The Brooklyn Daily Eagle from Brooklyn, New York • Page 61

3 Here Are Players and News of Plays That Are Now to Be Seen Along Broadway BROOKLYN DAILY EAGLE, NEW YORK, SUNDAY, JANUARY 10; 1932 'SPRINGTIME FOR HENRY' They Are Married And Are Co-Stars It's Impossible to Get News Out of Aherne He Is Mum They Both Thought Of Pauline Lord Pauline Lord, whom Guthrie McClintic will present in "Distant Drums," by Don Totheroh, on Jan. 11, is an interesting case of agree-ment bv nroducer and author. ar UNTIL Brian Aherne, the young English actor who simulate Robert Browning as the compliment to Katherlne Cornell Elizabeth Barrett In "The Barretts of Wimpla Street" In the Empire Theater, marries or becomes un Theatergoers of a bygone day will recall the sovereignty of Mr. and Mrs. John Drew in the realm of high comedy.

For many years there have been no successors to those great players of a previous generation. Great actors and great actresses have occasionally flashed across the scene. But great pairs there have not been. The current theater has two outstanding couples to play its sprlght-liest comedies. One is the Theater Guild team of Alfred Lunt and Lynn Fontanne, whose conjugal happiness Is rivaled only by their felicity on the stage.

The other is that couple of alien nationalities, Mary Ellis and Basil Sydney, who married whichever may be the next step in his private life com mlts arson, treason, murder or any one of the lesser or greater crimes which insure the perpetrator front which Clare Eames, who had appeared with him in "The Silver Cord," directed. Also there were films. It was as he was considering i picture proposition from Hollywood that Guthrie McClintic. who was about to stage "The Barretts of Wlmpole Street" for Miss Cornell, found him and induced him to come here for the character of Robert Browning. Mr.

Aherne, remembering New York from his brief stay, recalled chiefly the elevateds and was not certain he would remain here very long. Nor was he positive America would want him to do so; accordingly, his contract was so written that he or the management could terminate the agreement on brief notice. This was a year ago. The Britisher still is here and will remain with Miss Cornell until June 1. That will make a year and a half for the actor who thought three months at the most would suffice.

The elevateds still pursue Aherne. X7VsidiT-dttraat Via. mnrAa ha flnrla tha page attention in the dally press, the public, it seems, must content recently returned from England, Itself as well as it may with the bare bones of his stage career, as dryly outlined In Mr. Parker's ever ready "Who's Who in the Theater, riving separately at the same decision. Dan Totheroh sent the not quits completed manuscript to Miss Lord, whom he had known for some years, and asked her whether she would consider playing the role of Eunice, should the play ever reach production point.

He added that he hadl written the part with her In mlnr'j and could only hope that it wo please her. Miss Lord replied iye she thought the play was striking, that it had great beauty, but that she thought everything depended; upon getting the right management, and, particularly, the right director. On this point she rested. Mr. Totheroh went back to worlt and sent his completed manuscript to Guthrie McClintic this was last Summer who was out in Hollywood directing pictures.

Mr. McCIintio became enthusiastic about the play, purchased It, and sent a telegram to Miss Lord (this without Totheroh'i having mentioned her or any casting problem whatever) asking her whether he might present her this season in a play he had Just purchased with a role he thought eminently right for her. Miss Lord wired back at once? yes, she would play it. Miss Lord played under Guthrie McClintic direction in "Mariners" by Clemenc Dane, produced by the Actors' Theater when Guthrie McClintic was its chief. Which makes it a circle ot mutual admiration.

For Mr. Aherne to his Innermost being dislikes publicity. A consci where they appeared in Eugene O'NeiU's "Strange Interlude." They will be seen this week in "Jewel Robbery." which opens at the Times 8quare Theater on Wednesday evening. Miss Ellis Is a native New' Yorker, Mr. Sydney an Englishman by birth.

She had already made a grand opera debut and a tremendous success In the musical play, "Rose Marie," and had become an actress entious and willing press agent, noting the success this actor has made in his first role in America, giving ear to the hearty applause which greets the player at his curtain bow on the Empire stage, may feel im as in iiu tiiw rai, uc lUiua vtic ij nas iouowea mm. nis raemai vision of Manhattan Is that of a network of overhead railways. One of the most attractive features of the screen offers he has received pelled to inform the public about Mr. Aherne, but the Impact of his sealous pursuit after information against the actor's barricaded prej since he has been in New York Is udice will result In an Impasse. that the work would be done In As an instance of the ousting of Hollywood where, he is assured, -all railways run on the ground.

the dutious recorder, there were those informing remarks Mr. Aherne casually made over a sandwich at whpn they first played together. They were first starred together in "The Humble," and then in "The Crown Prince," "The Taming of the Shrew" (In a modern dress version), "Twelve Thousand," Milne's "Meet the Prince," "Becky Sharpe," "Children of Darkness," "Strange Interlude," and "Knave and Quean" the last two In London. In "Jewel Robbery" they play the roles of a gay, pleasure loving wife and a bold, but not too bad robber. The play Is by Laszlo Fodor and has been adapted from the Hungarian by Bertram Bloch.

Treat for Tots tv rrlara Ttm Kffllnr fiomnanv I midnight, while Robert and Eliza' beth supposedly were on their way I AMUSEMENTS MANHATTAN to Italy In flight from her ogre-fatherafter the actor had slammed the stage door of the Empire on his nightly masque of the poet and had emerged a tall, slender, beardless man who resembed any one but Helen Chandler and Letlia Bankt, below at lha left, and above, Chandler, Mr. Bank. Nigel Bruce and Frieda Inetcort in tha popular comedy by Benn W. Levy at the Bijou Theater. PALACE ay.t 'Scandals' Has Two will produce "Beauty and the Beast" a mummer.

The topic was the audience. Mr. Aherne spoke of the national characteristics of the English, Australian and American publics, with sufficient of malice to at the Brooklyn Academy or music i 1 Haven't Got a Cigarette, So I Can't Says Vivian on Saturday afternoon, Jan. More Discoveries AMUSEMENTS MANHATTAN spice the subject and enough acute' Brooklyn' Own HELEN GAHAGAN HARRY GREEN BARTO MANN LESTER ALLEN BUCK BUBBLES ness of observation to make them worth repeating. TONIGHT It Thc.tre.

W. 44 St. The Kalian Trilr D'Arta I DlrcrtMl by Comm. fclcrni, prwnti Neatly joined together, the con versation made a not unpersua MY WIFE'S PERFUME; Amusing 3-Act Comedy by Leni 1 PRICES: Orchestra f.l, Bfttcony 93. Blase Broadway, perhaps more than any other community, thrills to the success of newcomers across its theatrical horizon.

Only last season two outstanding newcomers arrived in the musical field alone and Broadway beat the publicity drums so the entire nation could hear. They were Ethel Merman, now prominently identified with sive story illuminative of the speaker and his experiences, but when the player saw the white paper xnus marred ne said in pained voice: "I did not think you woum do this to me!" FIRST VIEW OF 1932 MODELS! George White's new edition of Scandals," at the Apollo Theater, Since it is not possible to Inform the perhaps not too-eager world as to Mr. Aherne's opinion of the thre-5 countries a pleasant reading that it was since what he eats for breakfast, how he exercises to keep and Lyda lately of "You 32N0 KtTIONU JANUARY 9-16 By NINA MUSSET TOM-tom-tom tom-tom-tom the tom-toms beat with the wild rhythm of battle a sad rhythm. Little Vivian Baber presses her heart with both her hands. "Ah, that noise I It pierces my ears makes me want to cry I can't stand it.

And I can't explain why!" I It Is the voice of a whole continent of which she knows nothing except the rhythm. It is nostalgia that affects her, nostalgia for the' infinite tropical silences of the places to which she belongs. The drums go on. It is a rehearsal of "Savage Rhythm," the Negro play at the John Golden Theater. The sounds make me remember that I heard the same strange noises all through the Suez Canal as the ship slipped along through the green waters.

A whole night long there was the same beat of tom-toms from where. The enchantment Is broken, the sadness disappears. The noise of the drums changes to Jazz. Vivian Jumps into the center of the stage and Improvises a wild, dynamic dance. "I love parts that give me a way of expressing myself that ordinarily I can't have," she says when she comes back.

"I can't see anybody hurt not even an animal. But if somebody hurts me, I can hate for ages I cry when I hear sad music Jazz makes me happy. "I love my race. It is an emotional race. It can feel things so deeply.

We have been held down for so long and only now we begin to get a chance to show ourselves. "I have Indian and English blood in my veins. I am three-quarters white and one-quarter colored, but If somebody says something against colored people, I Just burn up." Vivian likes my foreign accent. "Go abroad," I tell her. "There you will be a foreigner yourself and have a foreign accent." "Oh, yes! Paris! Magic word: How many dreams nUTIDI in trim lor Mr.

Browning's tight-fitting clothes, what pursuits of culture he follows, which is his favorite book, his most treasured flower, the color of his linens and his preference in neckties must remain his own secrets, this needs must a dull article for movie-trained If UHDAT UCIPTtM A New Motor Cai Ea Amives I Never before 10 many improvmeni Never before such remrkblt price ylui. Forty-three exhibitors of cers ind commercial vehicles 300 Models Modish Bodies Modern Accessories. Shop Equipment section open to the pub-lit tfter 5 P.M.' admission ti HOURS; Tomorrow Mondt;) 10 A.M. lo 10:30 P.M. SHOW readers who breathlessly are in i formed of all the essential details of their idols' lives and loves.

Wor can there even be the is-she-oi -Is-she-not-here serial which oc GRAND CENTRAL PALACE loxlfifton Avonuo n1 46th Srroof, Now Tork City muffins," she told Charlie Wash the two shores where two deserts Rose McClendon's burn, who is now directing her des cupied the columns of some of our ended. Fires threw their light on groups of natives as the tom-toms Name's in Lights Rose McClendon, a colored act- LESLIE BANKS times. "But don ask me for a scrapbook. I've never kept any clippings." She -was born in New York and she has never been in a stock company. When asked her favorite Said It," but now in the talkies.

This season, in addition to Miss Merman, two newcomers In "Scandals" have won the plaudits of critics and audiences. They are Everett Marshall, late baritone of the Metropolitan Opera Company, and Ray Bolger, the dancing comedian. The histories of both Marshall and Bolger are Interesting. Marshall, by a strange quirk of fate, came to "Scandals" via the Metropolitan Opera Company, where he was one of the leading baritones for several seasons. Bolger was seen on the New York stage before, but somehow missed fire in those early days before he had perfected his dancing art.

Born in Worcester, Marshall became a choir boy at an early age. Friends advised him to study voice culture and he won a scholarship at the Cincinnati Conservatory of Music. He continued his studies in Europe and made his operatic debut In "II Travatore" in Italy. Gatti Cazzaza heard him on the continent and in 1928 he made his first appearance at the Metropolitan Opera House in Lohengrin, In which he won signal success. The appearance of an established opera star in the lighter musical field is therefore In the nature of a welcome novelty, especially when his vocal wares have registered one of the outstanding successes of the revue stage during the past decade.

Ray Bolzer's success Is due to SPRINGTIME FOR HENRY tress who was prominent In with Helen Nlrel Frieda CHANDLER BRUCF. INESCORT beat. It may be heard In the most deserted places, tnat noise. It Is a signal from tribe to tribe, a means of sending messages that In a few hours run the length of the deserts. You can never discover a human being within reach of the eye, but the same beat of drums may accompany you all the way as vou traverse the desert, and preceding hobbies, she replied: Justice," Abraham's Bosom." Deep River," "Porgy" and recently BIJOU Theatre.

W. of y. LA. tvn, Matlnrn Wed. and Sat.

2:411 Culinary creations." And she GILBERT MILLER A LESLIE HOWARD In "The House of Connelly," has submitted the best excuse of the season for being late at rehearsals. likes to play children's games. In "Never No More" she is as' Leslie" Howard GUTHRIE MrCirNTIO nrKfnt FRANCINE LARRIM0RE -RR1EF MOMENT Bv B. Behrmnn BELAHCO.W.44St C0UNSELL0R-AT-LAW ELMER RICE PAUL MUNI PLYMOUTH, W. 4S Street LA 4-6720 Mil.

8t. -v PHILIP MERIVALE "1VW 4 4 mwltn filay from the ftnl I lllftlXA -jtn Impu ted l-orfr." with Henrv Phoebe Adrlanno STEPHENSON FOSTER ALLEN BofS. Wed. tint. IJ.

Kat.Mat.f It's my name in lights. she signed to the role of a mammy who protects her flock from a lynching In PHILIP BARRY'S New Conedr apologized to the stage director of you by miles, warning all tribes of your approach. party. It Is a stirring, emotional Never No More, a new all-col task and far different from the JHE ANIMAL KINGDOM Stared by Gilbert Miller Open. TUESDAY EVENING Seat Sow nn fta.il ored play, which opened at the Hudson Theater on Thursday.

The drums go on. "It is a pain," says Vivian a pain that comes from far off." "Vivian," I say, "the little masque never Detore, excepting one time contemporary journals during Frau-lein Oarbo's recent holiday excursion into Manhattan. Even If the reporters cared deeply about it. Mr. Aherne would refuse to play hide-and-seek In the solitude in which he isolates himself fi-om his chroniclers.

So one only may record that he was born in Worcesterrhlre, England; made his debut as a child actor; studied to be an architect and then eave himself up to the stase and the screen. Playgoers In London saw him in such American plays as "The Silver Cord." "Craig's Wife" and "White Cargo." South Africanish in temDsrature If American in imagination. In strictly British vein were "Rope," known to New Yorkers the crisply "Rooe's End." "She Stooos to Cononer" and "Bsaux Strate-trem." Between times he went to Australia with Dion Boucicaulfs reDertory comoanv to act leading in the J. M. Barrie pieces.

"What Every Woman Knows," "Mary p.ose," "The Admirable CrX-h'on" and "Quality Street." Returning to England by way of Ne York, Mr. Aherne stayed here nuiet. unassuming, little Rose McClendon, who looks offstage more like a child than a mother. However, she says the part seems made BROADnCBST 44th W. of B'way in Pittsburgh, has my name been placed on the electric sign," she said.

jnannfM wpanexday and Kftttiriar of sadness that unites your eyebrows LAST TIMES it represents, even for a colored girl! Josephine Baker, the colored girl who has conquered the Parisian stage, is now an idol of the French people! Vivian thinks Paris ought to be the city for her, too. It is a strange thing. Abroad. In Latin countries, where differences of caste are most noticeable, pushed to an extreme, the differences of race are not so marked. "I can't play the same part always In the same way.

I feel different every night. "I used to dance at the Academy of Music in Brooklyn. I live in Brooklyn. My soul? I haven't any, I suppose. The soul Is supposed to be consciousness? I have no consciousness.

"I haven't got a cigarette. I can't talk." She is always moving, never quiet a moment. "I get a kick out of everything. It would kill me if I couldn't show to other people the way I feel." She was pretty busy at Christmas time. The thing that thrilled her most was the fact that the postman gave her a Christmas present.

As the jazz starts again with one Jump she leaps up the four or five steps that separate us from the stage. Emotion leaves her face, especially for her. Whenever you cannot find me, it is very charming it Is Fred A Adele ASTAIRE Frank MORGAN Helen BRODERICK Till? 1.0 SCH In Just step out in lront of the Hudson, Incidentally, James Knox Millen, becoming to you." Her name is called from some- autnor 01 "Never No More," saw RAfVn WACHN The Perf and there 1 11 be, gazing up at the marquee." JHE Re.ua Miss McClendon is as modest as her in "Porgy" and admits to writing her role to her measurement. "How about a story?" she was FARL CARROLL VANITIES with WILL WILLIAM MITCHELL MAHONEY DEMAREST A DI'RANT Company ot 200 0 Glittering Scene 75 of Tha World'a Most Beautiful Oirlr Nights, Kntlre Drill. Entire Ctif At L'linanal l'rlr.

HalmaT Wed. Mat. Mle lo S3. Sat. Mat.

Mr to Ml CARL CARROLL Tilt 1 At. All ftt. they come in the theater. She has appeared with the late Charles Gil at variance with the words Cinderella has conceived to be proper for his royal mouth." NEW AMSTERDAM, W. St.

EM. Mala. Wed. and Sat. SI to SI; No Tax EXTRA MATINEE THIS TUESDAY asked.

his gift of comedy as much as tof "Not now," she pleaded. "I want pin and her performances In various colored plays have given her all Barrie explains to the actors (but to see if my name is still in lights. THE BAND WAGON does not let his audiences Into the MRS. PATRICK the reasons necessary to become cold and blase. Instead, she is BLANCHE secret) that Cinderella's conception YURKA CAMPBELL FOR THE ACTORS' FTW1 NO ADVANCE IN PRICES NO TAX SEATS NOW And, If it is, I am wondering if I rate It." Robert Sparks, the producer, declares she does.

bashful and childlike. "I'll bring you down some corn of the King and Queen In their royal robes is based on the "likenesses" in an old deck of playing cards. his dancing- feet. Originally he wanted to be a classical dancer. Indeed, he was seen on the concert platform in Boston after the manner of Leginska, but soon discovered discerning audiences didn't appreciate his art.

He then went into a stock company, learned dramatics, dropped it again for dancing, this time the more popular brand, and has been getting alonf, fairly well ever since. He has been KATHARINE CORNELL Jbe Barretts of Wimpole Street PLECTRA with Anna Donean, Cham. WaMron, Jove Carey 4 special 1.1 P.M. Sharp) Jan. and In; FrldaT.

Jan. 1.1 SELWYN W. 4 St. Seatu Now. SI tiM enough to learn all about the MAURICE SCHWARTZ EMPIRE.

B'wav. 411 St WED. A BAT tTO. 0 .30 Shrp the subways and the heat of the city. Then he went home to act In A.

A. Milne's "The "Lass" Matinees "The Lancashire Lass," the revival of the old English melodrama now at the President Theater, has DOUGLASS MONTGOMERY in New York'a Repertory Gar CoraetT giving place to large laughter and Lucky One" and S. a snow or white tectn. with ARA GERALD fATA MORGANA he Bride the Sun Shines On Tllh DOROTHY CISH A HEKRY Hfl.t ECI.TOV W. 411 St.

Mrhla XI to S3 Reen In "A NiRht in Paris." "The Passing Show of 192S" and "Heads Up." Not until George White pre AMUSEMENTS MANHATTAN hriHlant eemritT." RmiM 7.Wt! ROVAIF 45th W. nf K'wnw Eve. Matint Wt. snd Kit. :4 'Electra' Qoes On l-or.

MATS. THI US. anj SAT. SI to instituted matinee performances on Wednesday and Saturday. The Wednesday and Saturday midnight performances will be eliminated.

sented him in "Scandals" did he MAX noRDON pietenls JHE CAT AND THE FIDDLE emeree with what can safely be called sensational notices from the first night shock troops. GEORGE WHITE'S "3i SCANDALS Sophocles' heroic melodrama, "Elrctra." which had Its premiere AMUSEMENTS MANHATTAN JFROMP. BERN ana OTTO HARRAfH r.I.ORE an a tfl M. lira APOLLO W. of B'T.

Eve. Matinee Wednetria and Satnrdae at the Selwyn Theater Friday after' noon under the sponsorship of Rob Poo. Matlneea WED. SAT. 111 tiff MlfSIl' v'f 'Kiss for Cinderella' ert Henderson, will be presented at two matinee performances this week ROXY SOlh llroot on Tuesday and Friday at 3 o'clock CONSTANCE COLLIER In NOEL COWARD'S COMEDY WAY FEVER with eric cowi.rr "ONE OP THE FI'NNIEST PLAYS IN THE WORLD." lialiritl.

Amtrirnn AVON W. 4.t St. Mats. Thura. ft Sit.

"STEPPING SISTERS "MANHATTAN PARADEH: "Lot of run!" MelMtrin, Snf. Irresistibly funny!" aVW. 'BfmtlfuJly played cleverlv Rattedit first rat Jirror. WINTER GARDEN Broadway 50th Con t. Pop.

Prices JHE DEVIL PASSES nil RB.v rr. t.svr ih. grt m.i ARTHI'R HYROV BASIL 4THBOXF. ROBERT IORAINE. MARY NASH.

DIANA WYN YARD. CEt II IA LOFTI S. ERNEST ERNEST COSSART SELWYN W. St. Ml.

Thur. A Sat. "j- $Uo $2.50 BEGINNING TOMORROW tr.i tvc I "HIT oerrt ro. in sharp. The series of four special matinees announced for the present engagement will be concluded on Tuesday afternoon of next week.

Jan. 19. TIIF THFATRP CI'IIO nreenta ElIC.rNE O'NEILL'S Trllorr jyjournini; Becomes Electra rSi.KI SULLIVAN 5 Blanche Yurka In the title role of this production, in which she is co-starring with Mrs. Patrick Campbell as Clytaemnestra, appeared in the same part last Summer when Continued from Page 1 about 20 feet high, and under it there are three seats for King, Queen and prince rocking chairs in gold. The room is ostensibly lit by lamp-posts.

Everything is gold, gold, gold." This is the Barrie description of the character who is to typify the overwhelming power of publicity as exemplified In the modern press: "Lord Times, a strong figure In evening dress of the modern day" (the only figure in the ballroom scene, by the way, who appears In modern apparel). He descends JHE Louiao Droetor Minna Somboll and William Collior, Sr. On tha Stoco 4 7 Groat Haadlinara 7 FRIO WARINO and His Roxy Thoatra Orchestra with tha Pannsylvaniano FRIT2 LEIBER NICK LUCAS STEVENS BROTHERS MME. SCHUMANN-HEINK JAMES BARTON THE DE MARCOS and Many Thoatra Enoombla Composed ot 3 plava presented on I day Homeromlnr. The Hunted.

The Haonted. Commencing- ot 5:30 aharp. Dinner of one hour at 1. No TBFATRE. I'd of B'waa I THRIFT PRICE Mehts SOr la -n.

Vrl. MK In Mt. Vlf tn Mr. Henderson presented Sophocles' masterpiece at his Ann Arbor Dra fill PERT 'I P' HELEN HAYES matic Festival at the University of Michigan and on a short road tour. Metro-Gold vy Mayer! Gmo Talttina Pictur 'SfMctadaf DIU in MOLNAR'S Ne Corned-.

Robert Henderson, who himself ap THF GOOD FAIRY vavsva, Poert Sparks presenta EVER NO MORE Bv JiimM K. MiH-n w'th Pose rHendm l.t"noNTha..4t E.of Rwir. Fvv Matinees H'ritnvKHaT and ftatnrda fJF THEETSING-" A New Mnilral Corned; Kith William lots Victor CAXTOV MORAV MOORE MCSIC BOX W. 41 St. Ftea.

at MATS. THI RSDAY A SATI RDAY at stair, goes to the throne and nearly sits on it. The Lord Mavor signs that this is not quite the thing. He takes a seat opposite the throne." I peared as orestes, Brother of Elee-tra, nthat occasion, is now interpreting the role of Aegisthos, husband of Clytaemnestra. with the exception of Miss Yurka and Mr.

Henderson, an entirely new cast has been enlisted to Interpret the major roles. AaHtoo BEERY Clark CABLE Of the Censor in Cinderella's i fioivjal M. Uata er-B'T A St. Fr StrlrKt dream, this is written: "A tall; I heavy figure, dressed as the tradi-1 tlonal executioner with ax, stalks; down. Lord Times rises and meets 2nd WEEK GARBO and NOVARRO in "MATA HARP LIONEL BARRYMORE Rerve Jijr.nie Savo Bunhok CAPITOL Broadway at 51 it Street PHIDELAH RICE AMFRirA'S C.RFATEST monactor SPECIAL PERFORMANCE TONIGHT "THE IS THF HOI UK-TOMORROW NIGHT nnf tr ntrr riv BELMONT.

W. 4S St. BEST SEATS St.rwt I SECOND WEEK him In the center of the ballroom, They gaze at each other defiantly, Censor Is the first to give way." i "The Prince Is played by the po-' Hceman," says Barrie, "but he is a -One al th tew triple-starred, anendahle entertainmenla In I. Arrirftn. HENRY MILLER'S lit W.

43d St. Et. Mata. THI'RS. A SAT.

NEW YORK'S NIGHT "THEATRE JHE LANCASHIRE LASS "A irelf dfrerferf, fn.t-movin tt4 nmnarft'v arlii htt of kukitm trkirk iH'd aiee oh aowtelsvi.9 lo tl'-m Situ. Mon. Toes. Thora Frl. at 31! A 1 1 Wednesday A Satorrlar A All Seats Reserved PJFSIDENT 4S of way TIMER RlrE'S COS1FDY SICCESS JHE LEFT BANK A Plat of Life in Parts LITTLE THE V.

44 St. Tel. I A. Fees. Matinees Wed, and Sst.

:3 Opern Mon. Jan. 1 1 WALKER WHITESIDE JHREE MEN and i WOMAN A new all. he TRANR RsRVFT L.reara tr 40 MatsThor-Satt F.NATE MUELLER in "Dtr Kleine Seitempninj'' A Mnaleal Film Cornea; iShch'ly Indiscreet fftntlnnnp -J: lo 11:30. Too.

Frlrei Miss de Mille Dances Agnes de Mille, daughter of William C. de Mille, playwright and Director, and the niece of Cecil B. de Mille. a leader in the film industry almost from the beginning, turned her back on the movies and chose the hard career of a dancer. If occasionally the movies lured, the dance always drew her back.

She will give a dance recital this evening at the Guild Theater. She includes in her program an innovation which she calls "scenes with very different sort of person. He Is dressed In a sort of glorified Charles Surface costume, and Is at present, a rather simpering young man. He walks mincinsly. Evidently the Droreedines bore him.

He i THE THEATRE GUILD proxnt REUNION IN VIENNA A eotitedr hy RI1IIEKT K. SIIKRWIWID Martin Ttk St A A. Er. A 4. Matinees Thnra.

and Sat. JOH N-oHlTDEirprsenta SAVAGE RHYTHM joh nr m. v.v.? Matin Wrdnrftdaf and ttaiarrUT WW Oa th. Stare rarb per farifi aura HAROLD SOKE In in "Jnnrl? Advrntarr" lOTIAV. EXPLORERS of the WORLD P'wav A ftt.

Ir lf ta be 4 rwV reaches his chair with difficulty and! rocks languidly. The Kin? then rires to speak, always retaining a Star and producer of SAFE in HELL )Tore. the play by Romain Holland at lha 49th Street Theater. kingly, digoUled manner, which Is, criterion, rulUrelj SO Children AdaUttod.