acts and with 13 singers alternating In the important roles, Is the Music Hall's new stage show. Anne Roselle, Enya Gonzales and Josephs Checkova are cast as Chio-Chio Sans, and Jan Peerce and Mario Berini are singing Pinkerton. H. C. MY COUJItS Ajl I V- tOIES KOOUHUB iVV'-Jf I 1 UTHWAMICI VJF 1 I tUUUiUUW lUf I Harold Conrad'i Column On Page 21 PICTURES 1st MATINEE TODAY Reserved Seats Now For First 4 Weeks MOTION MOTION PICTURES Hum! Hurry; TWICE DAILY at 2:30 and 8:30 ing, too, that "Citizen Kane" Is different.

It is a film that attempts to tell its story indirectly by examining a personality. Garson Kanln had the germ of the Welles idea in "A Man to Remember." Welles has done the Job on a bigger scale, made his Charles Foster Kane a more powerful man than Kanin's norse-and-buggy-doctor, his story more ramified, his effect more devastating, his goal In life less precise, and his motivations more complex. When Charles Foster Kane in a room high In a turreted castle that Is atop a rocky cliff behind tall Iron gates warning against trespassing first comes to the screen, it is to die so that the camera can see his last gasp and watch his lips as they speak his last word: "Rosebud." From the first scene through the last, Orson Welles i searching for the meaning of that word, and as he searches he discovers the human being behind the name of Charles Poster Kane, the personality of the man and the personalities of the men and women with whom he lived and worked and through whom he sought happiness. But always there la the search for "Rosebud," and always there Is the mystery of who or what "Rosebud" is and why it should have been his last word. Welles sends a film reporter to learn the significance of "Rosebud." The reporter goes first to an Atlantic City dive to find Susan Alexan- 0 I lJ ii I BETTE DAVIS "Citizen Kane" Is a triumph not only for Orson Welles, but for his entire company as well.

His players scale their performances to his portrayal of Kane. Joseph Cotten is close on his heels as Jedediah Leland, the one man who raw through Kane, realised his baseness and refused to pander to his hypocrisies. Dorothy Comlngore is perfect as the wife he forced to sing because he wanted to prove to the world that he had found a singer. Everett Sloane is grand as Bernstein, George Coulouris as the banker, Ruth Warrick as Kane's first wife, Agnes Moorehead as his mother. And no less-deserving is the balance of the cast.

Its separate merits r.nd its tiny shortcomings, the questions it raises and even the doubts it might create are all things that are infinitely less important than "Citizen Kane" as an integrated whole. As a motion picture it marks the beginning of a bright new era. It is a I tea mWy fee BMNr MaryASTOII THE OS1AT ur iDtanit O'MITC MSTDCT iTTOMtr' 7C. AT MAT. MM CROIU BOB HOPE DOROTHY LAMOUH -HOAP TO ZAHIfW "LONOIE OOBS LATIN" ground "of the lush Continental era, and with Vivien Leigh as Lady Emma Hamilton and Laurence Olivier as Lord Horatio Nelson, England's little seaman, That Hamilton Woman" Is something handsome to look upon and to admire as a painstaking screen creation.

But it, is not easy to be moved by it as one should be moved by the clandestine love of two such 'colorful people in so exciting a period. For all of the devotion It shows and for all of the fine acting poured into it by its stars, "That Hamilton Woman" Is strangely cold and unmoving. That it rarely kindles the fire that smoulders beneath its surface can be charged off to Mr. Korda's uneconomic editing, his studied, deliberate direction and to a wordi-ness of dialogue that often sounds and insincere. IU quality, though, doesn't stop with Its stars.

In the supporting cast, Sara All-good Is excellent as Lady Hamilton's loquacious mother, and Alan Mowbray is effective as Sir Hamilton who acquires his young wife in settlement oj some gambling debts and then looks upon her as one of the lovely things, along with his art treasures, that grace his household. Cofeatured at the Met. is "Free and Robert Cummlngs, Ruth Hussey and Judith Anderson. SEATS! TODAY Mats. (Mon.

to 75c, 85c, $1.10. Eves.i $1.10, $1.65. $2.20. Sat, Sun, Hoi. Matt.i 85c, $1.10, $1.65.

All Met (ncude Tax Safy wo StoAroty "FEDERAL FUOITIVES" with Nail HaimllUn Porta Day "SHADOWS an tha STAIRS" Mb hMa taaMart Paul Cavaaagb aa magnificent addition to the record i of the American screen. STAGE PLAYS MAWHATT 1 riwic. Oellr A. I I Friatr A I I SatrdtA ii lrV I I Kaai2j I I Nivr Agam Will You St or Htxjr If -mi Thrilling Fontatoutdl BROADWAY KB? RADIO CITT MUSIC HALL MM WMf 4 Ml Awmm IflNPCWAV tdward O. Robin.nn In "THE HICA WOLr'l and "MODEL WIFI" aa.aaiau I 1 Caaty laltee OftERON DOUGLAS MEREDITH O'ly "iHrtt-k" IManlle.

News) play It ta Maniry PrtduetlM by ORSON WELLES IMativf criN "hkkn iin I rt BICHAHD WHIUHT ST.JAMEtTkia.,44111 B'way. LA.4.4M4 fi. Intl. ..1:40. Matt.

AVALON. Klnn Hllhway E. Htn t. "COME LIVE WITH ME" anil "GO ta IRMftT LUftmCM' "THAT UNCERTAIN FEELINQ" "Rlda-ipllttlnr and terrlfle" -Brown. Potf Howard Lindsay and Rusael Grouse present ARSENIC AND OLD LACE A Htw Comedr by Jotevh Ktmlring oltn Burls Ktrltlf Ally jnlys liuehlns Hull jeaa Aililr Jtka AlssaMtr rill.TON.

St. CI. Eva. :40 Met. Tem'w4Waa.

2:46, MBit srdsrs eramatly flllsd ON aMBAT ITMfi "MADAMC UTTnn.V I -pcW'i mwrm. brtMartlv rtai4-V I I 1 I I) 1 I II IM fPl Jpt MARINE, Flatbuah Mlineay fATIO, Flatkuik Ave. anal MKea RIAI.TO. Flatbwh Ava. trctrtalytu at.

MAYFAIR. Annua A Canty I. MIDWOOD. Aianut I and E. 13th NOKTRAND.

Klnia wayNtitrtnt Av. Krrel Flynn. "FOOTSTF.PS IN THE and "FLIGHT FROM DESTINY" ROMI INn RIIKMF.I.L MELVYN "THIS THING CALLED and "TRIAL OF MARY DUGAN" Detri Oitn A.M. Plctur at: 10:46. 1:42, 4:41, 7:41, 10:41 Stag Shaw at: 11:30.

1:27. 6:39. I MIT Oien A Johnton't New. Never Stnvvin lat Maiz. Saata Raicrvtjt.

Clrila H-0 I LAST WEEKS! PERFORMANCE SUNDAY NIGHT at The Kent lausrh en Broadway Is Muriel! Wm. Dserlnf and Aleasneer Klrklane prttaat Out of the frying pan WINDSOR IS? W. 4th8t. pE.tMSDI In.lMl.tea.9M-tl.S0. Mett.Ttm'efcWta.Mt.2.10 Hellzapoppin Matlaaa Paris.

WINTIR SARD EN, way St Sutn bi. Ih. 10. SI.I0.IS.30. auset Sat.

linear Mats. Tem'w and S1.10-S2.0 ALBEMARLE. Flttutli Bt. "RIDE, KELLY. RIPE" tnd "MB.

DYNAMITE" VOC.I'E.Ctnry liltnd Avt.lnd Avcnut K. Cherltt Rovar. ftallaean In "BACK I'ARRAOIIT. FliHuih Hd. and "CAPTAIN CALTION" KI M.

A.aaua ai Fail 17th St "THAT NI41IIT IN RIO" and "NIGHT TRAIN" COLLEGE, Flatbuih Am. and Avenua "ONE NIGHT IN THE TROPICS" PARKSIDE, Flatbuah and Pareilda v.l Jamra Caanrr. Ollyla de Htyllland ln-'RTRAW- HELD 0VER-2nd BIG WgEKl 'Beat mntltal eoinedr." Whiffle, V7. Tel. H.

C. UiUHUA ABBOTTS MUSICAL HIT L.1P a i I fl 17 Book by Only Sltmwlmt In ttraatarMaw Tark Vivien LEIGH Laurence OLIVIER in 'THAT HAMILTON WOMAN' a 'FREE AND EASV-Robt. CUMMINCS AN M.O-M HIT! "(aeilaiular, nlerlul and trend lot." Sun ISew Second Edition It happens on ice 1 a J0HN 0'Hara IKIANC.I.F, Klnti Hlifcvty-E. 12th BIKKY and "SLEEPERS WEST" RODOER.1 and HART Sonas With VIVIKNNK SKOAL r.K.NE KF.I.I.T "ARIZONA" and "DR. KILDARE'S CRISIS" ((DENTIN, Qutntln Rd.

tnd E. 33th St. 11.10 JACK DURANT JUNE HAVOC 52.75 Inaliielni Snneay M-0ll VftetaM GIUL "Her First Beau," Columbia's comedy of romantic youth, co-starring Jarie Withers and Jackie Cooper is scheduled for national release May 8. Mali. TaT.

ana. ana 2:40. 12.10 It II .10 iASS MOI tt. I.i:40 CENTER Theatre, Ratkeleller Center CO. S.S474I Matlaeat TOM'W ted 2.4.

St. 10 ta 1275 UrrHj LOEW'S KINGS Flatkuaa and Tlltlt Araautt IINRI'HERVED lie SEATS ON 8Al.r. A I' Mlrkey ROONF.Y I "ANDY HARDY'S ROAD SHOW," Adoleht Mrnjnu. C'arnlt Landll FEATURE FILITIS SHOWIM TODAY LOEW'S PITKIN EACH 1ERF. WHEN DOORS OPEN end Pltkla and SaratHt Avteutt Jemee STEWART RtNO HeayUUMARR Lena TURNER capitol HAY RIDGE Barbara STANWYCK Henry FONDA ROLLER SKATING BROOKLYN iNo Murder Amnnr Friend of liittuflucttont Colorad LOaNW'S etth Street end Filth Avtnee tl.lllW'll BEDFORD Sadtord AvtaiM tad Btrtta Stratt LOEW'S BROADWAY Brtadway aed Mvrtlt Avtane LOEW'S CONEY ISLAND Flfftrk, 75th trkd Third Am.

iH Unify. Fitth Ave. ftnd St BKOFORD National, WtihlUfUii Avt. Rnfr, Rotcrt cor, 8nlltilt 11, BitffMtf Av. n4 UtttjlH "A SMASH HIT." Walter Winched B.

O. DeSYLVA presents ETHEL MERMAN ln PANAMA HATTIE COLE PORTER Song oak by HERBERT FIELDS tl. fl. D8YLVA 4lith ST. Thaa.W.

el y. drill 10073. Eyai. 0:30 Mttlnata TOM'W and 1:30, $1.10 tt 12.75 TENDER AND BEAUTIFUL'. WitllrrWinehell William Snroyan presents his comedy The beautiful people LYCEUM.

43 tt. t.tl B'wty. CH.4-42M. Evl :) Mali.Ttm ind Wad. .2:30.

(on. Perl 1:45 P.M. Arlronti elto Dr. Klldarr't f'rlilt Krinrtl fur Rlrhrt. Kit Leatnt From Mme.

LaZnnfe Well; aleo Mvdtl Wlft Helen la Harry WalHall Cribble's CRAItt thrllllt areduillts Johnny Belinda 33rdcK tart. 40. Mall. TOM and WED. I.ONO ACRE III W.ol B'way.

M.M4.U GERTRUDE LAWRENCE IB ft MtJffl1 Play TAD IN THE DARK With BERT I.TTEI.I. DANNY HAVE ALVIN Tbas 52d W. ef way. CO. 5-4114 SHARP in te (4.4a Mala, TOM'W and le S4.1A "THE LADY EI" "RAGE IN HEAVEN" i Burl tnd Btlllwtll Avanwat LOEW GATES Gattt Avrnue tnd Brttdwty LOEW'S KAMEO tatttra Parkway tnd Noitrtnd Avtnut LOEW'S 46TH STREET i 4Sth Strttt and Ntw Utrttht Avtaue LOEW'8 PREMIER Suttar Avanut, Nlnidlle Striat ROLLER SKATING REVUE 'Park Circle Blues' TONIGHT AND SATURDAY AT 10:40 P.M.

In addition rtielar tsellnr eeeelen HI NHOMII KST Celeny, Itth Avt. tnd 13th 8t Down Artenllne Wty; elan Tee're Out ef Lank HALL AND DOWNTOWN Duirirld, Onfflald and rult.in FnnUleni In thf Darti: alia Ftithl Frnnn TtMtlyty Mnmtrl, Fiilttt at. and Knrhwrll el. nl Inn nduf Inn il.i Slightly Tmptnd St. lirnrtr Plevhnue, 1011 St.

Thta Thint t'nllrd ove: Tht Trial ef Mery Daren ASTORTKE til II art aiuaeta aav l4taai e. tt. el teat awae 75 kate l.l Seftrfs ftW ftN eerfotMfiiccR ni iwlfiM st Vm ffrtet Rnhcrt MONTGOMtRY V. Crltles' Prlre-Wlnnlnr Pier 1041 In, rid BERGMAM fi.i.r. vnir.n i Mth Street end lath Aoenua Terminal.

Faurth Ava. and man et Arirnna; alto nr. hiiaarr i rittt BRIGHTON BFACH Oreana, Brlthtan rt'trS Fnnlatrpa ln thr Derkl alte FtlfM Prrvat fteeelnv A PERFECT COMEDY" 41 tin to. Timet PERt ETHEL BARRYMORE "A Life WITH FATHER LOEW'S BORO PARK Deanna Dnrhln. Nlre Olrl Franrhnt Tnnti Silt Strttt and Ni Utrttht Avanut Krntland Yard, Nancy Kelly, Edmund Gerenn FI.ATBI'SH Ailnr.

n.tr Chorrh FlethuKh, Cnurrh and Flttbuth Jamet IthHOWARD IIND8AY.00ROTH YITICKNCY EMPIRR B'way 411 St. PE. H-UMO Irsa. Mata. TOM'W and 1:40 Hedr LAMARR The corn is green NATIONAL Theatre.

4ltt. W. if y. PI. f-1220 E.I:4O.SI.I0ta 13.30.

Mati.Tim and "lTHARimORNELL pretend BERNARD SHAW'S (ardfn AHuh; Tai( nf Trk Ah Lyman and all(rnl Orrhnilra. (tli Ctleaton'i Rnval (inarrii, Thr Hallewa ranMl7 Tr. Hlalnc, Harrv Klnr and tAm Strawberry Blonde; alto Klepra Waat PARK CIRCLE ROLLER SKATING RINK "BrfMyn't Mott'falitU Jlinlt" Grenade. Churth and Neilrind MARLENE DIETRICH in 'THE FUME OF NEW ORLEANS" I VOL I SnTaSTt" a atiowtTt tHOWt i "COME LIVE WITH ME" and MARX "GO WEST" LOEWS WARWICK Jtrtmt and Feltee Strtttl LOEW'S PALACE Eeat N. Y.

Ave. ead Deuilaai St. eVI.OEW'R BAY RIDGE 7d Strut end Third Avtnut LOEWS BBEVOOKT Brevoert Plete end BtdArd Avteue LOEW'S Ptrhlldt end NMUtnd AvinuM LOEW'S MF.LBA Llvlniittn Strctt tnd Mtntvtr Plete THE DOCTOR'S DILEMMA Hit -tad Mm it. Ilk KAIMUnU MASSE. CHARLIE CHAPLIN 49th SMASH WEEK Wllllaas Vera Vleter (IAXTON CORINA MOORS LOUISIANA PURCHASE with IRENR BORDONI Mutle and Lyrlea hy IRVINf) BERLIN Rook by MORRIK RYRKIND IMPERIAL W.4J (I.

CO 5 7nat. Ert.l:S0 Mallsaai TOM end WED 2:30. 11.10 tt 12. 73 nf. Cltal T.

it S0 3l tt 11.20 land "Bl.i II OCEAN PARKWAY AT FARK CIRCLK SHUBERT 44tk St. W. ally. CI.I-SMO En. 1:30.

Milium TOM'W and WED. It 1:10 "THE GREAT DICTATOR" ONDIE PI. CI I'lll," Ptnny Slndrlnn aim UCK MUM CESAR Sea. Pirfi, it 1:40 P.M. THE MAN WHO FAYE OAKIE PAYNE ROMERO 'GREAT AMERICAN BROADCAST' CAME TO DINNER RACING JAMAICA i rem.

Jun. EVO. at .40 li.io-tl.3n FESTIVAL OF HITS MAYTIME MOVIE RKO JUBILEE FAST FIATBIHH Avtnnr n. Avontw 0 and at Strawberry Rlondr: alia ftliwvrrs Waat Rafby, UUtt and Churtii An Hirawbtrry Hlandrt alta Slcvtr Weal KKIISKN BKACH r.raham. whiinry A The Philadelphia Kiory; alaa Gallant ton IMKK SI.OPC Curllan.

Fltbiih nrf p-nlh am Thi Thing Calif l.ova: ilt TrraT af Mar Tturaa llaa, FHtht'h Av. nnd Park Pltrt. Thv Nfifhhori alto ffan rranrtata rVfkt Vindfrt. PrmtMt Park Wm( lllh 91. I hat Night In Rio, al Night Train KING HIGHWAY IfWfl, Klan Highwuy 0n P'aM Timt Wt I.av; alaa Th Gay 1mmr4 AVFM'F SrCTlOV tvtn.1 Vt Avf.

antl C. tMh St Ariinnai alta Or. KHdarVt Trfala Traymorf. and C. 4tlh St.

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CI. 1:40, Mat ftfl. $2.20 LILLIAN HtLLNAN New Plan Ranhwlrk, B'iY-Hflir4 Avt ProflpMl, NtMh Avt Grnpolnt, 2S MmlwlUii Mrnmorf, ChurhFlilkutfi Drhcr, Nth tt. and Fifth ON THE RHINE WATCH MASON'S BEST COmtOY -Whipple. mitntatatUAUl mm EDWARD G.

ROBINSON IDA U'PINO JOHN GARFIELD "THE SEA WOLF" AND JOAN RI.ONOELL KICK POWELL "MODEL WIFE" PAUL MADT SISTER EILEEN eeeav" PtUM a a A MY ITS Tf1va, Coftuji iiUhiu i Pt lll RIOTOUS I.AI'fiH HI I Orphtnm. ruitM t. RnkH 'II CltLCUY.COi WATSON I I RA CHRISTIANS MARTIN BECK 4ft SI. ef Ate Em. Mill TOM Wro, CI SISS mail, osnnRa rHOMrn.r mi.i.kd Mt PMI1M Ida.

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1:40. MATINEE! TOM'W aed 1:401 Thin Thlnt Ctllfd "Trial at Marv Dunn' Shora 4Wth.