The Brooklyn Daily Eagle from Brooklyn, New York • Page 28

Till: UHOOKLYN DAILY EAC.Li:. YOHK. MONDAY. JANUARY 1G. Ihe New Photoplays Gossip of the Theater and Music World 10 A "Helen vf Troy" 'NTS MANHATTAN.

AMI NTS MMMTTN. i The Cinema Circuit Music of the Day 1 JANET GAYKOR By MARTIN By COWARD Utinl r. i superb (rJ I in "7th IKavi-n" ir r. i. ion in the ait uf thf I motion picture, rtmits i a ftuiiy as fine and Afuuricc Ravel as Composer and Pianist Mr.

Chotzinoff Plays Brahms Other Concerts 'Cimlemen Prefer Blondes' "Helen cf Troy" I Nt'u' Srrunj Feexurc Or'r Mdivv Arrivals of the We. as drfliy drawn as an i.r ii ri' SUNRISE MOYIKT(t: .1 An K. V. 'il 'AU Production co-fir' in ivri.e O'Piiioi hi ru.X Xt ir.loXcS-SkW'S Mm 1 31 MP rra.hjis extra c.j:, Auti Loos Oi a H' d. lour.d its way, rr.ler riciirifj' i its p.vtrc I'T the tine at nitU'M.

it will po don in uxacis ct the cinema as a and by till means immt ii'( iy ii Far the of Ma K.eor.uid 'ory and. subi-eqiieii'ly. tue play Lv Ilia! talented lady 111 viitii her hui-baiid. Ji i.n Lr.icinni, is as enuasmg a thine as ror.ic tins way a motr.h oi i'ui'day afternoon movtegoing. one t.nrts difsicult to tiaee! the shadow of a single flaw in th'-s rietonal rrcoij of tnose two charming prospectors, Lorelei Lee and her Mime v.

ha; kas prefentd playmate. Dorothy. After one has appraised the cf Malcolm St. Clair and found extremely efficient, he will probably tinstle out the performance of Ruth laylor as the chief reason for the excellence of this new film at the Eivoli. A younc woman oi striking blond charm who is naturally more e.ualiiied to meet the specifications of the crimnal Lorelei than any of the 'her movie princesses I know of.

Miss Taylor steps praceiully out of scrcendom's obscurity to play the role to utter perlection. In fact, when this infantile year has pone its way. it would surprise this reviewer not at i ail to discover that here to the Kivoli I was broucht what turned out to be! of the best half dozen performances of 1928. I mean, to borrow a phrase from Lorelei herself, that Ruth 'laylor is really a "devine young i.uly. In compact and smoothly-running sequences, "Gentlemen Prefer Blondes" again records the familiar peregrinations of Lorelei and her Rirl niend which culminate in LorelPi's marnape tp the "really very wealthy" Mr.

Spoflard. much to the resentment of that paternal old Button King. Mr. Eisman. Ford Sterling, as Mr.

Eisman: Holmes Herbert, as Henry Spotlard: Mack Swain, as Sir Henry Bcekman; Emily Fitzroy, as Lady Beekman. and Alice White, as Dorothv, all return Sinclair's direction, as has already j.j it is I Lorelei, to whom I t.te major portion of the credit must tro for a very capable picturization of Prefer Blondes." "It i- really quite a cute picture." as would very likely be moved to report, hcrselt. Brooklyn Strand. BROOKLYN RT14ND THEATER- Hrlen ft Yin-. wrrn veismn of the noiri i.v jniiii rtrottucrrl for Knst.

Ma-, noma hv Aiexandcr Kordu. Maria orria1 sin rtiio i.ev. 15 i Ali'-n'sif'; 'whit Tom si Acii'llrs Bert Spiotlo Mane Caiilioj XI I i i i D1CKSTEIN: i. ary of a oov.n pipe N.w V. i'i and i.recn.

tli.i m- r'j: 11 i 'i! er jCiterdy, is -rntli'mrn lrrfiT Blonde." rn the tuny Lv i Uv. iic'ed bv Ui.iu.nl i 1 HE CAST. rii'h Fild ii Hoimes H-rV kuiin MaT eW i4 Emi.v Kn.r Trixie Fr H4-. Ciiesle Ed lloril.i: routed the required ired uumber of Chin-. ly be depended upon nainder of his alien-: Ci-e pira'es, may to give rem; Hon to.

as the case happens to be. CAPITOt, TKCATFn-'Thf a Mr ro-ti pi.t (1. no. rv thf by THE C.T. Grtla Oarbo Lsrs Mill L' raiide Lottfll 'i Caunr.i::.: Vrck Cpnrf Cira' Pwu.plte Jean do llnac Director.

JadTd by her latest performance in "The Divine Woman," Greta Garbo not as vjrsatile an actress as might be iuspecied. and her best strength lies apparently in those pictures where she can play the seductive woman cf mystery and intrigue with all that amorous abandon for which i her name is a synonym. "Tlie Divine Woman" requires of ner il.at carrvescent. untamed per- i iormar.ee ci a Zaza for which Gloria Swansou was known. Plainly, she does it disappointingly and as one I unaccustomed to the swift hectic pace it demands.

For her are best those i lar.guroiis scenes, memorable in "Flesh tnd the scenes to titillate the with their deliberate, sophis. ticated. meaningful duels in amour. In lhls latest picture she is a wild brat of a younsster, disowned bv chih.ntlciing mother and east into I Pans liTsii from the country. Here she falln in with a young soldier: falls honestly lnve with him.

and he with in lr.i-n itli nrt in I hrr fascintpH hv tho sraco anH I iun 1 lit. i r.M.i lit. Mic liln soldier aside, is starred and successful 'inri llnifirifinc ITn rrnoc in ioil thiff rti'l. Aiiinv. nc 'r' -i -vci tnici, ttile slip enjoys the dubious pleasures of the stage, Her iH oducer is interested as long as he is.

but her interest wanes and she ruids.her.self suddenly a has-been. Then those familiar, sublitular an- nounrcments of poverty, an attempt at, suicide Dy gas, her loving Lucien at her bedside and "Hearts and Flowers'' on a farm in Brittany. erand passion which are supposed to somewhat inPXPert eye at 'these matters discerned a lack or tne cus- ternary armth in these scenes, hich i may have been due to the absence of Jniin Gilbert. Lars Hanson makes a very able Lucien. The suave and polished Lowell.

Sherman displays his custom- ry polished-nail performance as the interested producer. One or two flashes of good contrast throughout the picture showed the direction of Victor Seastrom. but gen- The Divine Woman" is any- thing but that. H. L.

D. "iflQ IfltCfnOttOnol The Well-Known World Rev- olution Dramatized and Staged in Greenwich Village. John Howard Lawson, whose play 'Processional" created considerable interest because of its unusual form, has. written a more pretentious play ailed The International, wmcn not the skill, of another Eugene O'Neill, Mr. Lawson undertook tin xt, nu.rnppidhir.

i TIMES SQUARE i li I MT BOXY SOIh Mrrrl lllr. 3. L. liollia.Vl PALM BEACH I-BOLICS Boxr MSiniONY M. Hillinm i' C03IE JJ.

H0US I I) I II A 1) It BEHOLD the BRIDEGROOM iir i.tom.E kti i COET 'Better Than 'Burlesque' fcve. bull. EXCESS BAGGAGE TJTT7 W. 48 St. Evenings at 8 30 Knickerbocker Iop.

rrirrn to J.jU in SFAV OTASrVS IRISH PLAYERS PLOUGH and the STARS MAKTIN IIKC'K THEATRE. 45 th A livening MutR. Wednesday A Satyrd-iy 111- ItHIIAIIHAl With 1.1 II I r.T.FASON TIATTflWAT. W. of B'wmr.

Kt. Mali. Md. Si TEE TRIAL OF MARY DUGAN Villi HKX CIIKKKYMAN INTERFERENCE by Rnl.iml rvrtw1 and IlaroM Prnrdn at the EMPIRE Theatre MA TIN l-lilS VUDS11SDAY 4 SATUItDAT racula fl Kvk. .10.

"SFF1 IT If Mat. A.N'II CHEF.P" 3 Eve. Tost ATVrNT W. 6M St. Tel.

Col. 77B. -n Mat. WED. ft PAT.

2:30 I r.llll ADICI.K ASTA1HK (Villhnti Ki-nt, Vletnr Moore, Allen Kenrns nrasY face mi-sVc JOHN' GIT.RKUT tlHHTA 11 Mtllil In Hirily Mills tn JI. llTTTCTn tiav THE A. W. 45 St. Kvs.

HO; mUOlA, Wrd. Ball 2.30 MADGE KENNEDY in PARIS BOUND BM111Y CIVIC REPERTORY Mrtta. tat. T. finllienne TONKlll I' TUB FIKST I 1IH ni'trrmv Niuhl AMI SEMEVTS LONG JAMAICA Tcl II Jamnlca Ave.

iMh St. li, WE NEVER LEARN Net Week I WAI.IJS-Orlrlll N.JT-. riiinil.u Vainlclllc anil 1 In 11 AMUSEMENTS BROOKLYN. THIRD ANNIVERSARY WEEK CONTINUOUS 12 Ni In II I' M. Mats.

50-7c. 1VAKI(I I'UNNSI VAMANS, MIICKIll: HAS( (1IKI.S: II AD0LPKE MENJ0U SHKI.V lll KHITII-AI lle I'llVTIM OI'H NOON TO I (i 11 LIFE IMIIKON ew SniHikuni a iinieily Novelly, i nnu r.xeepi Illj.) Afts, 35c, Evs.50c. Clarn K. Ynnnir: ('. FHlipen; iitlm.

I.iliirn l.a Fliinte in "Silk SlorKlnir" ACADEMY OF MUSIC CONCERT BY THE CATHOLIC DIOCESAN CHORISTERS THURSDAY EVENING, JAN. 19, 8:30 Tickets 50c to $2.50 ISO I'lniiipplf M. 1711T t'Kiiuml tne curlier fron llutel ML. tleoriii:) TOIIAV IF WINTER COMES (I'Vim tho Fumnufi Nnvfl Brooklyn ACADEMY of MUSIC Metropolitan Opera Company -luciA di LAMMERMOOR Ktrcner; Mnrtinelll. T.uca, I'tnzfi, '(), Iltrinirrt, KNAHH PIANO K.KCLL.SIVKI-X FEATURE FILMS LOVE Mi cf your having read the Fl'om which you can smell the ham novel bv John Erskine, you will, l'f a conventional picture play not too overormht and filled with a lot of think, be pleased with the screen ver-1 muth uhlch just about O02ES QUt cf sion of "The Private Life of Helen oi I the screen at the fadeout.

In "The Troy," which is the major film attrac- Divine Woman." as in her other pic- ticn the Brooklyn Strand this tures. Miss Garbo is given opportunity week. I nut it that wav because the 1 fo1" lhote heated sequences in the i CL'f HINC it the pair of Debus tone-poems. Sir Thomas read the symphony a trifle cumbersomely, and an inclination to be heavy-handed mas also evident throughout Paisiello's overture, "Nnu Ossia La Pazza per Amore." But in tiie company of Delius and Tschai-kowsky tthe B-flat minor Concerto, with Vladimir Horomui as soloist f. Sir Thomas was his vigorous, dramatic and sentimental self.

Friedrich Schorr appeared as the principal soloist of a concert given yesterday afternoon by the Friends of Music. Accompanied bv the Metropolitan Opera House Orchestra un-aer Mr. Bodanzky's direction, he sang a setting of tlie 42d Psalm, bv Otto Klemperer, and Mahler's "kinder-totenlieder." The combination of Mr. benorrs voice and Mahler's finest music made this one of the season's most satisfying concerts. The "Kin-riertotenlieder" are infrequently sung, yet they are more capable of stimulating an enthusiasm Mahler than any other of his works, with the possible exception of "Das Lied von der Erde." Mr.

Schorr was yesterday at his best, and Mr. Bodanzky coaxed from his orchestra a tempered and expressive performance of the score. Brahms' D-minor Piano Concerto, with Harold Bauer as soloist, uiuuuur, me concert to its conclusion. At Mecca Auditorium, Rene fouain conducted the New York sympnony Orchestra in a repetition vi me program given Saturday after noon at the Academy of Music. "Wing," Flying High "Wings" began an indefinite engagement at the Biltmore Theater, Los Angeles, last night.

At the same time another road show company started a week's play at the Metropolitan Theater, St. Paul. Tonight Bal-more will be privileged to view the war aviation spectacle which will be housed at Ford's Opera House for inree weeKs, it, was announced by A. Griffith Grey, chief of Paramount road show department. The flying film is now a sensational sell-out hit at the Criterion Theater in Manhattan, where it is in its 23d week: in Philadelphia, where It has played seven weeks; in Boston, where it has run five; and in Toronto, where it is in the second week of a scheduled three weeks engagement.

President to See Film Anion? the various features of entertainment scheduled for President Coolidge's trip to Havana to attend the Pan-American Congress, is the Universal production of "Uncle Tom's Cabin," now showing at the Central Theater. A special print of the picture was made up last week and placed on board the U. S. S. Texas, the battleship on which the President will journey to the Congress.

"Mirrors" Ready There will be two private dress rehearsals of "Mirrors," the new play by Milton Herbert Gropper, which Albert Lewis will present at the Forrest Theater Jan. 18. The dress rehearsals will be given on Monday and Tuesday evenings to specially invited audiences. This is the play in which Sylvia Sidney appears. Miss Sidney is a 17-year-old actress who has made a decided impression in the out-of-town performances.

FESTAfR ANTS BROOKLYN. 127 Livingston St. LUNCHEON 65c DINNER $1 A LA CARTE AMUSEMENTS MANHATTAN, WINTER GARDEN J-- Mn (a. Tuea. Hat.

TUB SEW ARTISTS" MODELS 5lli 11 111 TIIK MIMICAL KOMAM'K My Maryland Willi EVELYN IIKRRKBT JOLSON'S 69th 7th Av. Evi. Mtlneo Thurs. ft Hilt. 2:30 llulrnny Rent at I.0II 300 at 1.30; Sim at tl.llH; 250 at 10.

ThuriMlitr Miillnee Bent Seatw 2.20. CASTNn" and B'way. Kv. :20 Mat. Wit, and Silt.

JANNEV'S MtKICAI. TRllMI'll CITTT" Cireater Than "Varabond Klni" WHITE EAGLE With AT.I.AN I'HIOK. Mnlc br 'BIir. w. 49st.

MaiThurs. sal. THH Sh.iSUS'H NKWKHT HIT." Times. KHT If nirtit Hi. 5 I'll i hi, titmilmnn'M Hutiirtil HunnitUml MARY EATON In O'CLOCK GIRL OSCAS SHAW in.

Pert Helton, J. Rartell, Shaw l.ee 44th kT. 'I'll KATIIK, Kva. at Popular l'rli-e MMIneew Will), ft MAT. HENRY I A- MIl'NS'H Plnr hull I The IVORY DOOR IIAIII.FM IIOI KINS' TUFA US W.

49th dir. 11444. Ev.B:40, Mts.Tlie.Wecl.Tllur.Frl.Siit. llltOAIIIII IIST Kr. Mala.

Well. Nat. HlVHIIcnl' AMFH lireaenla (FlIlltl.Fl ARLISS In shiiheaiietire'a nf enlee" lllllll II. K. l.

il-. Kill nnt nf Vrnlcr" tl-. Wed, ft Hut. ESCAPE HIM IMllll' A K.I lireaenla JOHN (. XI.SHOKTIIV'N New I'luy nllh I.FSI.IK IIOlYAItl) ax Reinhardt's nf KABALE und LIEBE l.iiie mid Inlrliiile, Thlmla- LUSMOPnilTAN iiiiiATiiH TIIK rt ii.

Ml In I. a 'jn. Mnln. Friday A Hal. Alil, AKMIIl rl ITewnta UNCLE TOM'S CABIN TIIH (IHK TF1T III MAN' llll HI KYr.K H( 111 FN HI CENTRAL TIIF.ATBK.

wnr 47lh HI Twlra Dally, 3 SO and JD ENEMY A MHrn-liiililmn-Mayer I'kiiir AST02 I'llKATHK, B'way anil 4ill hi. Xwict DtMr. 1. 44-1. 4.

Ill i Arj.i." i uin.o:, in I i UrtlU 1 vj i t. I JM. All EROOKLVX. Wni. Haines in West Point AN III h.k mil in nil kevi -1 ETTV2 SMi.Jf!tiS IJ I.l.

.1 i O'NEIL GATES! The WM lovelorn VAUDEVILLE SALLY O'NEIL in lovelorn 3 Margiin-t TnnnK. 4 WILD CEFSE ni SHE'S A SHEIK FIGURES DON'T LIE n4 THE NEST Oh mm tiMm BWAYl pMEO) JOHN GILBERT la-Man, Woman and Sin SALLY ONEIL in Tie Lovelorn RICHARD DIX in Snantlw' Bonnj MARY PICKF0RD In MY ui; ST I VUDV1L BAN'J POLICY Mtle, Hide" 'reuitor Si Itnnil Others (iAiiE COWL in-Tfte Roadlo Rcmc" FIIMI KT FMMCT SHKRWOOD r. rl I a Year at the Playhouse coNTiNuous-io MAT WELK SKATS NOW GEORGE WHITE'S SCANDALS ORHMNAr. CAST 75 II II A II I II i I I. rorire While Ballet il jVHyOarLlS Icme.ly Trlnmph SIDEWALKS OF K'Svf till Smith lid Dale ABIE'S IRISH ROSE rj ivmuii's -Unls.

Wed. i Sat. A.r Tik. I ii 4 A 31. Juhn't anil liinuitvn Avi'lia Vuirilevllla and Plinfoplnra.

1 to iiKOUK ACAIIFMV OF Ml SIC IN, til IT, BURTON OLME 3m ai. In Now Ncrei'n Punt'Iiniiirilic nnd Mill 1'icture In color NIGHTS IN PARIS Th-t-tn W.ic Trl, Ktrrlinff H7IIO PRIVATE ART KAHN f.IFF. (IF STAGE BAND 'IS'' HELEN of TROY 0UUJ3X.il i Av. Mat. Safe bKOIinn JFSSFI.

IHImeU In "IHE JAZZ S1M.1.K" 1 SEOMfi TODAY HMrryirtort Ticrrx- und Hilltop hIho VHiidi'tllln Trynn riii in im S11 11m Phkfotd I loi fit liy Miit kitllt Unnti hi Oilman Walti I'ci i-h li-Mn-: nlm I'nurnrn hl'h lnli lllfto tuildrvlllo If-'-l f.frl nw ioN Old i I'M pilFRE were ai many people in 1 the Gallo Theater last evening as it would hold. Arriving late, you toned your may to your teat (if, that is. you were fortunate enough to have one) through a quadruple row of standees and sat for something over two hours facing a stage as closely packed as the auditorium. On the whole, we presume it mas the largest and most brilliant audi ence ever to assemble in the blue and gold palace erected by the San Carlo millions, and any one mould liave been pardoned fur assuming the attraction a Kreisler, a Hcifetz, or a Paderewski. But the cause of this excitement mas no wizard of (he bow or keyboard.

It mas not in tribute to a fashionable virtuoso that the audience rose as a man to its feet and applauded the appearance at the piano of a short and slender figure, gray of hair and smiling of feature it mas in tribute to Maurice Ravel, the most distinguished of living French composers, who had been induced, on his first visit to America, to participate in a program devoted to lus own works. M. Ravel came upon the stage following a performance of the String Quartet by the Hart House ensemble. His manner was casual and friendly; he seemed a trifle embarrassed by the enthusiasm that burst about him, and put an end to it by taking his place at the piano. During the ensuing 20 minutes he delivered himself of the Sonatine, the Habarnera and the "Pavane pour une Infants de-funte." The fust was promised on the program; the remaining two pieces M.

Ravel added with good-humored generosity. The concert lost its formality with the appearance of its hero. It became thereafter scarcely a concert at all, but rather an "at home" that ran a leisurely course until well toward midnight. This was largely due to the fact that M. Ravel, like so many composers, ranks as a less than professional pianist.

He played without effort, and doubtless without practice, and he played very poorly. The audience seemed not to mind. It felt amply repaid, no doubt, by the opportunity to associate at such close range with man who, among his contemporaries at least, ranks as an immortal. The program of the concert Included, in addition to the numbers that we have already mentioned, the "Histoires Naturelles" and the "Chansons Madecasses," sung by Greta Tor-padie, with the assistance of the composer, Horace Britt, 'cellist, and Arthur Lora, flutist; a Sonata for Violin and Piano (Joseph Szigetl and the composer), and an "Introduction et Allegro" for harp and chamber or chestra. Listening, one was again im pressed by the fastidicous taste, the impeccable style of this music.

M. Ravel is beyond doubt the most eminent of salon composers, the author of music whose outstanding qualities are clarity, fineness and delicate sentimentality. More than this he has rarely been. There are passages in "La Valse" and in "Daphnis et Chloe" that have unwonted and effectual vigor, but for the most part M. Ravel has devoted himself to the exquisite and, alas! the perishable.

It is hardly necessary to comment at length upon the performances given last evening. The Quartet was well played: Miss Torpadie interpreted the eight songs intelligently and with feeling and Mr. Szigeti proved a singularly fortunate choice for soloist in the sonata. The slight suggestion of amateurism emanating from M. Ravel's piano playing and attaching itself to the general proceedings probably diverted the audience -by its very novelty.

We did not hear all of M. Ravel's concert. In the Guild Theater a music critic, neglecting his profession for the moment, reverted to type. In a Brahms program given bv the Musical Art String Quartet, Samuel Chotzinoff, whose penetrating comment on musical affairs diverts readers of the Morning World, performed the piano part of the A major String Quartet. Before he Joined the ranks of journalism, Mr.

Chotzinoff was a pianist and it is evident that he has maintained his interest in that art as an avocation. He gave a beautifully articulated performance of Brahms' music; it was, indeed, his playing that sustained the work as a whole, clarifying and strengthening its design and expressing the full content of its musical ideas. The members of the Musical Art ensemble concerned In this Quartet played with meticulous adjustment of individuals to the whole and with that fine unanimity of feeling and deed that has in the past marked their concerts as pleasures not to be forgone by lovers of the best in chamber music. During his brief association with the Philharmonic Orchestra, Sir Thomas Beecham ha3 maintained his character as an enthusiast for the music of Frederick Delius. There is a Delius cult in England (we refer vou to the writings of Dr.

Hull, George Dyson, Celius Gray, for nnd Sir Thomas may rightly claim title as its most energetic exponent He has embellished his New York programs with an intermezzo from the opera "A Village Romeo and Juliet," and with two tone poems: the familiar "On Hearing the First Cuckoo ln Spring," and the "Paris A Night Piece." Knowing what one does of the contemporary British school, it Is not difficult to understand the admiration In which Delius is held. Gifted with a sensitive and perceptive temperament, he has produced music wherein passion, though attenuated, is at least authentic. One searches in vain through the pages of such men as Hoist for an indication of the sincere emotionalism, the spiritual fervor that touches with distinction all of Delius' writing. The rhapsodic "Paris," presented by Sir Thomas and the Philharmonic in Carnegie Hall yesterday afternoon, is a score that one would like to hear more often. A trifle over-long, and marred by.

its presentation of several climaxes of equal intensity, it contains, none the less, much lugmv individual and music. Wo do not know whether or not this Nocturne (which bears as Its subtitle "The 8oul of a Great is literal tone painting ol the panorama nblalnablo Trom Bacre Cocur or the Huttc Cimiiniont, bu'. we prefer to believe that its "program," if any. Is purely subjee'lve, and that the composer has striven to evoke, not the linage but the emotion of a place and hour. proiram with vrlilch Rtr Thorn" bade ndleu to New York a in by iz.irt, nuil hii'lmle music by Palsiello, Oretiy and JitliAikowDaA', la aailUlon f.

i h'aria Corda and Lmwi, Stont in thm at the Brooklyn Reverting RIAJf WHV WE LIKE OLI MXLNG (31.. O' DEAR BOY RIAN, set at rest This co-ed's mind: she reads with zest Your column daily on this page. And thinks you earn right weli your wage. Please tell me, are you tall and young? With women's hearts about ybu flung? lie awake nights fearing that You're bald and middle-aged and fat! Do you smoke Luckies all the day? Or at your MakarofTs puff away? Or chew big fat cigars? (Oh. say Piease to this last one tell me nay.) Oh, Rian, are you dark or fair? But, say.

I LOVE men with red hair! Red hair's a thing I can't resist, See my psychology prof, on this.) There's so that I want to know That I can write it all, and so. Plrasp answer, if pou'll be so kind. And 1 11 write again, ij you don't mind! MAE. Dear Mae, we're young, but we're nbt tall, Nor for us do fair women fall: Fie on you! Middle-aged and fat-Were slim and peppy, just like that! We do smoke Luckies all day long. And loathe cigarros, fat and strong.

And sometimes, too, we smoke a pipe As daily we Revert to Type. And while we're not exactly fair, We're far from dark, with ample hail-That isn't red to our chagrin, Kince red-heads are your special sin. Fltit. ice are grateful for the time spent in fashioning your rhyme, And dare toe ask it? Please write more Cause filling space is SUCH a bore! NOW AV I-DON'T-CAIRDALE. Having spent the last three weeks at a veterinary hospital, convalescing from a diet of horse meat undertaken without first consulting the horse, Smoky, our hound, is once again in our midst.

His nose Is once again in order. True, it IS slightly "pug," rather to his mortification. As what good Airedale wouldn't resent a proboscis ith a northward tilt? a Also, as we have inferred before, we have always entertained just the slightest suspicion as to the elements that went to make up Smoky's component parts. Now, with his tip-tilted nose, we find ourselves look-1115. much to the pup's chagrin, askance at every Boston Bull we meet! relievo it or not, walking alonj Park nve.

with an Airprialp that, has ulc eicvaior man iookcq rxacuy a. though he were going to say something humorous befitting the occasion, when the glint in our eye forestalled him and he swallowed the I insult belore it had had time to mature. Instead, he leveled a rebuking finger at Smoky, wiggled it to indicate "shame-shame" and proceeded to let us off at the wrong floor. We I have every intention of speaking to the management about It in the THE WEEK OF A NEW YOKKEK. A Or'DAY To try a package of i.mcigarettos.

"The Knight'' buy a package of to read "China a Nation in to miss lunch on account of to a meeting of a-; a whole is r.it so cflcetivc per-1 due to tm. fact that it to co' i too much territory, cographl-eailv, allegorlcally and sociologically. More human touches here and there would aid the audience In kccpirg its bearings and in sustaining sympathetic interest. However, it seem.t like caviling to find fault with such a biavc attempt to do a big Job. acuni! of Lawrence Bolton, first ns lie Grand Lama and later as a I-M uch diplomat, was splendid, while that of Franchot Tone, Jane Barry, Felix Jncoves, Ruth Hael Mason, Lionel Ferrend and 'laVs'i Matthews was notabir.

Ihe work, also, was well dune, ecri-riii; the limitations of tne stage. whyV ihe rettings, by the lVisos, were a triumph bi tiiiipliiity and economy. tcreen version cf John play Strand thie week. to Type JAMES the New Yorkers at the and to the Marguery, on Park for and to the premiere of "Marco's at the Guild. the time of our and to the Club Heigho to compare notes.

TUESDAY To interview Louis Mou-quin. the restaurant and to write a story about to a luncheon of the Colony House Capers. Junior or what is it. we were the only male Boro President Byrne had to the Auto to see half a hundred new cars that look like Cadillacs. to say hello to Charles A.

Levine, the big transatlantic man, who was there, to dinner at Alma is honest-to-good-ness half American and who knows what to do with a steak the premiere of to see $9,000 worth of Marilvn Miller and Jack Donohue. are worth and too tired to care much. WEDNESDAY To congratulate C. D. Isaacson on his appointment as chief of the music desk on the Morn.

to the Grand Central oyster bar to watch celebrities who were in a hurry sip oyster to the Anderson Galleries to see what Venice looks like to an artist whose name is Favai. Nick's for a pink and to Billy the Oysterman's for a steak and apple to meet the Princess to the premiere of drove us right back to Nick's. THURSDAY To read "Eden," bv Murray Sheehan, which we enjoved better than Erskine's "Adam and to look over Karl Kitchen's "New York on High" which all non-New Yorkers. money. to have.

the Olde English Coffee House to help ourselves to some olde English coffee. maybe it is. to the Academy of Music to see Peaches Browning we saw her Mulberry for Italian food and conversation. to the premiere of Phillip Barry's new play, "Cock and to a B. G.

Sandwich emporium to hear a singer-waiter recite poetry. FRIDAY To the composing to meet genial Joe Hartigan, who says he likes our John Freeman, the boss of the who is a nice feller despite the fact that he nearly knocked our block and Blair Leeds. of the proof room saves us from ignominy time and when we mean "who" and say to Joe's, with Jo a broiled salmon and to promenade up and down E. 14th for data herewith to write a to the Open Door in the Village for dinner, and to the opening of "The First Stone" at the Civic Repertory to say good-night to Daca in the and to the Cafe Royal for a Camembcrt sandwich. SATURDAY To give Molly, the lazy thing, a workout in Central Park.

to Nick's with Earl Cragg. the fashion scribe. and Mildred to buy this department's Mother a new naughty, musn't to Chez Maurice for a French which was and to review "Wife Savers" at the Paramount, the Russian Kretchma for to Al's for whoopee and to Chllds' for and home to work on a poem till daylight. SUNDAY To Douglaston for dinner read "Constant Reader" cDorothy Parker) in the New to see if that synthetic orange, juice is as good as its advertisements. to see "Gentlemen Prefer Blondes" at the Beaux Arts with Dot to hear our favorite Mexican and to visit a friend in Greenwich Village who has a studio with green ceilings! rillVESE WISE CRACK.

"If ho buys the things for which he has no need, pans dear, "llc'll soon be forced to sell that which he needs, I fear!" 'Hangman'i House" Shooting "Hangman's House," Donn Bryne's colorful novel of Ireland, is now be-in? picturlzed at the Fox West Coast Studios. Production began on Saturday with John Ford In the director's chair. June Collyer. as ConnnuBht O'Brien, and Ijirry Kent as Dcrmott Mi Dennolt. are the leads.

William Far-num. noted Fox star of other vears returns to the films as Citizen Hogun, outstanding character part. Enrlc Fox Is John Darcy, the wavward: ilobatt liosworth is- Lord Chief Jus-lic-c Brlcn and Darcy Corngan is Murphy in the tale. Tests are being made for the character roles of Anne McDermott and Neddy Joe. 'Ih's Is John Ford's third production In iwo years with Ireland as the "Mother Machrec." yet.

lo be released, and "The Shamrock Handicap," were (he others, piclurization of Helen's private hie is somethins distinctly different from that which was disclosed between the covers of Mr. Erskine's book, ana in spile of this or because of it the film at the Strand manages to be an exceedingly delightful affair. The screen version of "Helen of Troy," for example, has its ending precisely here the book began. Thus, the movie nears its conclusion when Helen is brought back to Sparta by her firm but forgiving spouse, Mene-laos; its actual finale occurring upon llin CKiMHTrmfinn that. Mr F.rskinP's He.lenic bad birl is about to wander i away again, this time in the company of the handsome Prince of Throughout this flickering edition! oi Helen oi iroy are mierjecieu numerous subtitles of a liberal order.

Oftimes these cap tions achieve a mirth-provoking ef- i feet and quite as otten tney do not Generally, they are amusing, giving the production a pleasing satirical flavor that was not to be found such a generous measure even in the To the role of Helen, Maria Corda. a Hungarian actress of rare blor.u beauty, brings an entirely believable, and -naracteristic performance. Her 'ereen husband, Menelaos. is played by Lewis Stone, while Ricardo Corttz i entrusted with the role of Paris 'ihe entire production has been hand I I I la romeiy mounted against a oacKgrounu wag prcsem Bd at the New Playwrights which appears texcusc it, please), to be properly all Greek to the average ln Greenwich Village on Sat-observer. urday evening.

With the courage, if observer "The Private Life of Helen of Troy" is. of course, worth seeing. i ne program at tne tj oi 11 1 aJii. inu uic i iaj iini.o Theater, with the daring, if not the the beak of a bull terrier Is a genu-resouices, of the Theater Guild, ac- hie test of friendship! Only la.it Strand this week presents anot ne" edition of Art Kahn entertainment under the close supervision of Man-I'ging Director Edward L. Hyman.

Kahn and his 120-piece stage band form an imposing nucleus for what is called "Festival or Syncopation." a smith Hertlev. Charles JnlW Lisa Stralio and the Serova Dancing Girls. Mine. Stralla, the Australian' soprano, is also heard in an aria from Verdi's "Ernani." 1 he overture is 'Tra Diavolo," by St. fjrorjje Playhouse.

rrM.n ti f.r.r,,.nn i.i,.i, the Pineapple st. unit of' the Sth'P15 HHH'OICl (r.t llON lOMOKROW Apollo. Pulton Thrnop. I iihI, lumc; iiIho I lif FrnnHf rfiinnii I lHl(iir, Murrv ft Knllon. (omliil, 'I I nrl I Wonmn ilnrice O'Uilen Itigi-iil, Fullun int siilf, htdif Huina HOItO HALL SKCTION Tltoll, Fulton Myrtle At.

Sully IMiim, A hiimnti 1Iti uIhii Vaiulovllli IKHIO I'AKK Sl lTIt 4St. fviilor Murphy; kImi Vnudcvlllo HlMfVl l( ITKIN rolonltil.irwiiy&CUauitcey.AII-Hdii' nut, The 1MLAM) SM HON I'liv It 11. At, NKrl, Htirlii-il Win' Tll im.ucp. atuciJiecliiiBe. luurn Lit riiiutr, Mlk MorkiiiM; FLATIU Nil HFCI JON AMnmrlf.

fliit. A ll'inlri, Mnry 1'hkforil, ly Hph! 4 -iilurv, N'tttli and Ac I'ltuld I'Vi-d si iju I iirriiiit, Kin t. A- h. l'lt klord, My I'irl I'lliiilimd, Cliui'h A What VrUv iiIho J.tU llic KltiKNuuy, KIiikb I. A HiIm MiinIi in, SI.i 'h 11 S'n iU hiallv stayed tne 21 scenes in tin; tiny olavhouse at 40 Commerce st, Mr.

i awson and the New P.jvwrifrhts deserve a lot of credit i-ilovt alone. Despite the ciudity )1 some of us t.ymbohsm "The Inter na ticnal" is fairly coherent, i.i an way, and has a lit of iir.evjs'ir.y mtiiciial in it. Merely us tin experi-i enr dramatic technique is v.hiL', since it nur-duces mio serious drama the method that hn'i in i-nt seasons proved so Mul in comedy and mtiudrauta but it can be hie.hly effective. International" is all about a world revolution that Was started in Thibet and spread around the globe, only to be squelched by the New Yuii: police, aided and abetted by soldiers, imported Fascists and Japanese uotiibint; planes. The plot is not really as bi.d us It sounds anil there are some striking scenes in 'lhlbet, in Chm.t, in Paris and eWiier.

crenposites of ComiR'inist'i mihlimt, capitalists dominant and cynical, harlotry, European diplomacy, Soviet diplomacy, the spirit of revolution and various other abstac-tions dear to the heart of unadjusted icbets. 'I'll? 1: icviiational." however, is not exactly Soviet propaganda, and no need for cM'tiii; the Marines back from Nicaragua to the country from such lul IJrtls us those depict ed by Gi'orge Tobias. Tobias, dragging his cuvnen across Asia, win the tov of '1 "-evolution, and his lines have a Shmian brilliancy. a inatt-r till it; several tin' SI U' mirht have autlioied wltliouL au Jhat jtm pla i I 1 -Ni'wklrk Avi, nlli llnm-n I.tndfn, Hi: MnH.uwh l.ftirK1 I hnllor ly Murine. Mkwjt.

Muni How. lift tour Mini. Muvfiilr, O. I Av-Av Mil ry I'lrkrortl, Mv Mlduond.Av .1 lllhKt. -Luill ty of-AM 1'U di Ni'whlrk, ti Nt-wkirk Holorcn I imli'lln, Ih-url ol" Mnr, hind I'urklilr, 7 Cliithnwh A llllutn Itn.vd, Inn Anil-utir 1 ntttlitn It Ui I to, KUlteUH.i A ni rite h.illor Avenue PUyhousc group, olfers in re-' vival tncay a pictunzation or the A.

M. Hutchinson novel. "If Winter Comes." It was ln this photo-drama, it will be recalled, that Percy pave his first notable characterisation to the screen. The picture Is a competent adaptation ol English author's original work, t.nd, with Marmont's superb of the central character, "If Winter Comes" is dtscrvin? of youi Atte'ilion. Clara Eow.

In "Get Your Man." and tv o-i ri I photodrnma, "Elegy." said to be inspired by Massenet's immoi-1al composition of the same name, ill lie the leatures at the St. George I'lavho'ise tomorrow, Wednesday ami Tliur-day. Miss Bow, who is ably nrsistcd by Churles Rogers, succeeds, of course, in accomplishing what is indicated In the title, giving. r.n interesting demonstration ft that elusive quality, "it," for vhir-h site has become justly fainoui. Pieh.ud Dix in "Shanghai Bound." ma in attraction a.

tli 1' ip; ei'irmu on Friday and i 1:: Dili v.ill be seen in the trie a river pilot on the bandit infested YaugUo, who, having hl'XIION lirrrnpoliit, Sir. Manlint. Av, Luura, Jm I'lnnli. Hllk Khu almi VhikIcvIII HILL TION C'unihrrlillid, 112? Cumb'd. f'liim llou, l.rt )onr M.tn Do I ion Cuilelto PAKK HLOIMO AMI HDUMOWN Attnnllr, KlftthuH Donn I-n-d Tfior.iM.fi, Hiinriv, 3M Flnflmnh Fred Thnnimin, diimc Kit 1110 iirlloti.

T'luthilr-h 7th A v. Mnry I'lcklord, Mv Hnnm rytilul, 'A'il Wrifhinirton Ht, All-Htur 'nt Tlx hHk it mimd hIhii Hip HnuiHtd Il4l Itnfflclil, lnjlflfhl Ht nil lliiynor. To Vuiilrdt hIo Tltn Mm vr Nnll'itiiil, Wfi'ih. tt l'rnxfivt. II- AkWi'M, Inllrii' Itrro; uluo oltriilfntlul lforil.sil-i(o fi- Vint Av.I'mIm I'ull).

Unhn rriiiM-rf. li Ht Mh Av I 11 ti hi l.rt 1 frinliMil, Ilk A Vtnn. rii-Vfonl. M. KllXil.v, (:, J'MthcnOD, Sa9vVckotMWt'lry lkury, iu.