The Brooklyn Daily Eagle from Brooklyn, New York • Page 71

THE BROOKLYN DAILY EAGLE. NEW YORK, SUNDAY, NOVEMHER 2.5. MODERN FRENCH PAINTERS AT DE ZAYAS GALLERY CHRISTIAN INSPIRATION BY PUVIS DE CHAVANNES BROOKLYN ART lierlini'iilnl wink. SI iiilhiH, i 1 1 i i i hi have At ilt livid but I iHi'iiiat'ly run. Tin i'ii I hi'i'ii are Ply I hi' lloli'l ll(isn''rt Miiih In.ililHl,' Intimate Paintings At Macbeth Gallery iiiuisuiiy i luinniK iiu rii.

rn in no pin, which an trt HOCirW (1 in of tli Siiiulthi is Callri li un ul1 xhii li Inn. llin harm dune to painting by the huh- Mnw. patroiiM inn) luvcis nf art, can ive cbntiFje these conditions At the Touchstone Gallery, at the Schultheis Gallery, Childe Hassam at the Milch Gallery, the Feragil Gallery, Paintings at the Madison Gallery. By HAMILTON EASTER FIKU. "A Hi i i UuV H-w win Conception of Hie province of I he art on the part of the public, lie sunl (hat bo many persons cam1 In lo buy a painting which would fit over the mantelpiece or the piano, anil that tlio thought that a painting was the expression nf a man's personality never occurred to them.

The one thought was "Would It Even ureatcr harm, he felt, was caused by the insistence thul ail nrllst repeal the motive of a picture ad libitum. You remember Booker Washington's story which he told few years back ut Plynioiilh Chinch. Ile had linen culled upon by a preacher to get from his cinmregatlon the iirreurs of his salary. "Hon'l your preacher preach well'!" "Hi: most certainly does, Mr. Washlnglon." "Hon'l you owe him six months' salary?" "We most certainly do, Mr.

Washington." "Haven't yoii got the money to pay suh," by don't ou pay him, then?" "Mr. Washington, ain't gwine fo pay for 1 hem sermons press In words. It exists. All the appeal to me paintings shown Htrongly; all appeal In much the same way. Of the group of painters i should doubt the absolute sincerity of i liOSItiv SVMPIKIW M'AllKMr.

For Ho. Second llosion Symphony Concert of the season, to ho given In the Acinlemv of on Friday evening, Doc. Mr. Mnnteux has r-i nnged a program herein a standard and perennially popular symphony, la balanced by one of the most daring scores of Hie day. Tschalkowsky "1 'at hot ie" si mphoiiy Is too well known and liked to need description; Flo-rent Sehmltl Suite.

"The Tragedy of written for a mlmodruma, and ho pei foi uieil in pans, is one of the must widely discussed nf modern French works. The music calls tor a reinale chorus behind the stage. i The soloist, of I his concert will be, Mil i In iim l.onlse Unmet, Ihe mom popular conlrallo of two generallonii. Hhc is In sing an urln which should reveal her dramatic powers to advantage Verdi's Don Fatale" I'l'iiin the opera "Dim Carlos," and two hoiiks of well nigh immortal beauty "Nature's Adoration" by Iteet hoven, nnd the opening number from Handel's opera "Xerxes" thn original form of the so-called "Largo." i I.KGIOX Foil LAW AMI ORDETt. inilili lol', Pusi.

IiiiIoi-m-m Talk, of tho' Kev. V. I. llaiiMimi. That the American Legion Is for 100 percent Americanism nl all times and' Is by mi menus propaganda instru-i wlm-h has been fashioned by Uie hand of man is more beautiful than masonry.

It is tho beauty of the ruins of undent Athens and of Rome which (five to Greece and to Italv a charm which must ever be lucking in America. When one considers tho way in which our walls arc constructed, wooden posts, covered with laths and these laths in turn hidden by a layer of plaster, it is not difficult to realize how difficult it Is to build up an art which will enduro' as has that of Kgypt. AVo think of how shifting life is rathor than how permanent. We feel the sham of our modern life satisfied with such make wlce." "Hows that'- "Why, Mr. Wushlngloii, lie's givln' iih the same hut one, Matisse.

His talent, his taste. Ills consummate art are Buch that even though we know that he ia posing, his pose Is delightful. It Is the expression of hiniHclf. And in as much as his pose Is the expression of his character the art of Matisse bears the genuine impress of a The person who does not enjoy his art I pity for touch pleasure is to be derived from It. The student who tries to follow in his footsteps is still more to be pitied for there can be no development from tho ait of Matisse.

It la too personal just as was the art of WhiHtler. There has never been a vital sound school of ait which has Started on any foundations but those of absolute sincerity. Courbet. Manet, Renoir, Cezanne, Seurat, Degas. There were no greater painters than these in the epoch which has just closed.

Each name evokes an entire world! The paintings which Lie Zayas has gathered together are in surinoiiM ho gave ns last eai." Why do art lovers ask a palmer to give them the samo sermons he gave lust year Art lovers must learn Mutt a. painting should be us personal as a poem. Wo do not ask Shelley to write a I I'lLlu III VVcKt Wo shifts as laths mnd plaster. Yet even i III -V the walls of the dwellings of BO years ago had a beauty, a beauty hidden by Mitlcl lo nnlnt a I oil the gew-gaws which people of that second "Angi lus." The public does not appreciate how its attitude ruins many of our promising young artists. ment lilelll dl'esse lowever mistaken the llolshcvlkl may or I ho English empire or Pros-Wilsnn, was Ihe subject of nd-i made Friday evening at th ineeling of the Unit li Inf.

Post, AmnrlJ each case worthy of the master represented. Some of them are slight, but all are characteristic. I worship the new gods of Da. Zayas. I have not renounced the old.

On Exhibition at the Feragil Gallery be, their policy towards art Is the most liberal which any government has yet. adopted. The art of a nation is one of Its greatest assets, lo be conserved as Jealously as Its forests. The attitude of the American people is antagonistic to the expression of personality ill art and, without personality, art is bill the wrappings of the j. At Macbeth's.

now being held now being held can Ijcglnn, held In the 23d Itcgt. Armory, Allnnltle und Bedford uvea. Tin Unv. Frank I. ilauscoiii, for-' mer chaplain of the lOilth stirred the pal rlol Ism of the men, when he announced in his brief dress Unit the in gaiilation would aid and serve In every capacity the civil authorities lo suppress riots or any other violations of law and other speakers supported his declura-: lions.

There is at Mac- beth's the annual show of "Intimate Paintings." The object of these exhibitions is set forth in a foreword being to paint with transparent glazes and scumbles over a light ground. It la difficult to give with such a technique the feeling of direct contact with nature. Mr. Ilctherington has succeeded. His landscapes record things which he has seen, which he has felt.

Ho may see landscape through the veil of the art of thirty years ago. We all see nature through a veil save here and there a pioneer, like Menzel or Claude Monet. The essential is to see through the veil and not merely to record what another has seen. His work is uneven canvasses bV Carlsen which I have ever seen. In the background is nn old painted carved panel representing the "Descent from the Cross." Against this background so rich and suggestive is a group of still-life.

The whole is in pale, delicate colors, with a note of stronger red running through the picture as a thread of silver whs used In the old tapestries. He has another stlll-llfe, "Roman Howl," which is characteristic of his art. All the other paintings are landscnpes, those by Carlsen being the more decorative, those by Rcdfield the more realistic. There is in the back gallery a mi-nerb easel painting by Puvis ile by Mr. Macbeth.

He writes: "The large size of pictures usually to be found in exhibitions was the fact behind the idea of our first showing, three years ago, of those "Intimate Paintings" which are capable of the familiar acquaintance of home surroundings. Thumb-box and other sketch exhibitions had frequently been hek but there had been no real effort to cot together finished and repre dead. Hurry lloseland lias a strongly marked chin-odor. lie has talent, taste. In the landscape, "Mohugan Island," now on exhibition at Lonser's, ho has show his power if observation, his fine sense of color.

In the child's head in "Mother and llaby" he has shown his knowledge of form. In the painting of the old bandbox in "VoodooiHin" he sliows his feeling for quality. The art-buying public Ignores these things in his work and asks lilm to repeat and repent his old subjects, not understanding that in so doing they aro doing Roselaud's art Immense liurin. Robert Laurent, the young French sculptor who has made his home In Brooklyn since he was 12 years old, Is buck from France Willi a French bride. Ho has temporarily given up his wood-carving nnd is doing heads In stone.

epoch collected. We are becoming more democratic In feeling. Gradually we are beginning to loathe all the miserable mess with which the rich have surrounded themselves for which the Eighteenth Century is in large measure responsible. The rich ever since have been gathering things together, things which were worthless as art and which made those who did not own them embarrassed in their presence. The Eighteenth Century, especially in France, was an artificial Those of us who live in the smaller New England towns are beginning to realize that there was an industrial art of the peasant class in rough New England which fundamentally is greater than that of France of the same epoch.

I refer to tho period of pine furniture. Could the Greeks of the highest period of their artistic accomplishment come back to earth I am sure that they would feel, as I do, that the bulk of the furniture of Colonial America is greater as art than such work as the desk of Louis XV executed by Biesener which is now in the Louvre. It was necessary that the King should impress the people with his magnificence. If the peasant should feel at home in the King's presence there would be danger of the peasant's questioning the divinb origin of kings. French art of the Eighteenth Century is merely the pomp and circumstance necessitated by the political situation.

Today the political situation has changed. It is now the policy of rulers to mix freely with the people. It should also be the policy of our rich men to do everything possible to diminish the gulf which at present separates classes. One of the most necessary things to do is that the rich UPKADKU (M II'S DANCE. The reception and danro of the Crusader Club, which Is made up 'of members of St.

Cecilia's R. C. Church, I was held Friday night in houghlln LyJ ceum, N. Henry nnd Herbert sts. that 3110 couples participated in tho event.

The members and their guests were received by President Georfte, Callahan, assisted by Vice President Vincent O'Donnell, Secretary Frank Seg rave. Treasurer Vlncont Gllnnen sentative canvases by our leading) that was to have been expected. The ART NOTES The will of the late Charles L. Freer leaves the major part of the Freer art collection to the Smithsonian Institution at Washington and provides for a $1,250,000 building to limine it. The testament fixes the value of the estate ut $3.

the bulk or which is represented In the art collection. To the Delroit Museum of Art Ih be-queiithed the Charles van Stern (Iravcseiiflo collection of etchings. Stipulation Is made that Miss Kath-erine lllioades of New York, who was associated with Mr. Freer In I he collection of his art objects, shall he retained In advisory capacity by the trustees of the Freer collection. At the annual meeting of the National Association of Wonn'n Painters and Sculptors, the following ollleers were elected; President, Mrs.

Christina Morton; honorable vice presidents, Miss Hilda Belcher, Miss Olive P. Black, Mrs. Joseph 11. 'hoate, Mrs, Charlotte Coman; first vice president, Mis Edith M. Magonlglc; second vice president, Klopenoo Frances Snell; treasurer.

Mrs. Henry P. )vl-son; corresponding secretary. Mrs. painters In the sizes now demanded by best of it is sensitive, delicate, strongly most of our modern homes.

felt. Such landscapes as "Indian Summer." "Wind in the Wood," "Glen Chavannes. It Is from the middle period of his art and is called "L'ln-spiration Chretientle." There Is a soft Jjike," "Golden Hod" are, In their way, masterpieces. At the Schultheis Gallery there are mellow veil over me punning which always a fqw paintings which sur-lgives it the same quality of tone as that, of his decorations in tue ran- and Sergeiint-iit-Ai'iiiH Frank Baronl. The arrangements comniiltee was made up of (lus I In nn on, chairman; Peter C.

Devlno and Thomas Limerick. prise by their beauty, an early Bruce Crane, an early Dewey. Thursday "The response to our first effort in this direction fully justified our experiment. Last season the second collection of the same character was equally successful In Bhowing that really fine pictures are painted by our-best artists, and that they are procurable at comparatively moderate prices. "In the present collection we have aimed to present even a wider selection, and we will gladly offer every facility to those at a distance who may be Interested in securing for their Miss Julia Kelly, whose work n.t KVTItAL IODGK ENTERTAINS.

Cent ral Lodge No. 301, A.M., held Its annual entertainment and recep homes a really 'Intimate Painting." theon, yet the detail and tlniHh re-toall hlHi earlier -work. At the Madison Galleries. "The race Is not always to the swift nor tho battle to the strong." Cullen Yates has never seemed to me to be. a painter of great talent.

Ten years ago I should have snld that his chances of ultimate success were poor. Yet he has succeeded where others of great talent have riillen by the wayside. He baa succeeded because of his sincerity and because he has been true to his own ideals. Each year many have gone backward. Yates has stemlily gone on.

At the Madison Gallery he has two land there were some paintings by Innesa which were Impressive in their sobriety and a very fine Ranger. Next, time I go over I am sure that I shall see some other unexpectedly beautiful paintings. At the Milch GalloiieN. A retrospective exhibition is always interesting. It is especially so when the painter whose work is shown is Childe Hassam.

His salon picture, first shown In 1 888, is there, a mendicant fiddler. The autumn leaves are falling, as yet but fitfully, but tho future looms up dutk, foreboding. It is not our Childe Hassam. the painter of sunlight, of joy. There are other There is an unusual number of paintings in the exhibition which one would ilke to own.

Were I given a the "Independent Artists" w'as so admired, hnji been painting at Great Neck all summer. She has completed several important landscapes. II will he remembered fhat Miss Kelly w.is the only Brooklyn artist whose work was chosen for Hie exhlbft of American art at the Luxembourg, the museum of modern art in Paris. There" is an interesting show of pictures at "The Lnntern," I no W. 4th Manhattan, which is "open from 4 to 6 p.m.

and from 8 p.m. to 1 a.m." They have strange hours for art ex- tion Friday evening In the auditorium of tho Masonic Temple, Lafayette and Clermont uvea. Tho spacious room I was tilled to its utmost With members anil friends of tho lodge. Tho affair i was a strictly private one, thus mak-! Ing II mine of a family reunion. On I the committee In charge were: Ralph 1 Seberry, chairman; Paul Donnlzen, 'Howard A.

McFurlaud, Martin I Kllon and T. W. I. Messiah. Bertha Menzler Peyton: assistant corresponding secretary.

Miss Ellzibcth R. Hii rdenberfTh recording secretary. Miss K'lte Mann Franklin: advisory hoard, Mrs. Henry Mottet, Miss Mary N. Mn.cCord.

An exhibition of 75 etchings by D. Y. Cameron "om the collection of Geovirfi A. tiny of is on at the Mnririiu Memorial, Hartford, until further notice. choice, 1 would take "The Pond," by Albert Uyder.

It is a lovely landscape, full of' the most subtle appreciations of form and color. Then there is "Over the Canal," by Mrs. Coman, with its quiet, sympathetic color, and should live in homes which, in general character, are not unlike the homes of the poor. This is possibly not the place to insist on the essential ugliness scapes; one a winter scene snow on bleak hills with outcropping rock. I The other also represents hills, but I clothed in all the wealth of summer.

Both are unassuming, quiet land-1 LANDSCAPE BY SEURAT of the dress suit and on the emDar BOY WITH COW BY HORATIO WALKER rassment of the man who does not wear one when ushered into the presence of men who do. But these dis tinctions make for class feeling. It has been a wonderful week for me Monday I went to the exhibition at the.De Zayas Gallery. There I was struck as I had never been with the supreme beauty of masonry as background for works of art. The walls, strictly speaking, are not of ma, sonry, but of concrete.

There never scapes whtcn have qualities wnicn will last. Two other artists whose work 1 have known for years are showing landscapes in the Madison Gallery, Albert Groll and Hobart Nichols. Neither has progressed as rapidly as Yates but both have advanced, and this Is the essential thing. I do not care whether my work is good or bad. Am I Improving? Am I growing In spirit and In truth? Such questions are the essentials.

The other paintings in the gallery are well chosen. It Is a good, conservative exhibition, so those desiring "thrills" should go elsewhere. Sinte my chllhood I have connected the name Madison with beauty. At the end of our livingroom as long un I Brooklyn Society of Artists AUTUMN EXHIBITION! November Fourteenth to November Twenty-ninth Pratt Institute Art Gallery Brooklyn, New York. was a more suitablo background for paintings.

Then Do Zayas has re moved each picture from its frame, merely tacking a narrow wooden strip around the edge of the painting. The effect is marvelous. Tuesday I took lunch with Chester Aldrich, of the firm of Delano and Aldrich, architects. Their office building is entirely finished in concrete. There are simple, massive arches which give vistas into rooms can remember.

Dolly Madison tea table has stood. So 1 welcome the new gallery and fe.el that Its name Is entirely appropriate. and courts beyond. The walls are all left the natural color of concrete. It is very beautiful.

Here then is our I ft TTfflM II architecture of the future, an archl and Kyci'Mon Street bet. DeKalb WillouKhby Avenues SCHOOLS CELEBRATE PEACE Tho peace and democracy oclebrn- tecture thoroughly democratic for will not concrete walls be soon within the reach of all? When it comes to pass On Exhibition at the De Zayas Gallery I Hon held Friday night In the E.D. High Day and Evening, Except Sunday On Exhibition at the Schultheis Gallery there is good work by Carlsen, Has sam, Chauncey Ryder ana many others. ADMISSION FREE School, under the auspices of the public schools which make up School District 31, was a very enjoyable event The schools that took part were Nos. 19, 50, 122, 157 and l6.

District Superintendent James J. McCabe was chairman of the evening. The entertainment opened with se Far less praise can be given to the exhibition of a group of artists Bhow HOLD CHARITY BRIDGE. hlhitions in Greenwich Village! Five A charily bridge for the Hrooklvt: I Brooklyn artists have dared face the Hebrew Home for tho Aged was hold shame of such hours and are cxhlblt-on Wednesday afternoon at the Huh- lug there: Yasuo Kunivoslil, Joseph ing in the lower Macbeth Gallery. There is a foreword Introducing the lections by St.

Lucy's Boys Band. Then urban, the proceeds lo he givon for paintings or his wnich date from only a few months later in which you will find the spirit of his present work. So we may date with certainty the year in which Hassam found himself. I have just become associate editor of Arts and Decorations. For the January number I am preparing an article on Hassam.

Therefore, instead of giving you now a more complete appreciation of the Hassam show I shall 'merely tell you that It is exceedingly comprehensive. At the Feragil Gallery. The Feragil Gallery has moved group signed (presumably William Starkweather). The object Newman, William J. Bovlan, Clara Stroud and Edmond Weill.

Who was ll who said there were no Bohemians in Brooklyn? mat concrete is the rule and not the exception there will be a community of interest between the rich and the poor In regard to the adornment of their homes. Silk and plush will oease to be considered as proper coverings for a wall and paintings will be valued as giving the personal touch to a wall which, unadorned, might be inexpressive of the owner's individuality. Concrete walls, a painting or two, with narrow strips of wood tacked round the edges, such surroundings as this will be within the reach of the many. The over-adorned luxurious palaces of our multi-millionaires will be felt as ugly as they really are. This is the vision which has been haunting me for years, of simpler homes in which a few choice works of art will take tho place of all the Junk which litters the dwelling of today.

If mill onmn tlllH Tlo Knimo 4-1 It will come and De Zayas has sought is quite that of the new society at Gimpel and Wildenstein's. Here is the foreword: followed "A Dutch Wedding," by pu- the new wing nw being built. Mrs. plls of P. S.

No. 19, "The Battle Hymn Lena Becker, one of the trustees, do-of the Republic," by pupils from P. nated the prizes and expenses: Mrs. No. 16H; dance.

"Victory." by pupilajA. Shulman and Mrs. A. Gordon were from No. 50, and pageant.

"The Gate chairmen for the day. Mrs. Charles of Peace," by pupils from No. 50. Rosenthal, president of the Home, an-Aaron W.

Levy, a Manhattan law-1 bounced a concert for the Homo at "The present exhibition Introduces a These are the hibltion of the last days of the ex- I Bl'OOklvn Noeielv i group of artists organized a year ago Artists at th with the object of properly presenting Schultheis Galleries, Exhibition of Paintings by CHARLES HETHERINGTON Nov. 17-24, Inclusive 425 Fifth at 38th St. Tel. Vanderbilt 2267 in public such of their works or painting and sculpture as theii consider from the little basement shop on 49th st. It is now on 6th but the spirit has not changed.

In the ycr, delivered an interesting address. Next was "The Triumph of by pupils from Xo. 122; selections by the Boys Band; dance, "The Messenger of Peace," pupils from No. 157, and saluting the Aug by the on- the Academy of Music on Jan. 11, at which Metropolitan Opera artists will appear.

Mrs. A. I.eidsehutz Is in charge of the concert. Tho Home is the only institution for the Incuruble aged poor In Brooklyn and has long representative. The group is elective; its membership, not yet complete, is gallery tncre are fifteen paintings by limited to 20 painters and 5 sculptors, uol III works by the late Frederic Crownin-hleld at the Brooklyn Museum.

The fourth annual exhibition of tho Brooklyn Society of Etchers will be opened in the Print Galleries of the Brooklyn Museum on Wednesday, Dec 3. On Tuesday afternoon pre-ceding the opening there will be a first view and reception for members jmu uarisen and Kedfleld. The it not a formally organized society "Carved Panel" Is one of the finest I tire assembly. I since outgrown Its iiuarters. and has no officers, the affairs of the grouD being conducted bv a council of four members.

THE ART CALENDAR 'Pictures are to be selected for the I nn- iviuseum ana for Invited guests, exhibitions by the artists themselves, without recourse to the iurv svstem. i ne cxnimuon wl runt taken a step toward its realization. The amazing thing about the De Zayas show is that the three portraits by Courbet which are so dark in tone should look so well on a background which is a pale gray. The details pf the portraits, the delicate gradations of tone, are felt as they never would he were they shown in the heavy frames of the period. One would naturally feel how appropriate such a utu.

inclusive, ana will consist of origi. ARDSLEY STCDIOS, 110 Columbia Heights Lithographs by Kantin-Latour and paintings by American aitists. to Nov. 80. The group has been formed in no spirit of opposition to any other art icniiig, riry point, X.

Y. PUBLIC LIBRARY. Bth ave. DUVEE.V GALLERIES, 720 Dth ave. and 42d st.

Annual show of prints I Chinese porcelains, newly acquired. Print Gallery, POWELL GALLERY. 983 Bth ave. room 321. Illustrated book of the Portrait Drawings and Street pnst four centuries.

Scenes bv Caroline Van Bean to nriiKVMlNn OAI.T.KRV dr, Jaih 1 "cenes ny tannine van ri. nean, to ana mezzotint. The number ooay, ana as a Oody represents no one win ne approximately 175 art movement. Its members are united BROOKLYN MUSEUM, Eastern simply by mutual esteem and by the Parkway Open week days, 9-6; inero will he 62 exhibitors. The ov.

so. Sundays, 2-6; Thursday evenings, sincerity of their art work. This is I rVA- aJe: 're'dent, durand-ruiol gallery, 12 e. cne nrst of a series of annual exhibi cuiresponuing secre DANIEL GALLERY MAN RAY EXHIBITION 2 WEST 47TH ST. he kayas GALLERY, run rm, v.

"th St. French Impressionist tions already provided for s- iiw.v, jonu rayior Arms; recording Works of art bv Renoir Cezanne. I I'ainllngs. ii onope; treasurer, tirederlck Reynolds. Four prizes will curbet.

MADISON GALLERY, 106 W. 57th 7:30 to pay days, Monday and Tuesday, 25 cents. Memorial exhibition of works by Frederic Crown-Inshield. LOESER GALLERY Paintings by Harrv Roseland. PRATT INSTITUTE GALLERY' Exhibition of small paintings, Brooklyn Society of Artists, to Nov.

MONTROSS GALLERY, 5K0 5th ave. I t. Pulnlhigs by American Artists, Portraits by Virginia Keep Clark. to rpc. 8.

KNOEDLER'S. 556 5th ave. Water MILCH GALLERIES, 108 W. 57th st colors and pastels by Plssaro. Henri, Works of art by Childe Hassam, background would be for the work of Puvis do Chavannes.

It would he no less so for a Corot. All who go to the exhibition ought to be struck by the beauty of the room and by the practicability of founding a school of domestic architecture and decoration on the suggestions to be had from Its arrangement. "The old gods are dead," proclaims De Zayas, "Long live the new!" Not bo fast, my friend! Just because you have arranged the most interesting show of paintings New York has seen Glackens, Hassam, Homer, etc. I to Dec. 0.

Holiday exhibition of In these days of Jealousy and commercialism it is good news that the members are "united simplv bv mutual esteem and by the sincerity of their work." A return to Arcadia is always salutary. But the question will arise. Have our young artists really returned to Arcadia? At the Touchstone Gallery. Miss Julie Storr la making her debut at the Touchstone Gallery, she has a facile brush which is verv ant tn PAINT1NOS x. vanira on 10110W8: The Helen Foster Barnett prize of $50 for the 4iest print In tho exhibition; the James L.

Noyes prize of $50 for the best print by an active member; the Kate W. Arms Memorial prize of $25 for the best print by an active member after the Noyes prize has been awarded; and the Nathan I. Rijur prize of $25 for th best print by an active member after the Noyes and Arms prizes ha-e been awarded. The Jury of Award will be Frank L. Bab-botl, Walter H.

Crittenden and William A. Putnam. As has uniformly been the case with exhibitions of this COURBET BV DEGAS RENOIR CEZANNE MANET SEURAT FOLSOM GALLERY, 660 6th ave. small paintings to Hoc. 25.

American paintings, to Dec. 1. ACADEMY ART SHOP, 153 W. 57th RALSTON GALLERY, 567 6th ave. St.

Etchings bv Kaslmir. Landscapes by Frank Dellavcn, to N. Y. WATER COLOR CLUB AND N. Nov.

29. I Y. SOCIETY OF PAINTERS, 216 IIAHLO GALLERY, 569 5th ave. W. 67lh st.

Thirtieth annual ox-Llthographs by Whistler. hibltion and third annual exhibi- ACKERM AN GALLERY, 10 E. 46th Hon, to Nov. 23. st.

Sporting paintings and prints, WEYHE GALLERY, "OS Lexington water colors, to Dec. 13. I ave. Lithographs by Odilon Redon. DANIEL GALLERY.

2 W. 47th St. HISTORICAL SOCIETY, 170 Central for many a day gives you no right to proclaim the death of the gods we MATISSE MANHATTAN. (Exhibitions are listed in the order in which they would be seen by a visitor beginning at Washington Square and going north.) THE LANTERN, 160 W. 4th st.

hours 4 to 6 p.m., 8 p.m. to 1 a.m.) Exhibition of works by American artists. THE WHITNEY 1 V7. have worshiped since childhood November 17th to December 6th I Time, the great arbiter, is slow in rendering verdicts. I remember a guide lead young artists from the narrow difficult path which leads to greatness' Her talents are exceptional.

In her subject matter she shows choice of material which- Is altogether m- M. de ZAYAS, rirru avkxi t. 10 Vienna published about 1720 which Fnntin-Latour once showed me in Jalntlnes hy Man Ray. Park West. Important collection of which certain paintings now among TOUCHSTONE GALLERY.

1 1 W. society, tne list or exhibitors is by no means confined to Brooklyn or to active members, but includes many artists who are not members of th society. For example, in the present instance 14 exhibitors are from the The Ferargil Galleries, 607 Fifth Ave at Forty-ninth St. Announce tn HiHHIUm of PtinUnfi Emil Carlsen Edward Willis Red field West and Middle West, and approximately 28 exhibitors are not members of the society, this number being made up by Invitations extended to the host paintings by the old masters (open to the public except during the month of August.) MUSEUM OF NATURAL HISTORY, Columbus ave. ami 7 7th st.

Permanent collodion of works of art. Open week days, 10 tu Sundays, 1 to B. Pay days, and Kri-day, 26 cents. Special exhibition of industrial arts, to Nov. 27.

METROPOLITAN MUSEUM. Central Park at K. 821 St. Open daily from 10 a.m. to 6 p.m..

Saturdays until 10 p.m.; Sundays. 1 p.m. to 5 p.m; Admission, Monday and Friday, 25 cents: free other days. artists without reference to locality, and many of tho active members are mendable. It is In her execution that she fails at times.

There Is no short cut to great art, and Miss Storr, like her master, Henri, enjoys the easy path. Her show may well be the first of a splendid series. The future lies in her own hands, It would seem. At the ScliulllH-K Gallery. Thero is no reason for any painter who has not passed his seventieth birthday to be discouraged.

He may never have painted a picture acceptable to himself or to his friends; he may never have had his name mentioned In The Brooklyn Daily Eagle. Such little things mean nothing, for has not Charles Hetherlngton, losing his means of support at 60, taken up the art of painting In oils, an art which he had never practiced, and kept the wolf from the door? His Aew xorK ariists. st. Sculptures by Gertrude V. Whitney, to Nov.

24. PARISH HOUSE, CHURCH OK THE ASCENSION, 12 W. 11th St. Paintings by Childe Hassam, relics from Verdun, to Nov. 27.

PEN AND BRUSH CLUB. 134 E. 19th st Oil paintings by club members, to Nov. 24. HENRY SCHULTHEIS 425 nth ave.

Paintings by Charles Hetherlngton. UNION LEAGUE CLUB, 3 K. 39th St. Studres made in Japan by II. Humphrey Moore.

KEPPEL GALLERY, 4 E. 39th St Etchings by Zorn, to Dec. 6. ARLINGTON GALLERY, 274 Madison ave. Paintings by American MACBETH GALLERY, 450 Bth ave.

Third annual exhibition pf intimate paintings; paintings by younger artists, to Dec. 1, mnae we prize most highly, were spoken of as being by a "most Insignificant painter, a Spaniard. Velasquez." As late as 1845 his portraits were selling for a few hundred dollars each. The resurrection of Velasquez is largely due to the nggresalve campaign In his favor on the part of John Ruskln. Even more recent is the acceptance of El Greco ns one of the Immortals.

In my opinion the god whom these two have replaced was a fnlse god with no legitimate claim fo divlnltv; Murillo Vet for two centuries hi right to rolcn had been unquestioned I worship fho new gods of Tip Zayatr I have not renounced the old, There is method In the apparent madness of the ultra-modernists There 1 a vital connection between the painters whose work is Rliown at the De Znyns Gallery. Tho relation-ship between them is not easy to ex- 47th st. Work by Julie Stobr, to Nov. 29. GARDEN GALLERY, 699 Bth ave.

Miniature painters, to Dec. 81. FERARG1L GALLERIES, 07 5th ave. Paintings' by Kmll Carlsen and Redtleld, to Nov. 80.

AIN'SLEE GALLERY, 615 6th ave Paintings by George Inness. BABCOCK GALLERY, 19 E. 49th St. Annual exhibition of the "Eclectic," to Dec. 13.

HOWARD YOUNG GALLERIES. 620 Bth ave. American paintings, to Dec. 1. GIMPEL A WILDENSTEIN, 647 Bth ave.

Exhibition of old masters. THOMPSON STUDIO, W. DOth st Decorative paintings by Dorothy Lltzlnger Thompson. EH RICH GALLERIES, 707 Bth ave. English portraits (Eighteenth Century) to Nov.

2G, Nothing that I can think of Is dlsKraceful to Brooklyn than the fact tnat mere is no piuce where naint. riKH and noulpture can ho properly HISPANIC SOCIETY, Broadway and 166th st. Important collection ofishnwn. We have the galleries of the ARDSLEY SCHOOL OF MODERN ART 106 Columbia Heights, 1IROOKI YN. VNDKR TIIK IHKKf'TION OF Hamilton Easter Field and Robert Laurent department stores open only at Spanish works of art, including paintings by H.

Ureco, Velasquez and Goya. (Notice of exhibitions should reach tervals to such art as the management thinks will sell. We have tho Pratt Institute Gallery, the purpose of which la to serve the Institute. It is therefore ml the place to show much cx- success is deserved. As models for his art he has taken the work of such men as Innons, his technique the Art Editor not later than Thurs-day.).