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The Brooklyn Daily Eagle from Brooklyn, New York • Page 44

The Brooklyn Daily Eagle from Brooklyn, New York • Page 44

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Brooklyn, New York
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44
Extracted Article Text (OCR)

8 THE BROOKLYN DAILY EAGLE. NEW YOlllv, SUNDAY, MARCH 5. 1922. Forde and Gitz Rice Burlesque Theaters York City's largest recruiting meetings, enlisting thousands for overseas. In spare time he devoted himself to I writing nongs.

"Dear Old Pal of Mine" made him. "Keep Your Head Galina Kopernak Down, Fritzi Boy," had a short but Jty POI.I.OCK. I continuous for a lone run. And every Kopernak is a compact, iit-atj week, nlmtst every day. there urp new em! voumied little Russian per- u' eon, lisiit btuo nd round of tye, with IIe terpr all kinds of In ad tr.ale into a mzzy uau uy a ioi ulinraoters In a season.

And very seldom does lie allow a director to tell him Just what to do. He will not be an automaton. If the I director says. "Walk down stage as I you read that line," or "Read this very popular life, espcially in the trenches. Beat Them at the Marne" was another of his war songs that brought popularity especially in England and Canada.

John MeCor-mack never fails to include his "Dear Old Pal of Mine" in his concert repertoire. Lieutenant Rice has also written several musical shows "Getting Together." the recruiting play in which Blanche Bates and Hoibrook Blinn starred a year, was a composition of this soldier-author. For their combined vaudeville vehicle, Mr. Forde and I.t. Gitz Rico have gathered some of their fcuccesses.

They came to the Shubert-C'rescent this week. tif light Iv. ov. curls cut short, a small, louud month tuat gives forth globular vowels Ui.S'-'d with a rich Russian a and .1 round smile, sometimes more often jolly, on a little lotmd face. She comes from whence tae round-head Nikita Two men with unique careers are Hal Forde and Lt.

Gitz Rice, who are now combined for an act in vaudeville. Hal Fordo, a baritone, discovered Ills talent ej i singer when he was an acrobat in a circus. I.t. Gitz Rice caine prominence through his compositions inspired by the war. Mr.

Forde is But his first appearance in "show business" was as an acrobat in Hengler's Circus. He traveled throughout the world and on one occasion got out of the circus long enough to become compound manager of tiie Symruer and Jack gold mine, in South Africa. From acrobat and gold mine manager he became clown in a circus. He discovered he had a voice and it was not long afterwards that he was in Spain and ioined speech with such and such an inflexion." the actor will protest, "I do not feel it that way" and ho won't do miprrpted not so long since, and fci.e arrived in America about a year the Searelle Opera Company in Cadiz The Casino. Barney Gerard's "Follies of tha Day," comes to the Casino this week.

It is said to he an unusual burlesauo show. "What Does the Public WaiitT-is the title. The opening scene depicts "Crea tion" where ideas are born. Tommy" "Bozo" Snyder Man Who Nevef has been entrusted with tha principal comedy role. Gertrude Hayes a youthful dancing miss, heads the list of fcminlna principals, and these two are sup.

ported by Billy Mossey and an asso. ciate cast of exceptional excellence. The Empire. At the Empire the attraction will be "Garden Frolics," with Lou Powers and Pearl Hamilton at the head of. the cast, which includes Lillian Bes.

sent, Mindell Kingston, Dot Stewart and Ed. Holder's, comedy trick mule, Tho Star. The "Pell Mell" Company, with twd burlesques, will be the attraction at the Star Theater. Among the per. formers are Charles Country, Billy, Kelly, Lew Howard, Chick Griffin, Frank Mallahan, Mabel White, Lucia Arnold, Mildred Franklyn, and the Pell Mell chorus.

For Tuesday eve. nine's special feature a big amateur show will be staged. '11 10 Gayety. "Milc-a-Minute Girls" will be the attraction at the Gayety. In the cast are Ray Read, Lee Hickman, Herbert Glass, Jim Wilson, Viola Behlen, Hat.

tie Dean and a chorus of 30 dancing high steppers. it in any way other than the ono that seems to him the best. He looks upon himself as an artist, not as a marionette. But it isn't often that the director attempts to be so exacting. Like Arthur Hopkins, he selects tho rrght actor for the part in the first place and then lets him alone.

Galina Kopernak came here by way of Vladivostok and Shanghai. In Shanghai she and a group of other Russians gave performances in English. It was then that she started to learn the language. Now she knows that the things fc'ie sees on the screen are "movies pictures." And she doesn't like them so very well. She wouldn't act in them unless she were eager only to make money, for to her they do not appear to be art.

In Russia, especially in tho smaller cities, there are movies pictures houses, but the films are not yet very popular in the big after l.avins traveled half T.ay it round the world or more. Now she 4s playing the loading role in the French "Jiontmartre" nt the Belmont Tinater, Manhattan, the story of a cicoltc indigenous to Montmartre whom fate or circumstance or whatever you want to call it whirled about in a vicious circle, landing her after seven years of unhappinesa right in Montmartre wheie she started from. It is an interesting play ar.d she is an alert and intciesting young lady. It is only a year since she began to learn English, preparatory to making her home in America and a position of prominence on the American stage; but. like many people from foreign countries, she can already talk Ameri- SOUSA TONIGHT Lt.

Com. John Philip Sousa will give a concert tonight at the Hippodrome, which will commemorate the 25th anniversary of the composition of his march, "The Stars and Stripes Forever." Many notables will be in the audience. One number on the program will be his new "Keith's Third March," his contribution to the Keith jubilee us a Uantone. This put his feet on the right path and he returner" to "lie-r. j1P was soon lending baritone In the original "Floradora" as a mi and came to America, but comedy called again and in ns been playing lead ing roles In "The Enchantress," "The Aue.e.

"The Girl from Brazil," "Oh. Mv Dear." and "Oh! Boy." Lt. Gitz Rice managed a piano busi can better than the Shuberts. She is ness in Montreal. Canada, when the war broke out.

He also had an interest in' a photograph establishment. On the day war was declared he was HENDERSON'S At Henderson's Theater Mae Murray in "Peacock Alley" is the feature photoplay of the first half of the week. Anna Chandler is the feature of the vaudeville bill. The feature photo for the last half will be Pola Negri in "The Last Payment" and Jeanette of France, a French girl, is the headliner for the vaudeville program. attending a party at which 60 were present.

The entire party pledged themselves a toast and immedintelv 1 nlnprl tho Galina Kopernak. colors of the First Canadian Contin gent, ur the 60 there are seven left. Lieutenant Rice was invalided to New York, where he conducted New AMCSKMEXTS BROOKLYN'. AMUSEMEXTS BROOKLYN. AMUSEMENTS BROOKLYN'.

THE PROSPECT The U. S. Navy Jazz Band will headline a bill of six acts at Keith's Prospect Theater for the first three days of the week. Several of the members of the organization are Brooklyn men and the band has played upon numerous occasions at the naval base in South Brooklyn. The feature photoplay for Monday will be the picture of the Canadian Northwest, in which a giant wolf dog plays a leading part, "The Silent Call." As an added feature of the show on Monday night there will be an "Old Time Fiddlers' contest.

Jack Norworth will top the new bill on Thursday and the photoplay announced will lie Lionel Barrymore in "Boomerang Bill." THE NATIONAL Today Miriam Cooper and George cities. Most of the Russian movies pictures are made from real, sincere and honest stage plays. The Russians do not like trash even on the screen. Miss Kopernak has done most of her acting in operetta, for she dances and sings as well as she acts. In Russia, operetta there is no musical comedy there requires that its performers be actors as well-as singers and dancers.

Without any music at all, says she, they would make interesting plays. In Shanghai a city by the way which she likes very much, since the climate is somewhat like ours though it doesn't make one plump and since the foreign population never works very hard, which does make one plump the performances she gave were on the order of Ralieff j-Chauve-Souris. Last year in this country she anticipated Balieff and his troupe by giving a show of the same sort at the Belmont Theater. She called it "Bi Ka Bo," and she says she knows what that means. It was BaliefC who originated the art -vaudeville which she and he hav brought to America.

Russia, Miss Kopernak explains, has nothing that is exactly like our vaudeville. But in some cities there are as many as 20 or 3J troupes like that of Balieff. And there are theaters where short 10, 15 or 20-minute plays usually serious-are given, the Intermissions being tilled with songs and dancing. The aim always is to achieve art. "I like drama," says young Galina, "I like it very much.

I like Trench farces and comedies, too, but drama best. I'm never so happy as when I'm playing in drama, drama that has characters in it that are real, who think about things, drama that has quiet curtains, makes no attempt to trick the emotions of the audiences, appeals primarily to the intelligence. One of the plays I am thinking about doing though I'm afraid its too frank for America starts with pistol shots and a husband's attempt to kill his wife. It sounds like trick melodrama. But it isn't.

If that is melodrama you will notice that it comes at the beginning of the play, it doesn't serve to work the audience insincerely up to a high emotional pitch. It is melodramatic merely because it is life and life is melodramatic once in a while. But the characters all talk like people and not like actors and they never talk for the dramatist, always for themselves. When you see a Russian play of this sort you can discuss it for hours afterward and never agree upon the Tightness or wrongness of any of the people in it. Because they are right some of the time and wron? some of the time.

They are real." Of course, all this is only a paraphrase of what Galina Kopernak said. We can't reproduce her accent or her idiom. She is an interesting person to listen to and to look it. In fact Miss Kopernak Is a nice girl. Walsh will be the attraction in "Ser 381 Concerts Sundays.

and 8:15. Week of March 6 Canrertd Sundays. and 8:15. Week of March 1 iiictirx iiv dkmasd BIG BILL OF COMEDY STARS ra UArniiL ruLLuus WILLIAMS WATSON WALTER 11 if In lift ltfa A mprlon I 'niiiiHitnii I I 1 IPM WILLIAMS WATSON WALTER enade." a romance of old Spain. Monday and Tuesday, Doris May in "Eden anil Wednesday and Thursday, Sigrid Holmquist in "Just Around the Friday and Saturday, Pauline Frederick in "Two Kinds of Woman" are the attractions for the remainder of the week.

C. KELLY The Virginian in "From Soup to Nuts'' SISTERS Offering "Horat-pltality" American enough at present to enjoy the canned phrases of "Dulcy" and see tho point of them. And she has already begun to translate Russian plays into English. Also they say that even now she can sing A fro-American songs b-s rhythmically as the darkest-skinned native, and jazz is no mystery to her. F.ut like most "foreigners" who come to our comparatively free country anJ are admired by our almost natives, she finds something to complain of.

She doesn't object violently to prohibition possibly because the word "tiovtlosser" is one of the firt in the contemporary vocabulary to be learned by visitors from uilier conn: lies nowadays anil she t'oem't object to the train service in the subway nor to the high cost of living nor to any of the things we natives kick about. Khe is original. Her one complaint is that America promises to make fat. This, of course, is a terrible arraignment of our ever so fair land. A entirely inoffensive! Russian irl come here in good faith without being forced against her ill to renounce her right to slimness end the consentient successful pursuit of happiness.

II" we thought it right to accept criticism from anybody ye should say that the matter ought to be looked into. One critic, writing of Miss Kopernak ihe day alter the opening of "Montmartre." spoke of her as plump That started the trouble. She didn't like it. American dramatic criticism is in bad way. Since that day Galina Koueinak has not been able to enjoy lierl food even when she can get enough mustard to put on it.

She doesn't know exactly why the country has this uncomfortable plie guesses it is the climate. t'cr-tainly she doesn't eat nearly as much, es she diil in Russia, where, before the war at least, every one ate all the time. She still eals all the time, of course, but not so much at a time. At any rate, she doesn't cat so much as Chaliapin. And after all, her accusation is false, rince she isn't fat at all.

Women must have something to complain of. Rrohably the truth is that she has just learned the word "fat" and wants to ise il in toTix it in her mind. 'No impression without expression," Ii' pychologists say. She has learned a large enough number of additional words to be able to jump into the east of "Montmartre" at short notice, rehearse only three short weeks, commit her part to memory without difficulty and give a very interesting performance. The only thing that bothered her was the American method of staging.

1'lnys are siaged differently in Jiussia. She was puzzled. Miss Kopernak wonders why there Is so much fuss about the morality or Immorality of the theater ill this country. She isn't used to hearing the stag" spoken of disparagingly. "it's different in Russia," says she.

"When I was a very little girl my parcel's not only allowed me to go to the fnater. bill they sent me. It was part of my education. Of course they didn't send nie to the farces and op JACK HEALY BENNY CROSS MARRY LITTLE ME BILLY AM PSEMEXTS BROOKLYN. QUIXEY A EM EXTH I JOOKI.YX.

AMISEM EXTH BIU )OKLYX. JOUR I BUMS A NK A BEN BEYER SHADOWLANP WILSON AUBREY TRIO BUOAUWAVS KAMOIS ST A II 'OMKIIA FRANK McINTYRE (TiiK sai.khm WrLvC i i u. i TELLER'S Matinees ELSA RYAN CO 1 rax flwEsrasanr mi in WII.M AM II Will IS IVesMi7UlUr Only Engagement in Greater New York 1 nUlNTAftfftjflgAvr5OUTH42O0l 1 1 1 1 1 (, WED, 7, SAM H. HARRIS Presents GEO. M.

COHAN'S COMEDIANS The Biggest Musical Hit on Earth ELSIE JANIS THE UNITED STATES NAVY JAZZ BAND AND EIGHT OTHER KEITH ACTS mill PHOTO IM.AV THE SILENT CALL With the EXTRA ADDED FEATURE JIIIMIAV MdllT Old-Time Fiddlers' Contest l.AI'AVIi'l TI-; H'JOCI TODAY SUNDAY HARRY WATSON JR. MII.IO I lv ntliors "The l.lKht in 111' Clearing." S.i-i Cist MICH (. 7. MISS JULIET HILTON NORTON MAJ. JACK ALLIEN OTII10H II.

I' KKTrll ACTS IRENE CASTLE in FRENCH HEELS TIM SI MAHCII It, III, I i John B. Hymer Co. ill "TOM WW.KK.lt 1 I 1 1 NEWHOFF PHELPS IITIIKK (I. K. MT LIONEL BARRYMORE in IKMMI M.

Iff I I TODAY. SUNDAY LEW DOCKSTADER, Others and LIONEL BARRYMORE in BOOMERANG BILL WKEK JIAItrH RUTH The ComnliViitic of Syiicofitinii SWOR BROTHERS MARCELLE FALLET OTHER B. F. KEITH ACTS llltl: KIMOl TIIK CA1IKO IRENE CASTLE With IHte Styles and Now Lhincoa in FRENCH HEELS SUNDAY MAT. AT 2:30 AND HER GANG in a Xrw niif Brilliant itrvite Itirrct from the iialety, St V.

Itrimfttl of i'fn miff Xavelty HOIBROOK BLINN AS A JOLLY BANDIT IN THE BAD MAN Satirienl ly B. F. Keith Concerts D- ciLn vuutens WEEK OF MAR. 13 I Till sr.v. JACK NORWORTH and 5 OTHER KEITH ACTS anil 1MIOTO IM.AV BOOMERANG BILL With LIONEL BARRYMORE DULCY with LYNN FONTANNE inil the Original X.Y.

I'ompany ISN'T IT A (II. I) THE WONDER SHOW OF ALL TIMES March 13 A. H. WOODS Presents The l.iuiKliinK Hit LADIES NIGHT IX A Tt'KKlNII HATH With N. Y.

Cast and Production TWO smiih iov a -wit. iMi iiiniii.nv a mi hiht erettas, but to the dramas. 1 hey are Important in Russia. Many of the theaters have inscribed on their cur II. WOOHS Trem-ntu A Nfw l-'iiree in vn NEXT tains the words.

be theater is a fo in I tiff, "The Rrondwfly Whirl" The Dill of Divorcement' WEEK Gelling Gertie's Carter Uimiiiiiiniiniiiiiiiiiiiiiiiiimiiiiiiiniiiin tgmiiiiiiiiiiiiHiiiiiiiiiiHiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiia The House of un Always Headlitiers nittinfc HiRh WORLD'S BEST VAUDEVILLE FOR THE- BIG CONCERTS TO-D EDVAiiD L. HYMAN And that just what the theater means 10 Russians. Maybe we aie more serious than other people, though we know how to have a good time. too. "Wherever you meet and talk to Russians at home, in the fields among the peasants or in the factories among the working classes, you will find that those you converse with always talk about something.

They are thoughtful, they have ideas, they are humble philosophers. they are constantly drawing conclusions from life. They don't talk about tho pome idea or other is always puzzling them and they think about it and talk about, it." Russia has no long-run theaters. Its Kinatl cities are full of playhouses in which slock companies perforin. They are real repertory theaters.

Their attractions are always changing. If a new play is a hit it will be repeated perhaps four or five times in the course of the season. But it Is never l.lvliiKKton nl llnnnvcr I'lnre MO.M'V, Tl KSIAV, KONKSOAY WALLACE REID in RENT Great Picture! lO MAT iTee''73 FREE Tf klrNomc Tnlc of Troublesome Trim it JANE O'ROURKE CO. I SHERMAN, VAN HYMAN In a WcHteni Comedy I'lnyli'f I lever Comedy Trio AMI OT II K.IIS THIKSIIAV, FRIDAY, SATIKDAY, SI" DAY BETTY COMPSON in The LAW and the WOMAN Adapted rofm "The Woman In tin 'nc, hy ('lydo I'ltch CLARK VERDI I CORSE PAYTON CO. i'olcliratcd Character Coined In on fn t.

Clever Comedy Playlet AM) OTHKRS THF.ATRK. Flatbniili At. find Fulton SI Phnne Sferllntr 2IMS THE -1II SICAI, COM F.I) STAIl A I'SFM F.XTS CHARLES PURCELL KEENEY'S BAY RIDGE THEATRE Til III!) AVK. AND 7l ST. ConiinrnelnK londay, will oner II'kIi CIiinu Drnmntie Sloek 1 1 Ii CORSE PAYTON And Snecllly Selected Company of llrondwny l-'avortien Into Star of "Mnylime." Miile 'rin file.

hy loews rr REVOORI Bedford A. find Brrvoort Plnce Sunday. March ft Sardnn's Immortal Romnnre THEODORA by FANNIE 7ie ftory of a Girl with a Oiifbn Soul Cast include? SEENA OVEN. NATT MOORE and J. BARNEY SHERRY Specially Staged Prologue.

vith CRITERION QUARTETTE and ESTELLE CAREY, soprano KING OP YS lab Tamed Mark Strand Orchestra Alois Reiser, conductot PEIJiJOTS DEEAMltaterpreted by Paul Oscard and Grace Eastman. Larry Comedy Sara Almanac Topical Eeviev LeROY SMITH'S SYMHPONIC ORCHESTRA Worhl'H Cirrnot Sy initalorM, Ft'HturiitK HUBERT KINNEY with Martha Shelby I ARIMI A I SENSATIONAL TOGO LOEWS ETR0P0LITA11 S5.OO0 IV TIIK III CST .10 1 uiv B. F. KEITH 7 Smith and l.lvlnttaton st. Monday Teuday ii, 7 TONIGHT AT 8:30 AGNES A HAL FORDE and GITZ RICE I'opn In Si ii k) CoiiinKkrM MLLE.

ANNA Cornell ieiittc FrniK'nUt I 'Silt Mareh tl, 7, The tiay Little Stnr VIOLA DANA in GLASS HOUSES (A l.oew-Motro I'ieture) nnvu. rrcniv thoi pi-: of Wonder Worker Barnm and ornley I Qlhrr It in I. liilmur K.tti.. lie? llrnnrtl tint. Co.

tWeilti A' VI -Cotmoiii'lilnii ttre MOVF.I. KAIEIIVMOKK In "lioOMK.KAMi Illl.l." In Her Klrnt Slnrrins; Vehlele THE LANK THAT HAD NO RMMI" Krom Sir Parkrr'n ovl Can Inrlurii-B THKOnOKE KOSI.OKK Vcdnodar, Thurmla), March CONSTANCE BINNEY In. a Comedy Drama M1DMUHT" "GENERAL" ED LA VINE MOM Fit IS. II AKUI II ITU Oilier SeHt jlll-, MASON KEELER in I'orlrr Kmerwoii Rrnnnr'n onipily lnM, A IS I Kl CONWAY TEARLE In "A WIDK-OPFX TOWV MOMlU ZHAIMi. II P.KOOK l.

IIIKIIKSIHM MK'IKTY HciliTl .1. Ctmltlctiir AtrVtnB JCHK COFJGHANI Sent H'x Oft. re Now TUT Itm TriUICUT Din ellMRIV MUnCIT AH W'eeh. nr-innina: fe-: t(hiipiit nip emir.iv pnunciT ah iv Sunday, liar. Id, 11, JJ CJSrjti B.

ne MII.I.K'S 'In Fridnv. Sntnrdny. Siimlny larvb 10, 1 I. ja. I WALLACE REID in The World's Champion AVitk I.OIS WKBKIl TOYI.WO FHOI.ICS Crrn Tate Taylor Fraud Kxcopt Sun.

I lUillOni UIU tiUIIUHl UUilJUII Mnwlily MltlillFa XM lU.llOllI DIU OUHLiHI UU.ljl.ll I 25c 50c Daily Mats NIGHTS. 25c, 50c, 75c, $1 feu per Production A $200,000 PROD'JC 1 ION -All Stars TODAY 2 BIG CONCERTS 2:15 and 8:15 P. FOOL'S PARADISE With nnnoi'Hy niTov. co.vrad MII.IMIKII Hriltl, THDOIIOHB KOM.OKK IITHKH IVTKHF.STIMi KEATIHKS I.OEVV'S SY.MPHO-NY OKC1IKS1HA ACADKM OF MUSIC 4 Weil. Tliur.

ujlllll 1 GERARD'S MAR. 15 16 unci Nislit mm 14Til AN.VfAI. -URLESQUK Sr. Fulton I'honr Trlnniile iVJl MATS. IHIIV TO'IOKKOW 1'AKK KI-OI'E AX1 IIOUNTOn B0Z0" SNYDER Same mm IV tttinny.

314 Flatbush Av. Mnnon llnvies. IHf isrwe-s (iirltiin. Flnt. 'th Av Wnnila Ilmvley.

Ton Mmh MHrniv Ppmcim-Ii AIIpV: nlMO Wm. 1-ai'iium Comedy iThp Mim H'Iiii Never S'iriKl I II I III III) IIAVFS. .111. H'KltKII Ev.ry SunilUT Hie ronrerls Jiegintiing Monday MaUnee 10m Dana AMI A Vtll Tlll ll. CHOItl OP ItKM I II 1 1.

l.lili.S wira i .1 ille AW SHOW FCHpF'Wt ptOPlJ This Show It the Talk of th Country (5fci lo ipe i WHWi IN tJtWIDOID SONGS- 11 Hroadwar Si Tnrcop At. Mrtt. iMtir. Tel. Win! i.

f'-'-l'-i liurlctiau Ai It'll Like It iferjfintt'mi outlay Mntinre i-Mjit-' lV3 CCMPANYCFACTlSrS )sf IVIers. to Ttan rrf.i7.-ThV mr- i'rosiwrt, 9lh St. 5th Av. For a Woman; lwi mldovllle Illl.l, SECTION Cumberland. 3:7 Cumb d.

Swanson. 1 nder Ihe Ijih .12. Hamni.TstcIa ItKDFORIt HKC'TION Bed TWa-en 'omi TnlmadRe. Lnvr'H Krllemplion nlsn Vn-idelllle Vt" Fm-e of the World. The Sheik Itifu-m St.John's-KlngSton..Tlie L'irht In the lfanna: also Vaudeville FI.ATBl SII SKCTION 1 ll.emnrle Fint A Ih le l'otn Neirrl.

Vendetta: nl-o Frank Mayo, Ti Heked to Fnrtll Vo'tJaiid Ma. Ilonald Tru: mir Wife. MILE-A-MINUTE GIRLS Willi liA F.Alt Funny Amulrnl- Wrdiirwdar A'IkIiI inc. vt i.ni i 2 VWIKS MKIiiw. AOr to frS SCATS NOW I i ay A EMPIRE EH Fop.

Frio fc.v. llii -int-pit Aflpriiftim nntl N'luht AH II i-'h it Wnfincc lllii I I lr'enl SUPREME THEATRE ri i.tov i'kiimi'kc'I' 141:1 (Minn oimmm, of i'kii i muck TODD PLAYERS with LAURA WALKER COMMON CLAY Tint of l'iMshiiii(l TliriH Lire! V't. fn iil. 7.f I'rililrl'M. T'irn.

A TimI itc HtU, Iln i I 1 1V KA! mm GARDEN FROLICS Farracnt. Flat. "on ra Cliidya Walton. IJf ie Hurry Kinirsw'v KtnRR -CM. Av.

Hetty The Law aid the Woman; 1 l-o a nmedy linden 815 Flatbush Av 'nek Hill. The C-im lomeliiin Hits of Life Mhluni'id Av .1 Kill Our Mntiml lYiend 1 Fereuson Mns' Flatbush Pn-rmore. Boemeninr Hill: alo iideville iirksiile 7 'H Flathwah Norma Tulmmlce. lie I. AT-nie; also rmedv Kinllo idxf.

Flathusli v. Alurie Fn-voal. A lla'iit' rinis I.lttle Ih-innn. SiiKple'ntia wlrcg VNf'e 16 St. i- KewKlrk.

Alice Itrndy. I.MIIe Italy Hebe Daniela HI SI'WICK SKCTION' Alhamlira. Knk-k. Hai-i-v. I I.lod.

A Sailor Man: also Vni ilevilla Colon al. lnuntry.lHi't K-wortb. White Hands Il'ilrt 1. v.iv Huls. ll-SI11r a t.

also Vaudeville tiKF.FXI'OINT SFtTION (ireenpo'iiil, i Manhat. Av.AII For a Woman; also Vaudeville IVII.l lUi PiFCTIDX Iti pulilir. Orand Kep All For omun; also Vaiidevil! RINK I "mil i r- iry. il I. i I R' I IT" I i' i 'l IHI'I FATHER FINN'S PAULISTS CIIOUISTKJiS "iliK'r Vl'i I -l.

AN It March 3 l. I- A .11 i a i i I'll, 11 ii, V'i Ml II llll Ii' is at 'ow I I' fni.A in I.AT IV.VJIIJM'." r.iil a Hir Vaudi Pi.m llii-ri MlfrniiMii I licolnl A I It'll I Inn In nu 1 11 llr it II A ill. IV PJAS'I.

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Pages Available:
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Years Available:
1841-1963