The Brooklyn Daily Eagle from Brooklyn, New York • Page 73

7 NEWS AND FORECAST IN THE WORLD OF MUSIC TIIE BROOKLYN DAILY EAGLE, NEW YORK, SUNDAY, NOVEMBER 22. 1025. PADEREWSK.I Among the Recitals Genius and Innovation The Boston Symphony Arrives; Other Orchestras This Week Tanamaa Tame de la SotcJors Br EDWARD CUSHING WHENEVER a particularly stimulating or provocative work of musical art la given to the world, It claimed for Its composer by his adherents that he has opened a new era of creative work. this work be followed by others as salient and If posperity evidences tn' increasing regard for the cnmDoser. It Is decided ault finally that he has' exerted a profound Influence or musical progress, inn metnoa or evaluation is erith every composer worthy his hire, and the result ts that we have as many eras of esthetic philosophy as we have years In the history of music reference to this critical cliche we learn that Bach, Mozart, Haydn, fiaendel, Schubert, Beethoven, Schumann, Mendelssohn.

Wagner, Tschal-joivsky, Moussorgsky, Berllos) Llsit, Btrauss, Verdi, Puccini, Debussy and Btrawlnsky have all propagated distinct and unrentable periods In development of their mutual medium. This doctrine ha reacted curiously upon the appreciation of contem 4 Jn i 5CJJ. i tt i. i i a. i I THE Boston Symphony Orchestra I 1 I I K.AU I muitea iim uiai via, tv York this season during Thanksgiving week.

Two concerts will be conducted by Serge Koussewltxky In Carnegie Hall. The programs (given without soloists) will Include Sixth Symphony of Tchatkowsky and the Fourth of Brahma. Helnald Wcrrenrath will be soloist at this Mecca Temple, by tho New York Symphony, Walter Dam rosch conducting. Another feature of the matinee consists In the first Manhattan appearance of Polly Damrosch, daughter of the director of the orchestra, as plnno soloist In the Salnt-Saens "Carnaval des Anlmaux." The complete program follows: Brahma Second Symphony I'arker Mor of the Wine Red Hand (Mr. Werrenrath) Paiir "Pelleae et Mellaende" Sonsa wltn piano, Schubert, Qrtrf and Drahma (Mr.

Werrenrath) Salnt-Sarna Carnaval dra Anlmau The only other concert this week by the orchestra of the Symphony Society will be thnt held on Saturday morning in Carnegie Hull, the third children's concert to be conducted this season by Mr. Damrosch. The irogram Is: Verdi March from "Alda." Tarhelkoviky riret Symphony Weher "Per Frelarhuta'' Wasner Eioerpt, "Tannhauerr" On next Sunday afternoon, Nov. 29, Mr. Damrosch will conduct In the Mecca Temple a lecture-concort on "Ultra Modern Muslo, Deasnnt and Unpleasant." The soloist' will be Paul Kochanskt, who will play the Prokofleff Violin Concerto, which had Its New York premiere at a recent concert of the State Symphony Orchestra.

A RTHUR BODANZKY will this ft. afternoon conduct' the second subscription concert of tho Friends of Music. The soloists who will aug ment the orchestra and chorus Include Marlon TeWa and Messrs. Tlbbett, Schlegel and Bloch. The program contains new music by Jacobl, Arlnlewsky, and Galileo: J'-M Poet In the Deeert Ailalrweky Horattan Ode Rrptet for piano, atrlnss, horn and voice Mcndelinohn Walpurtle Nacht There will be no soloist for the concert to be given In Cnrnegie Hull this afternoon by the Philharmonic Orchestra.

Mr. Mengelberg will conduct the following purely orchestral program: Suite. "Bourseolt Clentlthnmme'e MARION (First perrnrmance Brehane Second Sympfconf The subscription concert which ordinarily would take place on Thursday evening will this week bo given Wednesday. Tho Friday matinee will be as usual. For the program of these two concerts Mr.

Men- gelberg will conduct the Second Symphony of Mahler, The chouis of the Schola Cantorum will assist und the two soloists will be Martha Offers (debut) and Ruth Rodgers. On Saturday evening another Student's Conceit will be given with the following orchestral program: Mahter from s-cond Symphony le Kalla "Trlcone" Ilrahme Academic festival Overture Tachalkoereky Fifth. Symphony Concert Calendar Sunday, Nov. 22 Afternoon: Car negle Hall, Philharmonic Orchestra; Mecca Auditorium, New Tork Symphony; Aeolian Hull, Wilhelm Bachaus, pianist; Town Hall, Friends of Music. Evening: Metropolitan Opera House, Orcra Concert; Aeolian Hall, New York Chamber Symphony: Educational Alliance, Chamber Music Concert.

Monday, Nov. 3.1 Afternoonf Town Hall, Walter Chapman, pianist. Evening: Aeolian Hall, Nndla Rela-enberg, pianist; Town Hall, Beethoven Association. Tuesday, Nov. Afternoonf Aeolian Hall, Harriet Fells, soprano) Town Hall, Daisy Kennedy, violinist.

Evening: Carnegie Hall, Ernest Ilutcheson, pianist; Aeolian Hall, New York String Quartet; Town Hall, Sol Htidcn, violinist. Wednesday, Nov. 35 Afternoonf Carnegie Hall, Paderewskl, pianist F.vcnlng: Carnegie Hull, Phllhar-monlo Orchestra. Aeolian Hall, Mnrlo Rosanoff, 'cellist; Town Hall, Adelaide Vllma and Hasel Qruppe. Thursday, Nov.

26 Kvenlngf Carnegie Hall, Boston Symphony Orchestra; Aeolian Hall, Lets Quartetf Town Hull, Angelina Trlulzlo, song recital. Friday, Not. 27 Afternoon! Car negle Hull, Philharmonic Orchestra, Evening: Carnenle Halt, Roland Huyes, tenor; Aeolian Hall, Hyman Rovlnsky, planlet; Academy of Music, Boston Symphony Orchestra. Saturday, Nov. 28 Afternoon: Carnegie Hall, Bo-ton Symphony Orchestra; Aeolian Hall, Katherlne Bacon, pianist.

Evening: Curnegte Hall, Philharmonic Orchestra; Aeolian Hull, Hurt House String Quartet; Town Hall, League of Composers. TALLEY Soprano Leading Rolei AVITABILE Orchestras and Opera for The Week in Brooklyn by the Brooklyn' Orchestral Society Phenomenal Engaged to Sing ARIB ROEMAET ROSANOFF, cellist, will give her annual recital in Aeolian Hall on Wednesday evening of this week. Accompanied at the piano by, Raymond Bauman, Mme. Rosanoff will play a program of Valentlnl, Bach, Haydn, Faure, Godowsky and Popper, Paderewskl will Introduce Erne.it Schilling's "Nocturne a Roguse" in his first New Tork recital of the season in Carnegie Hall on Wednesday afternoon, Nov. 15.

The program will open with the 32 variations In Minor, followed by Sonata, Op. 63, of Beethoven; Schumann's Carnaval and a varied group of Chopin, Including the Nocturne In K. Op. 62; Mazurka in O. Op.

50; Polonaise In Flat Minor, Op. 2 and A Flat Waltz, Op. 14; Btojow-skl's "By the Brookslde" and a Liszt Hungarian Rhapsody complete the printed list The Lets Quartet makes a first sea sonal appearance In Aeolian Hall on Thanksgiving night, playing a modern French program, assisted at the piano by Clarenoe Adleri Quartet in minor, Debussy; Quartet tn major. Ravel; Piano Quartet, Op. 43, Faure.

On Friday morning Guy Malar, as sisted by Mme. Clara Clemens, will give the last of his recital for young people. Mr. Maier will play the first half et the program. For the lattor half Mme.

Clemena will ling a group of songs. Katharine Baoon, pianist, will five a reoltal at Aeolian Hall on Satur day afternoon, Nov, 21. Her pro gram is of muslo by Bach, Brahms, Chopin, Rachmaninoff, Bauer and Liszt. The Beethoven Association gives a second concert In the Town Hall tomorrow evening. The artists appearing Include George Barrere, Eva Gauthler, Ludvlg Manoly, George Possell, Harold Randolph, Lewis Rlcharda and the Chamber Muslo Society of San Francisco.

At the Educational Alliance this evening the Vertchamp Quartet and Erwln Nylreghazl, pianist, will play. WUhelm Bachaus makes hla first New Tork appearance this season this afternoon In Aeolian Hall. Hla program Includes muslo of Bach- Godowsky, Strauss Friedman, Brahms, Schumann and Liszt. Sol Ruden, violinist, will Introduce new sonata by Tlbor Serly at his recital in Town Hall on Tuesday eve ning. Mr.

Ruden will also play the Paganlnl concerto in the WilhetmJ version, the Bach Chaconne, and a group of shorter works, with Harry Kaufman at the piano. Florence Page Kimball, with Blair Neale at the piano, is to give a recital of songs in Aeolian Hall on Thursday evening, Dec. t. Carl Flesch makes his first New Tork appearance of the season' Town Hall on Saturday afternoon, Deo. 5, with Harry Kaufman at the piano.

Bloch's "Baal Shem" suite. a Bach sonata, the Ernst concerto and a group of short works, including "Jazz Band," by Wilhelm Gross, are on his program. Mlchlo Itow and Angna Enters will give a Joint dance recital Sunday evening, Nov. 29, at the Forty- eighth Street Theater. Daisy Kennedy, violinist, In private lite Mrs.

John Drlnkwater, will make her reappearance, before the New York public in a recital at Town Hall on the afternoon of Nov. 24. Walter Chapman Is giving a piano recital tomorrow afternoon in the Town Hall. His 'program Includes Beethoven's Sonata In Major Opus 63, Debussy's Reflections on the Water, Copland's The Cat and the Mouse, selections from Bloch, Grlsel le, Corelll-Godowsky and a large Chopin group. Nadta Relsenberg's piano recital at Aeolian Hall tomorrow evening will be her first appearance in New Yoi this season, She includes on her program Bach's Italian Concert, Haendel-Brahms Theme and variations, and selections from Medtner, Tschalkowsky, Rachmaninoff, and Chopin.

Eileen Glane, will be the first to give a dance recital in the new Stelnway Hall, tomorrow evening Nov, 23 when she will be assisted by Alfred Meunler, Hyman Rovinaky, pianist. Is presenting a program of Parallels, Contrasts, and Conceits, at Aeolian Hall In recital Friday evening Nov. 27. Among the composers he has selected for his unusual program lie will Include Rameau, Debussey, Chopin, Caaella, Bach, Beethoven, Satle, Llszt, Ravel and Scrlabine. Music Notes Harry A.

Terkes will make his first appearance in New York City as a conductor at Aeolian Hall, Sunday afternoon, Dec. and will produce then an American Jazz Symphony by Albert Chlafarelll. Announcement Is made that arrangements have been concluded with the Glacomo Puccini Military Band of Paola, Italy, for a concert tour of America and Canada. The first concert will take place at the Town Hall, W. 43d on 8unday afternoon, Dec.

t. HENRY KESSLER MUSIC STUDIO VIOLIN, PIANO MANDOLIN AND BANJO KIKn, 323 Martente Street Between Noatrend end New Tork AveV Mr. Keiwier wee Oreheetra Loader et Hotel Belleclnlre (N. Y. for in eeaeone.

Since 114 haa devoted lite full time to learning only. Write or phone for appointment. TelepJioa He I boa 4SSS, Isadore Greenberg Concert Yiolioiit and Teacher Graduate of "Leopold Auer" STUDIO AT 245 Kotcraike St, Brooldjo, N. Y. at the Metropolitan Opera Home Trained Her Veice and Opera Rolea Under whether for good or evil over the a new harmonlo idiom Debussy appreciated and developed, tn a certain sense, to the utmost limits.

It would ry impossible for any one now to attempt a music-drama along the lines of "Pelleas." It would not, however, be to return and take "Boris" for a starting point in the search for a new operatio form. Moussorgsky himself was antici pated by Schubert, whose last songs bear a remarkable resemblance to those In the cyole "Without Sunlight." A person unfamiliar with Die Doppleganger" might easily be persuaded that It was composed by Moussorgsky in a slightly repentant mood. Thus, too, in the first orchestral Interlude of "Pelleas" one hears a chromatically descending passage for muted strings, tremolo, that Is nothing more than an inver sion of a similar passage in "Boris." THE case of Btrauss Is pathetlo. The parlor theorist blames him for almost all the sins of the modern composer, while In reality the Influence which he exerted upon hla day and ours has been very slight a matter of melodic charac ter and orchestration. Actually, he brought to a brilliant close that branch of the Romantic school whose great products were Berllot and Llstt.

In fact, what Strauss had to say in his- early tone-poems was so conclusive that even he himself was unable to go on along hla own path, and It Is to him, rather than to Btrawlnsky, that we owe the praotlce of marauding the classics. Having despoiled the tree of Ro manticism of its last fruits, he was himself forced to return to the classics when he wanted to find an other path along which to pursue his art. Thus he rewrote Mozart tn "Rosenkavaller," much as Btrawln sky attempted to rewrite Bach in the piano concerto, and much as the modern Italians are attempting to rewrite Rossini. It ve go through the lists of composers who are represented to us as the fountain heads of musical progress, we find that the main spur which they applied to the nag of Inventfon was that of satiation. Bach, as a matter of fact, seems to have been the only great figure whose Influence can be said to have been constructive.

Beethoven de Uvered the death blow to classicism. He also contributed to rhythm an Individual Importance that it had lacked previously In pure music. But It was not until comparatively recently that this contribution was accepted and exploited. Dynamism, as Beethoven anticipated it. Is the modern fetish.

Of. Romanticism as a movement Schubert was the inno vator and Brahms the Show me a Wagnerian music-drama since Wagner and I'll show you the concoction of sheer Ineptitude. And who will say that Italian opera of the old school has been possible since the production of The Innovators are nearly always less Intrinsically Important than their successors. Liszt Is quite out shown by Strauss, Weber quite oollpied by Wagner, Beethoven overshadowed by Brahms, Schubert outdone by Schumann. There Is al together too much talk about Jhe Importance of originality.

Opera's Fourth Week Brings "Parsifal" ytEFISTOFELE" will open the fourth week of the Metropoll- tan Opera season tomorrow evening with Mmes. Alda, Peralta, Howard and Alcock and Messrs. Olgli, Challapln, Bada and Paltri nlerl. Mr. Serafln will conduct.

Other operas this week will be: "Gloconda," on Wednesday eve. nlng, with Mmes. Ponsolle, Telva and Alcock and Messrs. Glgll, Danise, Rothler, Ananlan, Paltrlnleri, Oabor and Reachillan, Mr. Serafln conduct ing.

"Parsifal" as a matinee on Thanks giving Day, with Mmes. Matzenauer, Telva, Roeseler, Delaunols, Robert son, Dalossy, Hunter, Guilford and Ryan and Messrs. Taucher, White- hill. Bender, Gustafson, Mender, Bada, Echutzendorf, Schlegel and Altglass, Mr. Bodanzky conducting, "Oavallerla Rustlcana" and "Pa gllaccl" on Thanksgiving night, the former with Mmes.

Jerltza, Bour- skaya and Anthony and Messrs, To- katyan and Butola, the latter with Mme. Bori and Messrs. Martlnelll, DeLuca, Tlbbett and Paltrlnleri. Mr. Papl will conduct both operas.

"La Vestale" will have Its second performance on Friday night with Mmes. Ponselle and Matzenauer and Messrs. Johnson, DeLuca, Mardones and Ananlan. Mr. Serafln will conduct.

"Die Metsterslnger" will be the Saturday matinee opera, with Mmes. Rethbers; and Telva and Messrs. Laubenthal, Whltehlll. Bender, Meader, Schutzendorf, Vajda, Ananlan, Gustafson, Wolfe, Schlegel, Ga-bor, Bloch, Bada, Paltrlnleri and Altglass. Mr, Bodanzky will conduct.

"Boheme" will be the Saturday night opera, with Mmes. Borl and D'Arle and Messrs. Glgll, Scottl, Dldur, Malatesta, Plcro, Res-Chilian and Paltrlnleri Mr. Papi will conduct "II Trovatore" in concert form will bejglven at tonight's "opera concert" with Mmes. Ponselle, Telva and Anthony and Messrs.

Fullln, BaHlola, Marttno, Reschlllan and Paltrlnleri. Mr. Baroboschek will conduct. Ilrniulua, Tel. Pennsylvania tSI.

nli.4teu porary creative work. The hlstorl- cat' fallibility of conservatism is taken severely to task, and In fear lest the recognition of authentic genius bt left to a critical posterity, the world of today unhesltantly proclaims each and every of Its creative talent a revolutionary genius. We are yearly If not oftener called upon to revise completely our esthetic conventions. With the appearance of each modern bhtarrerle we must stretch a point to Include it logically in the list of constructive Influences, and if we fall to or refuse to do so -we become automatically member of the unhappy Right wing, quite fossilised and altogether ridiculous. In the general agitation lest some great genius be tagged as a minor talent all the minor talenta are Indiscriminately hailed (is great geniuses, the harbingers of a new age, the prophets of new muslo.

This soramble to assimilate and appreciate contemporaries la a litwe amuelnf, for there li some cause to be amased and possibly not convinced by a catholicity of taste that admits to the inner circle such a diversity of figures as Bartok and Varese, Szy-manowskl and Ruggles. It doesn't matter much who the man ir or what his style the quasl-Men-delssohnlan Netmann is as admissible ae ultra-atonal 1st Schoen-be'rg. Bo long as he is alive and kicking in this, our Twentieth Cen tury, his music is sure to be considered of unique importance to the future. flow, It Is certainly a fact that nine-tenths of the music written by these brilliant familiars will be unknown 20 years hence and non existent In less than a century. Just as' there were tn Beethoven's day a thousand composers who enjoyed far more local prestige than the com' poser of the Nine Symphonies and who today live not even In the form of fadfld scores on library shelves, Where are the Rafts of yesteryear? And where will be the Sattes and the Mllhauds among us now when day dawns upon the opening of, say, the 2025-26 musical season? IT IS easy to fancy an historical of early Twentieth Century mil sic written by some critic of the Twentv-second Century.

It might ffoi something like this: J'Tha decade from 1920 to 1930 was a period of frantic disintegra tion of fundamentals, particularly in theoretical and popular critical values. In America, which was then lnvlts musical infancy, a vast num bar of very minor composers many of then of foreign birth devotea themselves to the task of exploiting aiv -around, however unfertile, so Iojig as It was as yet in an untouched late. These composers, we learn frbra a consideration of books pub lished during the period, were hailed as of the first rank, and their work, while never acquiring popular appreciation which went to tire classics of Strauss and Wagner nd Debussy, was considered by the leading minds of the day as lndlca ttve of the future course to oe taken to the art of muslo. "Among the very few scores which have come down to us from that day and which are available to the student is that of a composition called ty one Edgar Varese. Mr.

Varese developed a curi ous uso of percussion instruments, but his work could not with any special relavancy be called musical. Among other musicians of the cen tury were Henry Hadley, a mildly talented imitator ol wagnw; Charles Martin Lceffler, an original but unproductive worker, and Ernest Bloch, whose work is well known to us. "the historian would doubtless go on 'to point out that while we were engaged In dividing our enthusiasms among several dozen music-makers we quite overlooked the one or two whom time proved to be especially contributory to the literature of master work BUT all of this is in the nature of a digression. I started out with the suggestion that no sooner does a composer attract special notice than his work Is considered as the proph ecy or the Inauguration of a new epoch. The fact is apparently over looked that for every muslclnn who has opened paths of progress to his successors there have been at least two whose sole contribution to thi future lay in their complete exhaus tion of existing; media, material and technique.

If the matter is closely looked into It will be found that genius Is less a matter of foraging for novelty than It is the ability to use the means at hand in an original and conclusive manner. It struck me the other evening, listening to "Pelleas et Mellsande," that Debussy had not pointed a new way to com posers of the future, but had In reality sealed an old one with an hermet.lcal seal. After "Pelleas," the deluge. Nothing can possibly be extracted from the special harmonic and formal technique of which De was the great exponent that he not already extracted from It. Consider his so-called "Influence" on the composers of today they have been mere Imitators, for to De-bv soy's material they could add and have added nothing.

They repeat his formula without contributing to it, any new twtst, Debussy was not therefore, an Innovator In the strict sense of, the word. The real Innovator in hla case was Moussorgsky, whose often chaotlo strivings toward Koussewitsky Leads First League Concert; Reiner With the Guild THE first concert this season by the League of Composers will take place on Saturday evening, Nov. 28, and will be under the dlrec tlon of Serge Koussewitsky, con ductor of the Boston Symphony Orchestra. Mr. Koussewitsky makes this appearance by special arrangement with the Board of Trustees of tho Boston Symphony.

Music hitherto unheard In New York will be played at this concert. The program is composed of works by Arthur Honegger, Herge Troko-fleft, Ravel, Alexuader Tansmun and AHron Copland. HoncKfrer will be represented by a concertino for piano and chamber orchestra. The piano la contrasted with the orchestra In the first niovenif nt, in the second and third It Is alternately treated as leading voice, anil as percussion. Copland, whose symphonv for organ and orchestra was performed last year rmth by Koussewitsky ana waiter uuin-rosch, contributes a piece for 17 Instruments and percussion, entitled "Music for the Theater." The quintet of Prokofleff is for oboe, clarinet, violin, viola and double bass.

This was originally planned as a ballet for the Russian Romantic Theater and given the title "The Trapese." It was composed In about 1921, the period of the second symphony. Ravel's "Trots Poemes." written In 1913 for voice and chamber orchestra of, two clarinets, two flutes, a harp and string quartet, are not known In this country. The "Slnfonletta" of Tansman, a young Polish composer now living in France, was written In 1924 and Introduced to Paris in 1926. He 1k known to America only through the string quartet produced by the League of Composers In March. 1924.

The new work Is for a double quintet of wind and string instruments, piano, trumpet, two kettledrums and other percussion Instruments. According to his own description, tt has the proportions of a chamber symphony for small orchestra. AT THE first of this season con-certs by the International Composers Guild, Fritz Reiner will conduct the first American performance of a 'cello concerto by Paul Hln-dermlth. Six soloists have been announced for the concerts of the Guild. They are Mme.

Otterlne Resplghl, who will be heard In a new work to be conducted bv her husband; Florence Mills, making her concert debut in a suite bv William Still, the negro composer, and Oermalne Talllefere. Airrerin fnwrlla. Ceorges Enesco and Hululn. who 111 nlav tllanr nnrt In Stravinsky's "Noccs." Salzedo will also be heard In his new harp concerto. The conductors for the season are Fritz Reiner.

Eugene Goosen. Ottorlne Resplghl and Leopold Slokowskl. FOR RESULTS USE Gordon's Graded Piano Course In Viae OraeVe Mce lr A tlmiinl. It erere (Hit, lain llle rarr, it comlti JM.e per lew a eriaaief. Ask your Dealer for it or $end to HAMILTON S.

GORDON US W. 3GU. New York, N. Y. CARL SCHLEGEL Baritone of the Metropolitan Opera Co.

RESIDENCE VOCAL STUDIO 428 Green Ae. Tel. 6198 Lafayette Voice Placing. Church, Concert, Opera Herman C. Pantley PIANIST TEACHER Studlol 130 Columbia Height, B'Uya Telephone Main 1146-W HE Boston Symphony Serge Koussewitsky, conductor, will give Us first concert for the season In tho Academy of Music on Friday evening of this week.

There will bo no soloist for this occasion. Mr. Koussewitsky having arranged the following purely orchestral program: Boh Third Brendent'eri Concerto Debussey IVaprea tnldl d'un fauna Border Tachalkowsky. Pathelliuo Symphony A third performance of grand opera by the Metropolitan Company will be given In the Academy of Music on Saturday evening, Nov. 23.

Gounod's "Faust" will be sung by a cast Including Mario, Howard and Dnlossv and Messrs. Cham-Ice. Challapln, Daniso and D'Angeln, Louis Hassclmans will conduct. Mr. Challapln has never appeared In Brooklyn as Mephlstophelcs In Gounod's opera.

On Sunday afternoon, Nov. 29, the Philharmonic. Orchestra, conducted by Willem Mengelbcrg, will give the second of Its subscription series of concerts In the Academy of Music. The program has not been announced In dtall, but will include Beethoven's Seventh Symphony and works by Brahms, Tschalkowsky and Wagner. The first of this season's concerts WILLIAMS Progressive School of Art, Inc.

ESTABLIHHED HIT Andrew Thomas Williams Director VIOLIN, PIANO, VOICE, HARMONY AiioclaU Mtmbfr of N-w Tork Stat Muilc Teaclin Afliortfttlon. Authorised Teacher of Rerlei of Piano Lesions. 1882 Bergen Street near Howard Brooklyn, N.Y. TELEPHONE IIADDIMIWAV 0S17 EDWIN JOHNSON Development of the Natural Voice Teacher of Many Successful Singeri. RESIDENCE STUDIO: 403 Hancock Brooklyn Telephone Decatur 6642 New Tork Sissies.

141 Eail (hi Si. Dr. ARTHUR 4). WOODRUFF TEACHER OF SINGING STUDIO: 810 CARNEGIE HALL NEW YORK CITY ROBERT GRIGO Ortaaa, Planoa, Player Ptanoa, Bepalrlns. Keooiatlns, Tulaf Excellent Aeferenree ORGAN and VIOLIN LESSONS Ratideace Steeliet 123 Crote St.

Brooklyn, N. Bear Broadtrar Marie Gertrude Heuion TEACIIKH or PIANO AND ORGAN Ortanlet of St. Catherine of Genoa rhur.li. Reatdence Studio: SIS Hnleey Street, Brooklyn. N.

Y. Telephone Korroft S4U. Interview by Appointment. will take place on the evening of Dec. In the Opera House of the Academy of Music.

Herbert Braham will conduct. The program has not yet been announced, December recitals scheduled for the Academy of Music Include thcue of Serge Rachmaninoff, John Mc Cormack and several others, Henry Kessler, teacher and com poser, announces the opening of his new studio at 823 Mnrtense between ffostrand and New York aves Mme. Maria de Calve has opened her studio, following her return from Kurope, nt 185 Steuben at. as(04ss04SBaossU4SSB I Minnie Degenhart tTl IMA rtt Piano and Harmony Lruna Siren at Rtndrnt'e Rrildence I CORRECT MODERN METHODS IS RESIDENCE STUDIO 217 Hancock Bllyn, N. Y.

FALL TERM NOW OPEN Phona: ptcatur 1411 t)J Phono Wllltaniaburf 9730 Prof. Ellsworth R. Groce CONCERT VIOLINIST Ope (or Concert! ana Recitals A loo Founder and litrertor of he CROCE CONSERVATORY OF MUSIC VIOMN I1 OHOAN A.NO VOIt'K TIIHOIIY Repair Department Violin, Viola, 'Olio, Bowa rtehalred. Alio Flanoa Tuned and Repaired. 210 Walworth B'klyo, N.

Y. Take TKeln Aee. Cer to Wilworth bet. Bedford and Noatrand Area, oil llrKalti flnstltiite of flDualcal an Of tho VUy nf Krw York 130 Clftrrmont Avrt.ii, vat, Street KRtMi IIVIHIMI, tHrrclur Thorough mtlnl'-Ml tnlm-atlou in nil btanrhrt for atuiiVnU of eirvi.tiotiul UltriU. Additional fallltr iTatiahla In nrw rj-trnion of New rotirae fur rhml HitMttf Mpprrftora In onnx-tinn with Tm hrrn rollff.

Col HM a I'nlveraUr. I'rrpnntlniy OnlYrt for children helow liifh Ht-liool atfi. CaUloff vent on request. AlitrM LepU V. Francis Greer Goodman Baritone Ttacher of Singing MTI IHO 7 1419 BROADWAY, N.

Y. Tel, Penn. 1(11 or Mldwooil 1 60S Don't Neglect Your Piano Pianos and Players ttlramla and t'prlirhtH) Tuned and fl.pMlred HARRY STEWART Formerly With t.oeaer'a it Clermont Hrooalya. N. Telephone MOVINS Hl.

CHARLES LEE TRACY Piano Instruction Certified lerhetlieky Ktponenl 832-33 Carnegie Hall riltl'LIS 13e MiW tllllK SALVATORE Studio: Mrtropolltaa 0-r llullillni E. Peterson Son Musical Instruments AND FITTINGS Brooklyn's Musical Suing House KelHilrln bv Ktnert Hork-niHn. Hooka. l(e-llulrrl. In.lru-liifnt (dnre.

S3 Fifth Ave. ll.rirn St. Brooklyn, N. Y. Telephone 07J7 BELGIAN Conservatory of Music, Inc.

OVIDE MUSIN Founder and Director Rulh Finken, Concert Violinisle Florence Finken, Teacher of Piano And Aealutanta Instruction from A to 769 Carroll Brooklyn, N. Y. Telephone NISV1NS 87IS Mrs. L. GILES TEACHER of PIANO Tkoroafk Teackis Modern Methods Leeaona given at pupll'a realOence.

Ktudlo at 369 Central Brooklyn, N. Y. Victoria Music Studios Tkt An SINGING Tauikt is All Hi Btanckts Thorough Training Modern Methods 435 Bergen Brooklyn, N. Y. Between Klatbuah and Fifth Avea.

Mrs. JESSIE E. JONES TEACHER OF PIANOFORTE Roaldenue tttudle 21S Monroe St. Brookljra, N. T.

Between Noatrand and Marcy Avea. CARMEN REUBEN MEZZO SOPRANO Available for Conrerta and Reclfala. Vole Building a specialty. Reeidenr Mtuillo, Remaea street, Brooklja, N- V. Telephone MAIN Slit.

The Grabomky Music Studio PIANO, VIOLIN tad 'CELLO 1S2I Eastere Parkway, Brooklyn, N. T. I'hone ll'ldlnsay 4IJ7 3 il (M23 BROOKLYN ACADEMY OF MUSICAL ART TWKNTT-TlttltU SKASON 240 Quincy Street Telephone: Lafayette 4321 Mri. ROHERT W. CONNOR, Director The Faculty Includes Carl Schlrgel, Baritone of the Metropolitan Opera Company; Madame Emma Hnwe-Fahri, Noted Voir SpecialisH Dortey Whillinfton, F.minent Pianitt and Pedagugue; Hrnti MoKofiU.

Format Profeuor of Peril Coniereatorr, Violub Alt Ittitrumrnt aid TSrnrttml Taught im'l(Hirt uerf JlrttuxiMO Arr. Twenly-Twn Inatruolnre FREE SCHOLARSHIPS Vnjce. Hurler Murium Khr1. rianri. nnnr 1'orney WhltUiitftnn.

AuiJItlnn: Tueada, Novninlmr from P.M. CO-OPERATIVE SCHOOL of MUSIC fOl'RNKS IN VIOLIN and PIANO Under the directorship of MICHAEL MOSCILLO Orchestral Practice for Advanced Student! Resident Stadia: 402 Butler Si. Ilnwklin. X. Y.

Trkpliouo MjUN 7U. Studio opt'o Tui'silay, TliurMlny and Friday, MAUD RITCHIE eizo-Contralto Teacher of Sinning, Piano and Public Speaking Studio 866, Carnegie Hall New York Write for Appointment (sARIHALDI ARRIC.HI ELIZABETH CELLI ARKIGHI TeiH'hera of Nlnaing, eth NattiiHl Itnllen Mtlinda for tM.finnera anil aiUenceri. Thurouifli piaratlun lor .11 hiMnrhee of eliialna Public Appearances Arranged. Teachera of Alhano, llarliour, hogera, lull. II, Mancueo, Livingston anU many ntlHira ton Broadway, New York.

Kadlctitt 0534. Abraham S. Herzog PIANO STUDIO 281 Kingston B'klyn, N. Y. Telephone Lafayette 3341 GRACE LAR0M STELLNER "ALL WHO TALK CAN SING" Mi 14ttt HrooHlyn.

Tlion UVSj UrmnHtl. Opcr Houp It. oni 41 Phnnf) U34 I'tni. TutlAy tnt KrUUy Aftvrnuoiia. Trml Lcuoi.t Kr.

Mrs. JOHN FRANCIS BRINES 1 KM IIKH Or HIMII.SU ADoltn StuUlo. tlreena and trlton Avea, tirooklyn studio phone, Nrvma 3vf, Itral.lxnre phone, Statllns SUs-W. AD ligui'jt,.