The Brooklyn Daily Eagle from Brooklyn, New York • Page 26

26 BROOKLYN EAGLE. SEPT. 24. 1947 Mr. Skulnik Brings English To Yiddish Musical Corned PLAYTHINGS Theater Season Starts This Week so conspicuously absent from the old time, old fashioned Yiddish musicals.

Following his success on the air in "Abie's Irish Rose" and also in "The Goldbergs." Skulnik decided to make a change In his musical (I But in Brooklyn 3 Million Hunger By ARTHVR POLLOCK production downtown. Both radio ar mm iaaajaaaai 11 a i fi Like the other fabulous Invalid, the Broadway stage, the Yiddish-language theater is far from breathing its last. As a matter of fact. It has undergone a rejuvenation so effective that it is no longer languishing. The Yiddish theater that la.

its musical comedy has been injected with a big dose of English, according to Menasha Skulnik, star of the Second Avenue Theater In Manhattan, who first introduced English dialogue in his Yiddish musical comedies. It's now alive and kicking again. The inauguration of the 1947-1948 season and the opening of shows had a nationwide English-speaking audience. It was there fore naturally assumed that Skul nik's following of non-Yiddtsh-speaking theatergoers would fol- iw him to the Second Avenue Theater and the Yiddish stage. there was the question of the younger generation of his" followers not understanding Yiddish.

'So Skulnik simply Introduced this style of Jewish theater playing, by injecting English Into his songs Skulnik's latest starring vehicle. "Just My Luck." at the Second Avenue Theater next Saturday-evening, Sept. 27, will therefore carry' a double significance for the noted comedian. Not only is "Just and dialogue. It not only appealed to the non-Yiddish-speaking audiences but to the young Jewish ele ment as well.

i The Yiddish theater In America to decline whea the Imml-gratlon bars went up and those (who did understand or speak Yiddish became fewer and fewer. My Luck the most completely modern Yiddish musical comedy yet produced on the East Side, but it will also establish a precedent for this Broadway type of musical production everywhere. First, because 50 percent of the dialogue in It Is spoken in English. Secondly. "Just My Luck" has an ensemble, chorus and ballet made up entirely of beautiful young dancers and handsome young boys.

Some of the stars of the Yiddish istage, like Paul Muni, Joseph Schildkraut, Luther and Stella Adler, went over to the English-language medium. But others, like Skulnik, felt they had a special kind of entertainment to offer that was indieenous to Yiddish. Or at least part of Yiddish. Skulnik tried mixing In parts of Eng- Drtanns by Wtlham Auerbafh Levy MURIEL SMITH and WILLIAM VEASEY in "Our Lan'," a new play by the Brooklyn dramatist Theodore Ward. It starts next Saturday night at Royale Theater.

I lish into his comedy roles and 'spoke as the average American Jew speaks. This experiment MAURICE SCHWARTZ. He will play Shylock this season in his own production of "Shylock and His Daughter," starting Sept. 29 at the Yiddish Art Theater. proved successful last year.

In "Just My Luck" he has gone even farther. I I OrrtA MANHATTAN About Brooklyn's old lack of opportunity to tage plays except In Flatbush tn the Summertime George Durst of Jnmatca tilt a lance again. He haa apoken before and mlth a certain heat. He want a Brooklyn Center of Music and Drama, like the one Manhattan has. He mentions a population of three millions, three million souls in this section of the City of New York, divided from the rest of the city by a wide river.

They have no place to go to see and hear living actors read the lines of non-screen -writing dramatists, no place but across the river or in Flatbush In the Summertime. It la evident from his tone that Mr. Durst considers this a shame. And Isn't it? The New York City Center of Drama and Music is all set for another super-successful, he says, season. And over here In Brook-lyn 3.000.000 people, count them, languish.

He looks at the Brooklyn Academy of Music, a light comes Into his eyes, and he asks, "Why not the Brooklyn Academy of Music? Why dont Brooklyn civic pride crusadera create a Brooklyn corporation and use the Academy as this Center of Music and Drama?" He suggests 10 shares. It's not much for a Brooklyn Center of Music and Drama. It appears that a Brooklyn Center of Music and Drama is what Brooklyn will some day have, or Mr. Durst will know the reason why. That is.

If some one will, tell him. Who will that be? In this week now beginning the theater season of 1947-1948, no kidding, actually gets started. It has stalled a long time, but now It's here. Thursday is the historic day. On that day, not very long after sundown, the light will go on In front of the Cort Theater on W.

48th between 7th Ave. and 6th. People will come to the theater, their number Increasing as 8:30 approaches, until the lobby and the sidewalk In front of it are crowded. (Among these eager theater-loving Americans will, without a dnubt, be hungering refugees from Brooklyn, where there Is no such food to relieve the famine as that that Is about to be marketed nowhere except in Tlatbush in the Summertime.) Some one whose job it is to say "Pst, the curtain is up!" will eventually say that and the good old season of 1947-1948 will have begun. (Only in Manhattan, of course.

Not in Brooklyn, where there Is no Brooklyn Cenler of Music and Drama, though there should be. Mr. Durst and I insist on it. Only 10 a share, and we can have a Center! Mr. Durst, though he lives In Jamaica, will no doubt put up the first $10.

I will put up the second 110. Then all that is neeopd Is a treasurer and, before you can say Jackie Robinson, up will spring a Brooklyn Center of Music and Drama.) Anyhow, Thursday night at the Cort sees the beginning of the new season. (It began once before, early in the month, with "The Magic Touch" at the International on Columbus Circle, but stopped again and has now to start all over.) The play? "I Gotta Get Out," by Joseph Fields. Lew Fields' son, and Ben Shcr. Both know their business.

Two nights later at the Royale Theater the season matures with the opening of a second play, "Our Lan'." Directed by Eddie Dowling, a sagacious young fellow who has been around. Author? Theodore Ward of Brooklyn, which fins 3.000,000 inhabitants but not the least bit of a Brooklyn Center of Music and Drama, no drama at all, except in Flatbush In the Summertime. So, Manhattan has a new season and Brooklyn has Flatbush. Week's Events Tonight "John Lows Mary," special performance at, the Music Box for the Stage Relief Fund. Thursday "I Gotta Get Out," comedy by Joseph Fields and Ben Sher.

Cort Theater. In the cast are David Bums, Edith Melser, Reed Brown Peggy Maley, Peggy Van Vleet, Eileen Larson, E. A. Krumschmidt, Hal Neiman, John H. Conway, Donald Foster and Don Grusso.

Saturday "Our Lan'," a Play by Theodore Ward. Royale Theater. Cast Includes Muriel Smith, William Vea-sey, Julie Haydon and Valerie Black. WWro-rpTT guy 56th ST. Newyot C(TY -s FALL SEASON Hh (A Fi Umhim-KaUtmlmm MEW YORK CITY SYMPHONY fJ'i rSs i rem 5f VV: I CONCERT KMSTEH ELLASf LLE AAVIS.

Iilim MAN ME-KHIMAN. Mn-arra i KMCLA ftARTOSU. Hart IK, Hir, is wi. UHMtK. M.

M. Sot. tf MSIU, N.ML fmtmn: Sriiiiini. Cart kd M. tart.

MMUTT0, mminm. bwm. hai. cm Jazz at Academy Wednesday Night ALL FMtMTNM I NEW TOW CITY it i Illinois Jacquet, tenor saxophon SYMPHONY XMMK VOWEL, lniaa ist, will headline Norman Granz' wrteM to Matfe Fnrt. wplin, i Mm.

IKIKII. 1 Arlti. Plato Oanrt. FtoM 9 I taHkm.M.H MBMB x. I I I c.

I I nm. aw. i WHTWH, iiii: o.to7T Jazz at the Philharmonic show which makes its only borough stand of the season on Wednesday at 8:30 p.m. at the Brooklyn Academy of Music. I I 1 M.

tm. M. I MUME, 4 TMVUTA, hMM, rti.si ei mnt I i Mis WTTTEPOT.Y, wuhmm, na: sari, im. aartt Drawins bv WiMum Aurrbirh Lv DAVID BURNS and PEGGY MALEY in the new comedy, "I Gotta Get Out," opening Thursday night at the Cort Theater. The authors are Joe Fields and Ben Sher.

I WMIEK tl STVIGtlA, Hau: tmtmtm. aiirM. CM. ALso featured will be Flip BOX OFFICE NOW OPEN tM, IJt, I.M, IM "rrfcir (s.Hw.tl.H Phillips, Brooklyn -born tenor saxophon ist, II AHh I fcv Mmj 1 I II who was a star of the fnrmer STAGS PI.AYS 4Vr.N Woody Herman MEN AS HA SKULNIK, popular comedan starring in "Just My Luck," Yiddish-English musical comedy opening next Saturday night at the Second Avenue Theater. Jacquet Downbeat award winner.

Other featured artists will be: Coleman Hawkins on tenor saxophone; Bill Harris on trombone; Local Boy of Louisiana, Utah, Chicago, Bklyn. Makes Good For Theodore Ward the and toting bags as a porter lng of "Our Lan'" at the Royale in Chicago terminals. Theater next Saturday night will I His formal education ended in draw the third-act curtain of a 'the 8th grade of Southern schools. Horatio Alger drama out of education came tn him Negro playwright's own 1 1 e. through a twist that still conforms Though Ward is a Brooklynite, for to formula fiction.

In 1929 he mi-dramatic purposes the story began grated from Chicago to Salt Lake YIDDISH ART THEATRE AAURICf SC1VARTZ UMIiniOMtl I CtMII WllWIFUIItU the onrninf nl th JJlh Sea inn on annnrmreji i Howard McGhee, leading be-hop stylist, on trumpet; Ray Brown, bassist, fresh from the Dizzy Gillespie band; Hank Jones, pianist; and Helen Humes on vocals. An evening of contrasting Jazz styles is promised, with Jacquet and Phillips sparkplugging the swing set, and Hawkins and McGhee Be IUCS IVl Mltl Im, MOM) AY SEPT. uiih froduclion of at a small theater on the lower City. One day, as rje stood talking East Side, the old Henry Street! to a shoeshine boy on a city cor-Playhouse. ner, a Mr.

Gale Martin, editor of Make your protagonist a young! a mining journal and former Salt writer who cannot afford the extra jLake Tribune staffer, stopped to Shylocic daughter featuring 2'WuuI coins to buv the daily papers to; have his shoes polished. Ward ARI IBN'ZAMAV written discover what is being I una at bkmv enxwctian: went right on talking about race problems and the Negro's position drama. about his forthcoming I TDDAr-MrtlEvt-WE OF THE UNION Work toward the resolution of yourin American society. Martin was tale with a surprise discovery of 'impressed and Invited Ward to dinner the author by the critics, an op oe-oop. Jacquet will take a leave from his own small band to Join the Jazz at the Philharmonic show at the Brooklyn Academy.

He OPENS WED. NITE Phillips When Ward told the newspaper tion on his play by a well-known team of producers, an uptown man how he had won a large sum SCHWARTZ SHYLOOK pox orrtcs now open MAIL ORDERS FILLED PROMPTLY nolc Yfur Vhmm Burin NOW for Cho'c Dfttrs Phone- Authors of Racetrack Comedy Have Grappled With Horses When Joseph Fields and Ben 'last bet he may wind up sleeping Sher undertook to write a pinytn a maple. Aware that hor.e-plav-. lng Is our national folly, that bank- about horse-players and bookmak-m brnker and bmars participate ers. and the gentlemen who make jn it the authors have fash-thelr Joint activities hazardous, their comedy about the bet-the police, they were writing from tors, the bookmakers, touts and their own bitter experiences, Thclr.riffraff who participate In it.

play, "I Gotta Oet Out," which Co-author Ben Sher, represented conies to the Cort Theater on In many of the best short story an-Thursday evening, is so timely that tholopies, says that the only way to It anticipated the headlines of the; get even with the bookies Is to write newspapers of a few weeks ago. a play about horse-playing, and this As all thaw who read must know, he has done with Mr. Fields. Sher the New York Police Department hesitates to admit how much he has Just experienced a drastic has lost on racetracks in the past shake-up because it was charged 30 years, for fear that his wife may that the officers were accepting be listening. Fields, too.

is trying to money from bookmakers in return get even, for he recalls that his for "which they permitted them to father, the celebrated Lew Fields, continue their activities. A grand 'dropped three fortunes the same Jury In Queens County went so far.way. as to recommend that hookmaklng He too says that when he writes be legalized, and bookmakers the racetrack, he writes with censed. New York Is still in a great memories both painful and pleas-Stew about the whole business, and ant. The fiflh at Pimlico and the more than one police captain is fourth at Saratoga have left, him today prowling a beat because he with many a scar.

Hw experience was caught in low trafflr with the. with horsei acing and hor.se char-Cff-the-track odds-makers. jacters even extends 1o a personal Thus "I Gotta Oct Out." is the, acquaintance with Nick the Greek. premiere. Here you have the yarn of money at a Chinese gambling of Ted Ward and his dramatic house, Martin persuaded him to brainchild, "Our jwrite a description of the episode.

The actual spadework to the tin-at was Ward's first excursion Into written Alger story began a year writing. Martin took it to a friend, previously. Along with a dozen Louis Zucker, professor at the Unl-other promising writers. Ward was: versify of Utah, who had Ward en- OR. 5-5970 1 has made several previous tours with the group.

It is Bill Harris' first, however. He has won top awards in every jazz poll conducted, and his work with Woody Herman, Benny Goodman and Ray McKinley has won him acclaim as one of the nation's leading trombonist. In conjunction with this, the fifth national tour of Jazz at the Philharmonic, Granz has released album No. 6 of his Jazz at the Philharmonic recordings. Mail Order.

Filled Promptly BROCK PEMBERTON CDAMV CAV Pulllifr Prlae Plaj I IVOHIV ini bj MARY CHASB given a fellowship by the Theater; rolled for extension courses in tng-Guild. The young writers sat to- lish at the institution. Later that gether in seminar and discussed vear Ward's literary efforts won ideas for new plays. The following; him a Zona Gale scholarship to the season, as the Associated Play-j University of Wisconstn. On two Wrights, they banded together and successive years it was renewed, presented their plays at the Henry In 1938 Ward attracted ronsid-Street Playhouse.

Ward's "Our erable attention with his play Lan'" drew critical hasamiahs as "Big While Fog." which he wrote I well as the attention of Eddie; for the Federal Theater Project in Dowling and Louis J. Singer, whoidiicaco. He also wrote a drama idecided it was the type of artistic jcalled "Sick and Tiahri" for the i nur Dirwid hr AM tl ANTOINETTE PERRY IM7 CRITICS PRIZt PLAT, All my sons arlRTHUSMILLIII nt't kyCLIAKAIAN CTH MERRILL THOMAS CHALMERS I0HN FORSYTHE ANN SHEPHERD CORONET Th-iW IIII.CIINII A I Evil. I II Mltl. WED.

aaf SAT. at 2:41 THB PHYCH1ATRIIT18' DFLIGHT! Rlntnua Hfk! "CHIERFUL.AUTHENT IC' A'A'imo II. Tln' trilh JOrPHINK HI'IX 4lh St. Th.a. E- I.

II.IS ta 4 IS Ma. WED. 4 SAT. 2:40 Jl ta 13. Ta.

laal. Air-CnnililionFii SKATS NOW! nnrsic TUEs7crDT in seats ULI a TOM'W Bi -ru r.mnnv laKnv aivtv nmMl A YOUNG MAN'S FANCY; RAYMOND MASSEY English Company Coming Cicely Courtneidne and the com-jpany that is to appear in her support in the English musical, the Counter," opening at the Shubert Theater, Oct. 3, are on their way here on the Queen Mary. Marrlli Amtra Hhr I lia Brrlna at 12 fare they desired to bring uptown. Cleveland Recreation Project.

Ward was born in Louisiana 34 Later he entered it tn a Chicago years ago. At the age ol 14 he cityrwide drama contest and it won tucked his few belongings in a second prize. bundle and set Off for Chicago. He His rurrent play. "Our lan errands for manufacturers, iwas inspired by DuBois' book, tried bellhopping In Windy City "Blck Reconstruction." PLYMOUTH, 45 St.

W. at way. Alr-Caa4illana4 Jil ii THRU Tf il CT 2 latest example 01 tne ineaier noio-j uver me pasi seven years rinns lng the mirror up lo life. It de- has co-authored or soloed Uiree of rives Its title from the sullen slo- the biggest comedy successes of re-gan of the frustrated hor.se-player cent years, "My Sister Eileen. "Jun-w ho, after blowing beta on the first ior Miss." and 'The Doughgirls." Six races, comes down to the lastiThe first two he wrote with Jerome heat knowing that if he loses this'chodorov, the last named alone.

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24th, at 8:30 P.M GET YOUR GUN Annie BROOKLYN ACADEMY OF MUSIC Multe mill I.vrtri bv IRVINO BKRI IN mmmM'''' I WORIO'S CHAMPIONSHIP Book bv HERRKRT DOROTHY FIELDS BlIA RAY MIDDLETON I Directed bv laihua Lajaa IMPERIAL. 45 St. W. at B'way. Alr.Canaltlana4 MAIL ORDERS NOW FOR NOV DEC I Evaalaaa II W.

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1.94. 2.44, I. SO, 'Deep Are the Roots' Returns With Veterans in the Cast The return of ttie Arnaud d'Us- 'int in bfhslf of the Oirard Trust eau-James Gow drama. "Deep Are Company Philadelphia before the Rnots," to the Flatbush Thra- 2 SHOWS TODAY, 3 8:15 "GREATEST Kt SHOW OS EARTH!" Onrland. Jmirnnl-AmmfiP tl)t Hfrl 4 Arth Wlftf If- ICETIME OF 1948 $1.

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at av CH.4-4IMI Fail. tO Mala. WKO. SAT. at in SCltNTlflCALLT AIR-COSDITIONEO NORMAN GRANZ JAZZ at the Philharmonic Illinois Jacquet Coleman Hawkins Bill Harris Helen Humti Flip Phillips Howard McGhtt Ray Brown Hank Jenti TICKETS: II in.

II S0.S1 4(1 II T.I Inrl. Alt Senlt Rpnervrd Fnr ttcketn writt tr pfintit flronfclvn Acadrmv ol Wufip, 30 Lnlavtut STfrlinj l-7l)f. evening Brings wnn me same fine cast which made Its earlier presentation here notable from the box-office standpoint. Robert Harrison and Theodore Newton head the company in the featured roles "SOLID ENTERTAINMENT:" Vflrntl ROOt.FRS HAMMFRTFIN la ai'iatian ailh I0HUA LOU A at'iaal JOHN LOVES MARY A Hew Cnmrrtv bv NORM 4 KRASNA nir'rlrH Ita MR. MI SIC BOX.

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TONIGHT REGULAR PRICED Boiiffit flM Rftllof FantJ nf Senator Langdon and Howard Merrick, respectively. Robert Harrison is readily identified with the Dr. Lyman Beecher role he played not so long ago opposite Helen Hayes In "Harriet." A ittnoo IN I '-J fi: CONUST AWARDS great-grandson of Jefferson Davis, Is celebrating his 40th year on 750 CnWtftvr THE Ml MCM, HIT OKLAHOMA! Air CanO ST A ES. 44 St Env .10 54 I 100. 2.10.

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the American stage. In his time Mr. Harrison has TOWN HALL, THIS wild horse racing enacted f70 roles, supporting such CRITICS PRIZE MUSICAL "Th hipfet mutril In m-vtir m-Mit." B4RNKS H'rald Trtbutii Brigadoon IltSPELB. 54S1.4IA. lr-Ca4 taaa.liSS Prim Maa IbruThur II 20 4 Ml: Frl Sat II 20.

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Of late he has enhanced LAST MEEK! BOBBY CLARK DRAMA CRITirS PR17F. WIKNtR In VICTOR HERBERT'S Sweethearts 9th SHUBERT. 44 St. at Alr-CaaSitiaaM Eats. Mala.

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4 In. Ort. It 4 M. Milt. 4 0t.

II Mai. II 1, 4. 5. t. (In iihI.I ing audiences ever since he first won his professional spurs in "El I MAIl QRDHS PROMPTLY FIUID STEVAN BERGMANN mer the Great, the Ring-Lardncr- anS "THE, TELEPHONE" I A Prncram af Twa Mnalral Plava Riak4Muaia ClAN-rARLO ME.

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at I II M. M. I 40. ISRESISTIBlt HUMOR' titrrrt H'T T'th RODOF.RS at HAMMERSTt IN mltnt helen hayes Happy birthday TIM N' Citnrit mi hv AMT LOOS r'rrM JOSHI A IOC, 4V BROAOMURST.USt afSy Air-r-a4ltlaaa(l MAIL OBDPBS PROMPTLY PILLID Ivl 4S.I SO. 4 Mall.

WaS tsat.l 40.1.20 IS bolstered by Walter Huston snd Kay Francis. Since, then lie has bobbed up In such Broadway bonanzas as "Gambling." "The Tavern," "Accent on Youth." "Dead End." "The Man Who Came to Dinner" and "My Sisten Eileen." He halls from New Jersey, attended Princeton for well nleh three years, and did a commercial Siloam Pretbylprian Church a Recital by CAROL BRICE, Yount Vn Cenlrtltn hkf a SUNDAY, SEPTEMBER 28 at 1 P.M. BROOKLYN ACADEMY OF MI SIC tnofl Alt. Alllllii PI. Tirk'l.

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JK ALFBPD da LIAr.RP. Jr. prtocntl JOHN van DRI TEN a THE VOICE OF THE TURTLE HARVEY PHYLI IS PPOOY STEPHENS BYDFR FRENCH morosco. 45ia r.n. Evil Inrl Sua I II Mill Tv(M Iv cm LOUISE BUCKLEY in "Deep Are the Roots," ploying return engagement at the Flatbush Theater, beginning Tuesday.

PEGGY FRENCH, who is now the giddy Olive Loshbrook in "The Voice of the Turtle," everblooming comedy at the Mrosco Theater..