The Brooklyn Daily Eagle from Brooklyn, New York • Page 12

THE nHOOKT-xYX DAILY EAGLE. NEW YORK. THURSDAY. MARCH 16. 1911.

Shamrocks and Green Carnations Specially Priced. Tiny -Pots of Growing Shamrocks, 5c. oat lireen Carnations in Abundance, Sc. and 5c. each.

Beautiful Fresh Cut Green Roses, $1.00 a dozen. Special price. Flower Shop-Main floor. East Building, Hoyt St. I'se the A.

S. Private Subway Station, Hoyt St. Use the A. S. Private Subway Station, Hoyt St.

"From the Front. Seventeenth Regular Infantry Arriving at San Antonio Camp. Raising a City of Tents. Most interesting Hun ton-Fell-Elliott photo, on view at entrance to Restaurant, Fifth floor. Telephone til 00 The Wouther To-morrow: Fair in the of Time Come These Sales 12 Just Nick Supreme in Cut Glass, Clocks Of New Spring.

Apparel for Women. Women's $25.00 Tailored Suits, $16.50. Newest Fabrics and Colors for Spring 1911, And Lamps We Offer Attractive Values In Perfectly New Designs. WE ARE OPENING UP NEW LINE'S of Cut Glass, Lamps, Clocks, Bric-a-Brac, Marble and Bronze Ware unquestionably the most extensive showing of absolutely new patterns, designs and artistic effects ever made hereabouts. The Cut Glass showing is particularly rich in new cuttings.

Some of the newest arrivals adapted to the useful as well as the ornamental in Cut Glass are If-cB-''i sss-i i I ii i vi'' Kfiv-; grt An Exquisite Pair of Candelabra at $29.96. A spread base of cut glass in ot cut glass in ex i-'ttf i.v i rM: isAWi Cut Glass. These pieces are worthy your inspection, also our specials for to-morrow. 9-inch Bowl, cut in triangular design of hobnail, Venetian and chrysanthemum, $3.98, were $5.98. Sugar and Cream, heavy cutting, artistic patterns and perfect finish, cut handle and edge, $2.49, were $3.98.

Clocks. Cold plated Traveling Clock, imported; movement in crystal case; some 8-day Clocks; others 1-day, with alarm, complete with carrying case of leather, $3.98, were $5.98. One-day German Alarm Clocks, shut-off lever; guaranteed; 47c, were 59c. $10.69 Gas Lights, $6.98. Gas Domes, 22-inch, 8-paneled shade of bent glass, crown of glass, edged with old brass, complete with reflex inverted light, $6.98, were $10.69.

WE WISH YOU WOULD SEE what other stores have to offer before you see these stylish Suits at this remarkable price. If they Were the styles of last year in passe fabrics they would be splendid value, but these Suits, right from the makers, are in the newest, most wanted materials of Spring 1911, and cut on the lines that are right up to the minute as fashion has decreed. It's really a style show as well as a very great value giving event. Made of imported worsteds, mannish mixtures and French serges, semi and plain tailored models, all the new colors to be used this Spring; sizes range from 32 to 46 bust measure. Spring Suits at $22.50, $24.75, $29.75 and $34.75.

A most complete display. Ready for Easter, with this superb line of plain and fancy tailored Suits. The materials are satins, French and mannish serges, black and white strioe and check serges, Vigoureux cloths and new tweeds; all sizes from 32 to 46 bust measure. second "floor, central Buiidm.j. 4 Women's $18.50 Tourist Coats, $13.98.

An Especially Seasonable Sale. FOR EVERY SORT of traveling, short or long trips, or just day pleasure jaunts, nothing like these Tourist Coats for comfort with good style. Semi-fitted, full length serge Coats, yoke lined, black silk shawl collar, with touches of Persian elusive design supports 5 graceful candle holders, silver plated. A Punch Set, $93.43. With large deep bowl set on separate foot, ladle and 12 cups, cut in a myriad of small raised knobs irrclosed in diamond-shape panels, edge deeply cut, complete with large glass plateau.

Water, Sherry and Liquor Sets. $8.48 to $22.97. Include decaliter or pitcher and 6 glasses in artistic variety of patterns and shapes. Plateaus can be purchased separately for these sets from $1.25 each up to $6.25 WW j0iBW i is. V- mmmm Silver Plated Spoons and Forks, and gun metal buttons.

Colors are navy and black. Second floor, Central I3ulldlny. if 4 In the Time of Napoleon 7c. and 14c. Each.

Rogers' fine flat ware of guaranteed quality; three of the most desirable styles, grape, scroll and bead edge designs, in gray and bright finishes. Tea Spoons at 7c. Each. Table Spoons and Dinner Forks, 14c. Each Subway floor.

Ccntrul Building. Women's $16.00 Voile Dresses, at $9.98. JUST ONE HUNDRED OF THESE' BEAUTIFUL DRESSES made in voile and trimmed with embroidery and Cluny lace and over chiffon. A girdle of chiffon in color finished the dainty dress in a very charming way. Couldn't wish for a smarter, more pleasing or becoming dancing frock.

Second floor, front, Central Building. Many of the Hats were inspired that are attracting such admiration and attention in the Paris Hat showing in the MILLINERY SALON, Second floor, rear, East Building. III The Empire Influence frr.i iii rrr $1.25 to $2.00 Corsets, 79c. A Showing of Body Brussels Rugs. WE HAVE ON SALE an excellent line of these clean, well- Is felt very decidedly in the gowns, dresses and suits.

'The whole second floor is decidedly interesting, as well as a profitable place for women to visit, especially when they have time to spare to See the new styles in all apparel Suits, Dresses, Gowns, Waists, Skirts, Coats and Wraps for women and misses in the Central Building; Shoes in the West Building, a most showing of the daintiest effects for Spring and Summerslingerie, Dressing Sacques, Petticoats, and the newest Jdeas in finest Corsets in the East Building. Black Mercerized Lining Sateen, 29c. Value, at 1 8c. a Yard. A SPLENDID QUALITY of black mercerized Lining Sateen, that sells regularly at 29c.

a yard the Lining Store offering for to-morrow at 18c. a yard. Main floor, rear, Central Buildinir. wearing Rugs, in designs and colorings particularly suitable. for the living and bed room.

You will find rich Oriental as well as 'light patterns and colorings. STRAIGHT HIP MODEL, long waist effect, made of white coutil and batiste; supporters attached. Rengo Belt Corsets, Special Value at $2.00. Designed for stout women; long front Corset, low bust effect; made of white coutil; supporters attached. $2.50 J.

B. Corsets, $1.49. Straight hip model; long sloping lines; made of white coutil; supporters attached. Sale of De Bevoise Brassieres. Bust Supporters and Corset Cover combined, special at We have them in the following sizes: 9 x15 ft ipidy.DU to 10x12 ft $21.50 to $25.00 10.X13, ft f39-5 11x15 ft $39.50 and $45.00 6x9 ft $13.50 to $19.00 6'4x 9 ft.

$16.50 8J4xl0! ft $19.50 to $27.50 9x9 ft $19.50 9 xl2 ft $21.50 to $30.00 Notes of the New. IB mo. Made ot batiste and embroidery. 1 Third floor, East Building. 24c.Lb.

40c. Chocolate Covered Pineapple Candy, second rront, East liullding. III i 11 i I DELICIOUS CUBES of 1911 Porto Rico Pineapple, covered with a wholesome and not too sweet coating of chocolate, milled in our own laboratory; usually 40c, at 24c. a pound. Candy ShamrocKs, 19c.

a Pound. Beautifuiuermanmnaunaerpnceu Exquisitely Decorated High Grade Ware. DELICATE FLORAL BORDER effects, in natural colors and Women's Undervests, 12ic. FINE COTTON UNDERVESTS, low neck, sleeveless, short sleeves and shield sleeve. Women's Combination'Suits, 39c.

Low neck, sleeveless, Swiss ribbed, cotton, tight at knee; also shaped, low neck, sleeveless, knee length, Ill Green clear Candy Shamrocks, for filling favors, ltc. lb. gold trimming priced this way Mnin flour, tenter, Central Building. At 1 each. Dinner Plates.

At 9c each. Hreacl ana uutier At 15c. each. Soup Plates. At 15c.

a pair. Ten Cups The New "Empire" Parasol. Sold Mere Exclusively. A DECIDED IMPROVEMENT upon the "hobble" style introduced in Paris a short time ago, and shown here exclusively. The Empire has its first showing America here.

With the high arch ribs, it possesses a style distinctly its own a style, that is fascinating a style that will accentuate a charming costume and lend grace to every woman's appearance. Very moderate at $4.98 to $9.98. fc 4 rj. The New Automobile Parasolettes, Inclosed in pigskin leather tubular cases; colors are black, navy, royal, blue, plum, two shades of green and garnet. Sold in some stores at $12.00 here at $9.89.

Plates. At 1 0c. each. and lace trimmed. Main front, rentinl Building.

Tea mates, lli-eakfast Plates. At 12c. each. SI 10 Historical Dishes.75c. Ea Men's $2.50 Shoes, $1.89.

Women's 25c. Stockings, 19c. BLACK COTTON STOCKINGS, full fashioned, with double soles, heels and toes; some black lisle and silk lisle; seamless. Women's Stockings, 24c. Black lisle thread, gauze weight, with double garter tops.

Main floor, front, Central Building. Saucers. Jardinieres, 75c Four sizes, decorated in delicate blended colors, handsomely embossed. $2.19 American Porcelain Toilet Sets, $1.49. Nine pieces, beauti'ully decorated in white and gold; others in various colored spray designs; same set, including large size covered waste jar, regularly $3.23, at $2.49 MADE OF GUN METAL calfskin, in blucher style, with welted and stitched soles, in the English porcelain, suitable for dining room decoration, handsomely colored in a deep underglazed royal blue; beautifully decorated with historical scenes in centers and on rim, 25c.

Kitchen Table Tumblers, 12c. Dozen. Large size, assorted patterns; quantity limited to 3 dozen "to a customer. Store orders only and none C. 0.

D. newest style lasts. All sizes in broad widths. Third floor, Men's Building. Subway floor, Central Building.

I Iii Men's $1 Plain Color Made to sell at $1.00. Plain colors, white, gray, blue and tan; fi, 1 50 Rlack French Voile. 98c. Yd nice fine quality fabric; made in the most approved model and finished with loops and pearl buttons. At the Extremely Low Price of $1.98.

THE INDIVIDUAL PIECES ALONE are worth that and could not be bought for less, quality for quality. This is one of the offerings which brings hundreds of women to the Undermuslin Store, giving them the biggest value for the money to be obtained anywhere. Chemise of fine batiste, with yoke and edging of Torchon lace, run with St. Patrick Day Candies, Handsome boxes and curious receptacles for St. Patrick Day Candy and odd conceits in 'green Candy.

Main floor, right. Central Building. St. Patrick Day Favors. LAST MINUTE NEEDS in the famous Favor Store, Subway floor, East Building.

AN EXCELLENT QUALITY of imported fine mesh Voile, full 46 inches wide, very firm and the best shade of black. $1.10 Black Imported Spotproof Prunella, 79c. Yard. Made by the best manufacturers of Bradford. England; full 41 inches wide; has a bright lustrous surface, which is permanent; guaranteed absolutely spot- Pr0f' nor.

Hlark All Wool Xun's Veiling, 30c. a Yard. 85c. Ulnck Knglish Mohair Sicilian, 49c. a lard.

Main floor, rear, Central Building. Shirts, 71c. Fancy plaited Shirts, coat model, cuffs attached. The newest designs for Spring in fine grade percales. Dozens of medium and light color designs; accurately made and laundered in the best manner.

Men's Shirts, Negligee Shirts, fancy percale; an assorted lot, but Men's Cambric Nightshirts, i0c. Superior grade of cambric Nightshirts; the best value to be found anywhere well made and neatly trimmed. Men's Unusual values; plain and novel effects; every good coloring and an enormous variety. Mnin fl'r, front. Eaut nuiMlllE.

ribbon; elaborated in front with hand-made Irish lace medallion; outlined with Torchon lace; fitted back; the skirt has a wide insertion of dainty French embroidery, run with ribbon, and has three wide insertions and ruffle of Torchon lace. Swond floor? Bast Building. If some in each size, 11 to 17 inches. "MARYLAND, MY MARYLAND." THE ACADEMY EXHIBITION tage garden, seen In the Center Gallery. Quite rustle la "Old Spuylen Dttyvll," by Arthur Parton, and very good are Marshal T.

Fry's landscape and cattle in "A Quiet Hour." O. Glenn Xewell affords! How the Confederate Troops Came to Receive It From a Baltimore Parlor. Even now writing of it after so many, many years. I seem to feel again the pulse of that thrilling time, says Mrs. Burton Harrison, In Serlbner's.

And it was here that there came intimately Into my life one of its strongest influences, in the radiant person of my cousin, Hetty dry. daughter ot my uncle. Wilson Miles Cary Human Nature Stories Told in Oils Sharp Distinction in Landscapes Hot ween the Rural and the Rustic Scenes in the Fine Arts IWulding The Sculpture. Interest in nis "Winter uuwng. ana William J.

Hays in horses and cattle In "Dutchess Mills." Birge Harrison has a pictureesque "Old Sawmill" in winter. True to rustic life, too, is Daniel Gar-j Sergeant Kendall, a pretty little human story in "The Critics." and Harry W. Watrous another in "The Surrender," where evidently an elder Bister has per suaded a little brother to give up a toy, ful "Coast Near Cape Ann," whle tho Imagination stimulated in his "The Shadow of the Cliff," by finding that a delicate shadow is cast upon the waves by a mass, probably a cliff, behind the spectator. Charles Miller has a very creditable "Sea and Great South Bay;" Carlton T. Chapman, "O'er the Dark Blue sea;" H.

R. Butler, "Rocks, Sea and Sky," and F. K. M. Rehn, good surface in "In Glittering Moonlight." Pretty near the marines in classification George W.

Maynard's "Oceanidies," fanciful mermaids, or sirens, or something of that sort, whose tails are so eely, or fishy, that they forsake mythology and cling to realism, or would, if the slimy creatures could cling to anything. Of winter scenes there are numbers that aro not so surgary and so much like confectionery as some that have been sien at these exhibitions. Indeed many of the best effects are reached In scenes of thaw. Such is Gardner Symons' "Valley of the Deorfleld." in which he uses skilfully well thought out themes employed in the past, but rearranged. Of nocturnes, too, there are not a few, and good ones, such as Bertha Dressler's "Twilight in the Dunes;" Jane Peterson's strong "Sunset, Dorrecht;" Mr.

Eaton's "Inter Moonrise:" Gilford Beal's "Orange Lake," and Walter Nettletons "Winter Night." Xearlv fiftv pieces of sculpture adorn exceedingly ngalnst his little and (Inn will. Ella Condle Lamb speaks of mysteries in the eyes of her female figure in "The Crystal," the figure holding straight before her one of the crystal globes. Anatomy in the figure and diffused light in a room aro well brought out by Victor D. Ilecht in "The Tapestry." Very staring Is the white in F. Edwin Church'.) of Baltimore, my father elder and only brother.

She, with her younger sister, Jennie, had taken the lead in the secessionist movement among the young girle In Baltimore, who, having seen all their best men march across the border to enlist with the Confederates for the war, relieved their strained feelings by overt resentment of the Union officers and troops placed In possession of their city. It was Jennie Cary who set Randall'i stirring poem of "Maryland" to the air of "Lauprlger Horatius" (brought to her by Burton Harrison, when a student at Yale College) and first sang it with a cbo-tunti of her friends in drawing room in Baltimore. She tells me that the refrain, as originally printed in the copy ot verses cut by them out of a newspaper was simply "Maryland!" and that she added the word "My" In obedience to the exigency of the music. As the song thus boldly chanted by young Confederate sympathizers, in a city occupied by their enemy and under strict martial rule, was to drift over the bor life. William Ritchel'B "The Place of Silence" has been noted favorably lu theae columns.

Capital is Robert A. Graham's "Interior." showing a little girl looking out of window, as well a Lucia Falrchild Fuller's "Play Days." F. Luis Mora's "Studio Tea" Is like several pictures he has hitherto shown, and all are lively, cheerful and stirring. Irving Coufle presents one of his Indian themes, this time a hunter watching a flight of game birds. Gilbert Gaul repeats a theme he has adopted, which is an incident in the Civil War.

well painted and gripping, but not particularly pleasant, as it shows a guerilla robbing the pockets of a soldier who lies dead on a battlefield. "Puritan," by Frank Du Mond, shows an old farmer and his "hired help." or his sons, clearing a stony field. It might be a Puritan or it might be a scene in Rockland County. X. Y.

But It Is a good painting. "Yellow Rose." by Ri.chard F. Maynard. Is a blond girl sitting in a firelight and with a rose for decoration, all very attractive and almost compelling. In landscapes scenes may be described as either rustic or rural.

The usual landscape Is rural, but the rteenos that have to do with people In the country might be termed rustic. And there may be a reason for the many rustic scenes on view. There has been a call of "back to the farm." and the artists may have heard it. These have for the most part old houses or barns or other adjuncts lo farm life as Such is C. R.

Bacon's "Well Sweep." in the South Gallery, with figures at Ihe oi well In the foreground, and the house looming behind It. backed by woods. Chauneey F. Ryder's "Hill Road." Joseph T. Pearson.

"I nder the Weeping Willow," which is a capitally painted big duck; Birge Harrison's subtly colored "Farmstead in Winier." a true winter landscape by Ernest D. Roth, and Robert 'Spencer's "Grey limine." George M. Bruesrle And a good subject in "A Hilltop Farm." while R. W. Van Boskerck went to Xor-rxiandy to Bud a pretty yictur.

la a cot to the eye, from which a stream roars toward the spectator, bouncing along into the rocky foreground, while you fancy you can almost feel the spray. The free-, dom of brushwork is admirable. J. Francis Murphy's "Upland Pastures, Morning." has all of his poetic charm, and it would seem that he has refined so much incident out of his oictures thai there is little left, but the air tones, that are. however, Mr.

Murphy's own. Faithfully done is E. D. Roth's "Edgewater," as is Arthur Hoeber's "Joel's Hill." Colin Campbell Cooper forsakes for the time his Manhattan scenes to paint a very picturesquo "I.atifenburg on the Rhine." "Shower on the Sound" is by Walter Clark, and while it is unpretentious It is harmonious In color and the Introduction of the shower Is only a minor Incident In a really beautiful landscape; Frank T. Hutchens tells the whole story In "The Solitude ot the Dunes." Among city scenes George Bellows, in "New York" is truly ambitious, for he has crowded skyscrapers Into the background, filled the middle distance with smaller buildings covered with posters, and, In the foreground.

Introduced something like the beginning of the construction of a great building, with workmen, horses, and pedestrians hurrying to and fro and looking worried. It Is a composite and it is startling with its varied colors Introduced to show variety and separate the subjects, that are about as much related to each other as oil and water. Guy C. Wiggins comes much mote fortunately. with his quiet "New York the White Veil." C.

F. W. Mielatz with "Hudson River" and Childe Hassam with "Springtime In the City." with its chi dren and nurses in a park, though Mr. Hsssam Is not so convincing here as he has shown that he can be on other occasions. Guy C.

Wiggins Chicago scene. "Lincoln Square," Is a good example of his work. Among the marines, F. J. Waugh ha- two examples, one of them a rather exaggerated splash in an otherwise power ber's "Barnyard on tne scnuyimu, vi which is given fitly a good place in the Vanderbilt Gallery, while telling of custom In the Wetsern country is Adam Emory Albright's "Call to Supper." in the academy room, two children on a rock, one of them waving a 'kerchief In response to the "call." For the rural scenes, Ernest Law ton's "Road Down th? Palisades" claims a prominent place, both as a picture and as an example of rugged truth, with its culvert in foreground, its mass of rocks on fl hillside and its soothing or the Hudson in the distance.

Hobart Nichols is not far away In the south gallery with his faithfully depleted "Westchester Hills," while George H. Maerum in "Catsklll Valley," gives a pleasant view of a mountain clothed to Its foot with verdure, while Charles Rosen affords a fine and suave instance in "Along the Delaware." Char-lotto B. Oomans' "Looking Over Connecticut Hills" should not be overlooked, nor Charles Warren Eaton's "Among the Hills," A. L. Groll's "Flying Clouds.

Fred. Tick Ballard Williams' "New Hampshire Hillsides." the late Worthington Whit tgedge's "In the Woods." Cullen Yates' "Old Quarry" and Ernest Lawson's "Harlem River, Early Evening." thounh you may wonder where Mr. Lawson found so many varieties of "Cirl in a three-quarter" pose would have obviated the broadside of glare. Very euave is Mrs. J.

Francis Murphy's "In Old Attire," a young woman in fashion of long ago; it is fairly dee- oratlve in effect. In an "Old Prospector" Carl Rungius has not only a good landscape of rough, Western country, but also good action and anatomy in a prowl- ing bear, which is the "old prospector." Delicately painted and almost spiritual! SECOND ARTICLE. At thn cif Design's spring rx-Vbi'inn hi lho Finn Arts RnilclinK, In West stropi, Manhattan, thfrp arc this yoar a good many pictures cf the style formerly was termed I'liire, in Hit linso. or stury-tellinR pictures. Clara Weaver Parrish's 1roaniy find low-toned two figures in "The nf the Hose" is in the south gal-l'iy; a strong contrast is Lillian (ienth's Fitnlit unman sitting on a balcony, ns well lis Hilda Belcher's colorful "Fellow Traveler." a girl with had and tigure in shadow, and the background light; Charles Bicinger's "The Bride," excellent for texture in the attire; Jerome Myers, "The Park Swing" and "Religious Kete." with its multitude of East Side characters; F.

Luis Mora's interior, "The a lovely "Anxious Mother." by Mary Van tier Veer; "Ivan G. Olinsky's "La Muslea Helen M. Turner's vain little girl. "The Moth," looking at a candle on a Bland whero a noth has perished; Daniel Garner's decorative "White Porch." a woman seated cn one side of the doorway and flowers adorning the other side of the porch; the charming little "Lost," by Francis Day, a baby being "lost" and Alarmed in 1nr center of a room, while tha mother jnrihfully hides behind a screen, and Worthington Ball's equally charm-ini? "The Visitorw," two women at a window. Louis Tiffany in the center gallery characteristic Weighing the galleries, among them the admirable! are two nudes in Francis C.

Jones "Nymphs Bathing," in the VanderblU Gallery, but their spirituality Is ex "The Lily," by Victor D. Brenner, a wrman's figure kneeling; besides his "Apres Midi dun Fnuti," "Primitive Mun," by Olga Popoff; "The Dance of the Cranes," by J. Scott Hartley, and his "Nature's Sun Dial," a large bust of former President of Harvard University Charles W. Eliot, and a group ot medals by Adam Pietz. ceeded by others In the exhibition.

Edith! der, to be caught eagerly by the troops of the Maryland line, and to echo down the ages as the most famous battle song of the Confederacy, It Is fitting that to Miss Jennie Cary should be awarded all the honor of this achievement. We both sang it amid a little group of visitors in September. 1861, standing in the doorway of Captain Sterrett's tent at Manassas, the men of the Maryland line facing us in the dusk ot evening. This was in answer to the request sent In from the soldiers to their friend. Captain Ster-rett, "that they might hear a woman's voice again." I can hear now the swing of that grand chorus, as the men gradually caught up the refrain and, echoed It.

and by next day, to my copsin's joy and pride, the whole camp at Manassas vac riit unln's ilh "My Marylandl" M. Prellwitz's "The Sleepy Boy," in his mother's lap, is a fine example of distribution of darku and lights and also workmanship. Analysis of Will Howe Foote's "Young Women Arranging Flowers" shows ease In the poses, good observance of anatomy, and perhaps chief of all. a lovely distribution of light throughout the interior, touching the flg-ujlt as well as the many bits ot Hill TOO EAGER. The Skeptic "I've tried praying, but green as clothe his picture.

"Sunburnt Hill Pastures." by Gardner-Symons, gives a beautiful sweep of view and he reduceshis palette to greens and browns, subtly harmonizing them. Joseph A. Boston has a striking and straight- I forward nature transcript In "Devil's' ihovdng a mast of rock, aolid the prayers are never answered." The Preacher "Maybe they're like your notes you present 'em for payment before they fall dire. Toledo Biad..